The Wonderful Wizard of Oz (1910)An early version of the classic, based more on the 1902 stage musical than on the original novel. Director:Otis Turner |
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The Wonderful Wizard of Oz (1910)An early version of the classic, based more on the 1902 stage musical than on the original novel. Director:Otis Turner |
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| Bebe Daniels | ... | ||
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Hobart Bosworth | ... | |
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Eugenie Besserer | ... | |
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Robert Z. Leonard | ... | |
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Winifred Greenwood | ... | |
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Lillian Leighton | ... | |
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Olive Cox | ... | |
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Alvin Wyckoff |
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Marcia Moore |
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Chased off by the antics of Hank the Mule, Dorothy ends up in her cornfield, where she realizes her family's Scarecrow is alive. She helps him down and he takes a tumble on the turnstyle. A cyclone soon arrives and leaves Dorothy, Scarecrow, Toto and Hank spinning around on a haystack, with Imogene the Cow flying soon after. Soon after their arrival, the Wizard of Oz issues a public decree that he is a humbug, to make sure no one ever finds out. Glinda pops up out of the background and transforms Toto into a man in a bulldog suit to serve as a better protector for Dorothy. Then they encounter the Tin Woodman, the Cowardly Lion, and Eureka. Nevertheless, she is captured by Momba, the Wicked Witch of the West (suggesting Baum thought the other witches were Mombe, Mombo, and Mombu, in keeping with the council in _Queen Zixi of Ix_) and her flying lizards and soldiers. Dorothy defeats Momba, and they arrive at the Emerald City just in time for the Wizard's going away party. Written by Scott Andrew Hutchins <scottandrewh@home.com>
TCM showed this silent short one night while showcasing their Treasures of the American Film Archive, and at 13 minutes, this version of THE WIZARD OF OZ is quite engaging. I can only wonder, though, at the reactions of an audience, circa 1910, going to theatres and watching this version of a story that 20 years later would become one of the most enduring classics not only for children but adults alike, because seeing the events portrayed here just only shows how little we had back then, how much we have now... and why these little shorts are worth preserving. On that basis alone I'd recommend viewing this version devoid of preconceived notions of modern cinema, but as an intellectual ride.