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What Shall We Do with Our Old? (1911)

 -  Drama | Short  -  13 February 1911 (USA)
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Ratings: 6.3/10 from 169 users  
Reviews: 6 user | 1 critic

An elderly carpenter is told by a doctor that his wife is seriously ill. Soon afterwards, an insensitive shop foreman lays him off from his job because of his age. Unable to find work, and ... See full summary »


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Credited cast:
W. Chrystie Miller ...
The Old Carpenter
The Old Carpenter's Wife
Adolph Lestina ...
The Doctor
George Nichols ...
The Judge
Rest of cast listed alphabetically:
Elmer Booth ...
Assaulted Prisoner
William J. Butler ...
In Shop
Night Court Bailiff
Edward Dillon ...
In Shop
John T. Dillon ...
In Shop / In Jail
Frank Evans ...
In Court
Francis J. Grandon ...
Guy Hedlund ...
Young Carpenter in Shop / In Court
J. Jiquel Lanoe ...
In Court
Wilfred Lucas ...
Angry Prisoner
Alfred Paget ...
In Shop


An elderly carpenter is told by a doctor that his wife is seriously ill. Soon afterwards, an insensitive shop foreman lays him off from his job because of his age. Unable to find work, and with his wife's condition getting worse, he soon becomes desperate. Written by Snow Leopard

Plot Summary | Add Synopsis

Plot Keywords:

old age | social issues


Drama | Short





Release Date:

13 February 1911 (USA)  »

Filming Locations:

Company Credits

Production Co:

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Technical Specs


Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?


Title Card: [after the old carpenter's wife starves to death] Nothing for the useful citizen wounded in the battle of life.
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User Reviews

"Wounded in the battle of life"
21 June 2008 | by (Ruritania) – See all my reviews

In What Shall We Do with Our Old? we can see Griffith grasping towards a perfect expression of poignancy in his short features. Here, his approach is all about subtlety and simplicity.

The fact that the story can be conveyed through just a handful of intertitles allows for more realistic and emotional acting. In many early silent pictures (Griffith's included) half the performance was about revealing plot or character through ridiculous pantomime. Here, there is no need for that, and the acting is much more purely about conveying mood and tone, with the slow, sombre movements of the elderly couple. Later on, the bustle of the courtroom and the prison cell give a more frantic feel. By now a brilliant master of pace, Griffith slows things down again for the final scene.

Griffith's shot composition was also becoming increasingly refined. He arranges extras in lines that draw the audience's attention to particular points of action. It's also great how the even the set design matches the pace of each scene – the home is bare and Spartan, the workshop, courtroom and prison cell are full and layered.

Being a kind of social protest piece, What Shall We Do with Our Old is in a similar vein to 1909's A Corner in Wheat. However, while Griffith has clearly moved on in his direction and arrangement of actors, it lacks the dynamism of the earlier film. It's a shame, because having more fully rounded characters (as opposed to A Corner in Wheat's faceless crowds) it should have a greater impact. Having said that, with several scenes apparently lost it is difficult to judge what we are left with.

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