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Good Men, Good Women (1995)
"Hao nan hao nu" (original title)

7.3
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Ratings: 7.3/10 from 618 users  
Reviews: 10 user | 11 critic

Intended as the concluding film in the trilogy on the modern history of Taiwan began with Beiqing Chengshi (1989), this film reveals the story through three levels: a film within a film as ... See full summary »

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(novel), , 1 more credit »
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Title: Good Men, Good Women (1995)

Good Men, Good Women (1995) on IMDb 7.3/10

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11 wins & 2 nominations. See more awards »

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Cast

Credited cast:
Annie Shizuka Inoh ...
Liang Ching / Chiang Bi-Yu
Giong Lim ...
Chung Hao-Tung
Jack Kao ...
Ah Wei
Rest of cast listed alphabetically:
Ah-Cheng
Chia-Hui Bao
Cheng-Liang Chen
Chiao-e Chen
Duan Chen
Fei-Wen Chen
Hsin Yi Chen
Ming-Chung Chen
Shu-fang Chen
Yi-Shan Chen
Kuei-Chung Cheng
Ching Hsia Chiang
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Storyline

Intended as the concluding film in the trilogy on the modern history of Taiwan began with Beiqing Chengshi (1989), this film reveals the story through three levels: a film within a film as well as the past and present as linked by a young woman, Liang Ching. She is being persecuted by an anonymous man who calls her repeatedly but does not speak. He has stolen her diary and faxes her pages daily. Liang is also rehearsing for a new film that is due to go into production soon. The film, entitled Haonan Haonu, is about a couple Chiang Bi-yu and Chung Hao-tung who returns to China to participate in the anti-Japanese movement in China in the 1940s and are arrested as communists when they go back to Taiwan. Written by L.H. Wong <as9401k56@ntuvax.ntu.ac.sg>

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Genres:

Drama | History | Romance

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Release Date:

9 December 1995 (Japan)  »

Also Known As:

Hao nan hao nu  »

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1.78 : 1
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Connections

Features Late Spring (1949) See more »

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User Reviews

 
Hou's critique of old and new Taiwan.
2 August 2002 | by (New York City) – See all my reviews

Director Hsiao-hsien Hou seem to be fascinated with the disconnected newer generations in contemporary Taiwan, including it in other films like "Goodbye South, Goodbye". In this film, he takes on the period after the Nationalist retrieved to Taiwan and parallels it with the modern day, putting one story in another as a story which the film is to be based on within a film. In both stories, it is about the turbulent times in which the people as a whole act self destructively, either doing what they think is right as in the Nationalist government or due to their disassociation with the rest of society. The anonymous faxes in the modern period seem to be an indication that incidences either swept behind or intentionally forgotten will come back to haunt you until the issue is confronted. A message that the brutality that happened after the Nationalist's arrival in Taiwan should not be forgotten or ignored, but should eventually be dealt with.

This is a movie that bravely confronts issues in a country that is too preoccupied with trying to juggle for positions in the global market. A reminder to everyone that a country's history does not consist of only the valiant highlights, but also of shameful past that should not be discarded.


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