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Frankenstein (1910)

 -  Short | Horror | Sci-Fi  -  18 March 1910 (USA)
6.5
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Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée ... See full summary »

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Title: Frankenstein (1910)

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Cast

Uncredited cast:
Mary Fuller ...
Elizabeth (uncredited)
Charles Ogle ...
The Monster (uncredited)
Augustus Phillips ...
Frankenstein (uncredited)
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Storyline

Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée but on his wedding night he is visited by the monster. A fight ensues but the monster, seeing himself in a mirror, is horrified and runs away. He later returns, entering the new bride's room, and finds her alone. Written by Doug Sederberg <vornoff@sonic.net>

Plot Summary | Add Synopsis

Genres:

Short | Horror | Sci-Fi

Certificate:

Unrated

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Details

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Release Date:

18 March 1910 (USA)  »

Also Known As:

Франкенштейн  »

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Technical Specs

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Sound Mix:

Color:

(tinted)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Prior to the film's rediscovery, only a few images of Charles Ogle as The Monster were known to exist. Interestingly, Ogle looks a lot younger in the film than he does in the photographs. See more »

Connections

Version of Frankenstein General Hospital (1988) See more »

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User Reviews

 
Film School Classic
18 February 2000 | by (Milwaukee, Wisconsin) – See all my reviews

Edison's production of Shelley's _Frankenstein_ is, for its time, groundbreaking. While it doesn't have the ingenuity of some of its predecessors, _A Trip to the Moon_ comes to mind, it is nonetheless a short that attempts to make effective use of lighting, smoke, and splicing. Thematically, it offers a Faustian approach to Victor Frankenstein. The actor who portrayed the Monster was, of course, overacting and part of that is due to the fact that this film is a silent feature that relies more on physical out-takes than dramatic monologues. I gave the film 9 out of 10, basing most of this score upon its clever use of effects and interesting (although only somewhat effective) use of themes.


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