A greedy tycoon decides, on a whim, to corner the world market in wheat. This doubles the price of bread, forcing the grain's producers into charity lines and further into poverty. The film... See full summary »
A young wife and her musician husband live in poverty in a New York City tenement. The husband's job requires him to go away for for a number of days. On his return, he is robbed by the ... See full summary »
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the ... See full summary »
George S. Fleming,
Edwin S. Porter
James H. White
At the royal court, a prince is presenting the princess whom he is pledged to marry, when a witch suddenly appears. Though driven off, the witch soon returns, summons some of her servants, ... See full summary »
A jilted husband takes his revenge by filming his wife and her lover and showing the result at the local cinema. This was one of Starewicz' first animated films, and stars very realistic ... See full summary »
A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are ... See full summary »
When her father becomes ill, a young woman takes over the telegraph at a lonely western railroad station. She soon gets word that the next train will deliver the payroll for a mining ... See full summary »
Francis J. Grandon,
On a warm and sunny summer's day, a mother and father take their young daughter Dollie on a riverside outing. A gypsy basket peddler happens along, and is angered when the mother refuses to... See full summary »
Arthur V. Johnson,
In this story set at a seaside fishing village and inspired by a Charles Kingsley poem, a young couple's happy life is turned about by an accident. The husband, although saved from drowning... See full summary »
Arthur V. Johnson,
"In the opening of this film is seen the astronomer intently poring over his books. Suddenly, in a cloud of smoke, Satan appears and surprises the astronomer. At the command of the Fairy ... See full summary »
A greedy tycoon decides, on a whim, to corner the world market in wheat. This doubles the price of bread, forcing the grain's producers into charity lines and further into poverty. The film continues to contrast the ironic differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit. Written by
James Meek <firstname.lastname@example.org>
The scene in which the farmer sows his seeds is an animated reproduction of Millet's famous painting 'The Sower'. See more »
When the Wheat King reads the letter regarding his increase in wealth, he is wearing gloves. After he falls into the wheat pit, there is an un-gloved hand reaching for the heavens; however, when they pull him out, he is once again wearing gloves. See more »
A Corner in Wheat is one of the five or six really outstanding Biograph shorts. Here, DW Griffith draws together all the techniques he had been perfecting over his last year in the motion picture business moving actors in depth for maximum effect, restrained, realistic performances, a consistent tempo, succinct, unobtrusive intertitles, atmosphere conveyed through setting, and the varied possibilities of the editing process.
What is most obvious here is the development that Griffith is probably best known for, which is his cross-cutting. He had already explored cross-cutting for excitement or suspense, and even to compare events going on in completely separate locations, but here he is cutting between seemingly separate narratives which, when put together tell one coherent story. He is perhaps the first filmmaker to show social cause and effect on such a grand scale.
There are plenty of other nice touches along the way. Particularly memorable are the shots of the farm family, with the wind pulling at their clothing, and the stark trees and barren landscape mirroring their situation. But what is perhaps the greatest sign of competence here is the way these images give a sense of unity to the whole, with the desolate farm scenes book-ending the short. It's this development of structure that was perhaps Griffith's most important contribution.
A Corner in Wheat is not quite perfect though. In particular, the acting performances are not amazing, and one crowd shot is simply a chaotic mess. Griffith's handling of a cast would improve in the years to come, not to mention the fact that he would later work with some of the brightest stars of the era.
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