When three close friends escape from Hong Kong to war-time Saigon to start a criminal's life, they all go through a harrowing experience which totally shatters their lives and their friendship forever.
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In 1967, on the way to the wedding of a friend a young man is accosted by a local gang member. Later, the three friends administer justice, in the process of which the gang member is killed, so they leave Hong Kong to avoid the police and the gang. They run black market supplies to Saigon and get embroiled in the war, being arrested as Viet Cong, then later captured by the Viet Cong, and find that their friendship is tested to the limits as they try to escape. Written by
Ed Sutton <firstname.lastname@example.org>
Like Woo's previous film, The Killer (1989), this did not do well in Hong Kong because audiences didn't like the allusions to the Tienamen Square massacre during the riot scenes. Woo was deeply affected by the massacre and felt badly that he touched such a raw nerve in people, but at the same time he felt the Chinese people should react and not hide from it. See more »
When the action moves to Vietnam the movie posters ('Dien Bien Phu', etc.) shown are films that came out well after the Vietnam war was over. See more »
You're pointing a gun on a good friend you've known for more than a decade!
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Fleeing from a murder rap during the political turmoil of 1960's Hong Kong, three devoted friends (Tony Leung Chiu-wai, Jacky Cheung and Waise Lee) seek their fortunes in war-torn Vietnam and are ripped apart by greed and betrayal.
John Woo's ambitious movie - an operatic valentine to his youth in HK and his love of David Lean epics, and a response to the Tiananmen Square massacre in 1989 - went over-schedule and flopped at the local box-office when released in 1990, but has since been recognized as one of the finest productions in HK film history. Newcomers Leung, Cheung and Lee are terrific as the three friends whose lives are devastated by the violence they encounter in a foreign land, and they're matched throughout by Simon Yam as the Eurasian hit-man who rescues them from the worst of their experiences. For all its explosions and gun play, however, BULLET IN THE HEAD is a very human drama, played out against the vast backdrop of the Vietnam conflict, and invested with a palpable sense of love and compassion for its leading characters. Cinematography and editing are world-class, and Woo's dark-hearted script (co-written by Patrick Leung and Janet Chin) incorporates the themes of loyalty and brotherhood which have shaped and defined all of his films since A BETTER TOMORROW (1986). Cheung's final scene is absolutely heartbreaking; classic score by James Wong and Romeo Diaz.
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