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A Corner in Wheat (1909)

 -  Short | Drama  -  13 December 1909 (USA)
6.7
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Ratings: 6.7/10 from 1,316 users  
Reviews: 18 user | 5 critic

A greedy tycoon decides, on a whim, to corner the world market in wheat. This doubles the price of bread, forcing the grain's producers into charity lines and further into poverty. The film... See full summary »

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Cast

Cast overview:
Frank Powell ...
Grace Henderson ...
James Kirkwood ...
Linda Arvidson ...
W. Chrystie Miller ...
Gladys Egan ...
Henry B. Walthall ...
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Storyline

A greedy tycoon decides, on a whim, to corner the world market in wheat. This doubles the price of bread, forcing the grain's producers into charity lines and further into poverty. The film continues to contrast the ironic differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit. Written by James Meek <james@oz.net>

Plot Summary | Add Synopsis

Genres:

Short | Drama

Certificate:

G
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Details

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Release Date:

13 December 1909 (USA)  »

Also Known As:

A gabonatőzsde spekulánsai  »

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The scene in which the farmer sows his seeds is an animated reproduction of Millet's famous painting 'The Sower'. See more »

Goofs

When the Wheat King reads the letter regarding his increase in wealth, he is wearing gloves. After he falls into the wheat pit, there is an un-gloved hand reaching for the heavens; however, when they pull him out, he is once again wearing gloves. See more »

Connections

Featured in To Boldly Flee (2012) See more »

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User Reviews

 
Griffith's Wheat is a cinematic harvest.
15 January 2010 | by (United States) – See all my reviews

D.W.Griffith's condensed interpretation (14 minutes) of social conscious novelist Frank Norris's The Pit is an early and beautifully crafted example of what incredible influence film could exert in conveying its message to the masses.

A Corner in the Wheat is a clear and concise portrayal of Capitalistic greed as Griffith masterly employs the early tools of the trade to convey and condemn the repercussions of such action. It is early juxtaposition at its best as cross cuts between the have and have nots with well paced editing and striking compositions (the wheat field scenes are right out of Vincent Millette)that graphically illustrates the imperfection of the system.

There is a powerhouse finish rich in irony in this subversive work by the aristocratic Griffith that clearly must have inspired and influenced the work of the great Russian Socialist directors and by doing so adds final irony to this early work of pure cinema.


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