Fugui and Jiazhen endure tumultuous events in China as their personal fortunes move from wealthy landownership to peasantry. Addicted to gambling, Fugui loses everything. In the years that ... See full summary »
A pregnant peasant woman seeks redress from the Chinese bureaucracy after the village chief kicks her husband in the groin in this comedy of justice. As she is frustrated by each level of ... See full summary »
In 1930s China a young woman is sent by her father to marry the leprous owner of a winery. In the nearby red sorghum fields she falls for one of his servants. When the master dies she finds... See full summary »
A woman married to the brutal and infertile owner of a dye mill in rural China conceives a boy with her husband's nephew but is forced to raise her son as her husband's heir without ... See full summary »
Not far from Shanghai, in a country twon stands the palatial home of the Pang family. Old Master Pang is an addict who brings up his beautiful daughter Ruyi on opium smoke. Her older ... See full summary »
'Yellow Earth' focuses on the story of a communist soldier who is sent to the countryside to collect folk songs for the Communist Revolution. There he stays with a peasant family and learns... See full summary »
"Farewell, My Concubine" is a movie with two parallel, intertwined stories. It is the story of two performers in the Beijing Opera, stage brothers, and the woman who comes between them. At the same time, it attempts to do no less than squeeze the entire political history of China in the twentieth century into a three-hour time-frame. Written by
Michael Kim <email@example.com>
Leslie Cheung was The first Hong Kong actor who acted in a mainland China film. See more »
In the streets on the eve of the Communist takeover (1948), Dieyi and Xiaolou watch the chaos unfold while seen between them in the background is Master Zhang the Eunuch. The next shot reveals Master Zhang sitting across the street from them. See more »
The film paints the story of two actors, from their first encounter at school in the Twenties through their success as stars of the Peking Opera, difficulties during the Japanese occupation, the Communist takeover in 1949 and the traumas of the Cultural Revolution in the Sixties
For the so-called Fifth Generation of Chinese filmmakers, the film touches new ground on two fronts In the first place, though it does not avoid from acknowledging the sufferings under the old regime, it takes an embittered view of Communist society and of the Cultural Revolution specifically
The two friends, Xiaolou and Dieyi, adopt a young man, Xiao Si, who becomes one of the Red Guards and quickly informs the political sins of his benefactors
Second the film is a love story of a rare kind Dieyi is a homosexual and suffers rejection when Xiaolou begins an affair with Juxian (Gong Li), a gorgeous prostitute The personal conflict of each character is the heart of this exceptional movie
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