Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the ... See full summary »
In 1923, the Korean teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of ... See full summary »
Detective Azuma is a Dirty-Harry style rogue cop who often uses violence and unethical methods to get results. While investigating a series of drug-related homicides, Azuma discovers that his friend and colleague, Iwaki, is supplying drugs from within the police force. After Iwaki is murdered and Azuma's sister is kidnapped, he breaks all the rules to dish out his particular form of justice. Written by
Todd K. Bowman <email@example.com>
The original script was a comedy. Kitano was then very concerned about the audience recognizing his acting skills and he didn't feel that a comedy would allow him to act nor allow the audience to abstract from his comic TV personality. So he rewrote the script, removed all comedy and turned it into a drama. See more »
[Azuma has run over a man with a car.]
Why'd you hit him?... He might be dead!
[The man appears suddenly and begins smashing out their windows with a bat.]
Does he look dead to you, idiot?!
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There are no opening credits beyond the title. See more »
Kitano's masterpiece number 1:it is the method which counts when cops deal with hoodlums.
Violent cop is an excellent film in the league of cops versus hoodlums genre.What is amazingly unique about it is that even though maverick master Kitano has always maintained close proximity to the sphere of Japanese Yakuza gangs,he has nevertheless been able to portray a concise,crisp,candid vision of the sordid milieu of the Japanese cops. While watching it,I was mesmerized by its mellifluous soundtrack which has some of the most haunting effects ever recreated for a film.As far as similarities with Dirty Harry are concerned one must look at that aspect from cultural point of view.In Kitano's film there is good deal of respect for family relations. I don't know whether the same holds true for Eastwood's film.It can be said that those liking this film will be impressed by one of its opening sequences which best exemplifies the notion that the method adopted is acceptable if the results achieved are satisfactory. All in all this film is a decent commentary about the sorry state of affairs of Japanese police system which is not at all different from those of other countries.
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