In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
Anthony Wong Chau-Sang
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
Detective Azuma is a Dirty-Harry style rogue cop who often uses violence and unethical methods to get results. While investigating a series of drug-related homicides, Azuma discovers that his friend and colleague, Iwaki, is supplying drugs from within the police force. After Iwaki is murdered and Azuma's sister is kidnapped, he breaks all the rules to dish out his particular form of justice. Written by
Todd K. Bowman <firstname.lastname@example.org>
The original script was a comedy. Kitano was then very concerned about the audience recognizing his acting skills and he didn't feel that a comedy would allow him to act nor allow the audience to abstract from his comic TV personality. So he rewrote the script, removed all comedy and turned it into a drama. See more »
[Azuma has run over a man with a car.]
Why'd you hit him?... He might be dead!
[The man appears suddenly and begins smashing out their windows with a bat.]
Does he look dead to you, idiot?!
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There are no opening credits beyond the title. See more »
Takeshi Kitano's films that have been celebrated in the West--SONATINE and the elegant FIREWORKS--are art movies with a pulpy whiff of hickory smoke blown over them. For my money, the real Kitano is found in early pictures like BOILING POINT and this programmer, generally called in America VIOLENT COP. There's always a strange mix of art movie and pulp movie in Kitano, but in this one the balance is about fifty-fifty. Kitano's trademark style--Ozu-like tranquility pierced by chancres of irruptive violence--was never so deftly jiggered as it is here. And Kitano's own performance--log-faced yet queerly piquant--ranks with Robert Mitchum at his peak.
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