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Eat Drink Man Woman (1994)
"Yin shi nan nu" (original title)

 -  Comedy | Romance | Drama  -  3 August 1994 (USA)
7.8
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Ratings: 7.8/10 from 11,674 users  
Reviews: 68 user | 48 critic

A senior chef lives with his three grown daughters; the middle one finds her future plans affected by unexpected events and the life changes of the other household members.

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Title: Eat Drink Man Woman (1994)

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Nominated for 1 Oscar. Another 6 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sihung Lung ...
Chu
Yu-Wen Wang ...
Jia-Ning
Chien-lien Wu ...
Kuei-Mei Yang ...
Sylvia Chang ...
Jin-Rong
Winston Chao ...
Li Kai
Chao-jung Chen ...
Guo Lun
Chit-Man Chan ...
Raymond
Yu Chen ...
Ya-lei Kuei ...
Madame Liang
Chi-Der Hong ...
Class Leader
Gin-Ming Hsu ...
Coach Chai
Huel-Yi Lin ...
Sister Chang
Shih-Jay Lin ...
Chief's Son
Chin-Cheng Lu ...
Ming-Dao
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Storyline

Senior Master Chef Chu lives in a large house in Taipei with his three unmarried daughters, Jia-Jen, a chemistry teacher converted to Christianity, Jia-Chien, an airline executive, and Jia-Ning, a student who also works in a fast food restaurant. Life in the house revolves around the ritual of an elaborate dinner each Sunday, and the love lives of all the family members. Written by Will Gilbert

Plot Summary | Add Synopsis

Taglines:

A comedy to arouse your appetite. See more »

Genres:

Comedy | Romance | Drama

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

3 August 1994 (USA)  »

Also Known As:

Eat Drink Man Woman  »

Box Office

Gross:

$7,294,403 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The opening sequence - in which a Sunday lunch is lovingly prepared - took over a week to film. See more »

Goofs

When Madame Liang arrives by cab at her house together with her daughter and her grandchild, it is heavily raining, however, right in front of the taxi the road is wet, but there are no rain drops visible, in particular not in the puddle right in font of the cab. See more »

Quotes

Chu: I don't understand any of them, and I don't want to know. Let them grow up and leave. It's like cooking. Your appetite's gone when the dish is done.
Old Wen: That's not the worst thing. At least people like your cooking.
Chu: Honestly, Id' have to give that up if it hadn't been for you lately. My sense of taste is getting worse and worse. My food is only as good as the expression on your face.
Old Wen: Don't be silly. You rely on your feelings when you cook, not your taste buds. Like that Western deaf composer, ...
[...]
See more »

Connections

Remade as Tortilla Soup (2001) See more »

Soundtracks

COFFEE HOUSE ROMANCE
Vocal by Anthony Wong
Lyrics by Hiu-Yeung Chung
Music by Anthony Wong
Arrangement by Tak-Choi Choi
Courtesy of Music Factory
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Well-Crafted And Observant
8 May 2002 | by (United States) – See all my reviews

The well-traveled metaphor of food as communication is given a tender, appealing treatment in Ang Lee's finely observed film about a widower whose aging and loneliness have caused him to lose touch with his three grown daughters, each of whom is looking for love in modern-day Taiwan. The father (a gallant Sihung Lung) is a master chef who has begun to lose his sense of taste while attempting to come to grips with his daughters' increasing independence and the failing health of his best friend (Jui Wang); he begins to question the basis of existence, namely love and food. The daughters, meanwhile, feeling cramped by their father's distance, begin to explore notions of freedom from their cramped quarters. Lee is in a positive, sympathetic frame of mind here, articulately exploring the theme of alienation that he would later revisit with a much more gloomy perspective in `The Ice Storm' and though the film holds virtually no surprises, it is a stylistic success, easy to like and moving effortlessly with a superior sense of rhythm; it's always pleasing, even when the content feels overly familiar. He demonstrates a healthy respect for his characters (with the exception of a divorcee whose bitter views of marriage don't stop her from pursuing Lung)--everyone gets to play out their lives with dignity and happiness and without an ounce of filmmaker moralizing.


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