A greedy tycoon decides, on a whim, to corner the world market in wheat. This doubles the price of bread, forcing the grain's producers into charity lines and further into poverty. The film... See full summary »

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Cast

Cast overview:
Frank Powell ...
Grace Henderson ...
James Kirkwood ...
Linda Arvidson ...
W. Chrystie Miller ...
Gladys Egan ...
Henry B. Walthall ...
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Storyline

A greedy tycoon decides, on a whim, to corner the world market in wheat. This doubles the price of bread, forcing the grain's producers into charity lines and further into poverty. The film continues to contrast the ironic differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit. Written by James Meek <james@oz.net>

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Short | Drama

Certificate:

G
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Release Date:

13 December 1909 (USA)  »

Also Known As:

A gabonatőzsde spekulánsai  »

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1.33 : 1
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Did You Know?

Trivia

The scene in which the farmer sows his seeds is an animated reproduction of Millet's famous painting 'The Sower'. See more »

Goofs

When the Wheat King reads the letter regarding his increase in wealth, he is wearing gloves. After he falls into the wheat pit, there is an un-gloved hand reaching for the heavens; however, when they pull him out, he is once again wearing gloves. See more »

Connections

Featured in Ebert Presents: At the Movies: Episode #1.12 (2011) See more »

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User Reviews

 
Significant early propaganda
2 February 2007 | by (United States) – See all my reviews

Populist/Progressive propaganda directed by D. W. Griffith about a wealthy commodities speculator who is indifferent to the suffering caused by the price distortions following his monopolization of wheat. Comments of the other reviewers are a bit harsh, its only a 14-minute film so it can only do so much in the way of character development or plot. While it is creepy to see Griffith outflank later Communist propaganda to the left, you still have to admire the cinematic achievement. Griffith is using a comparative editing technique generally attributed to Eisenstein, but sixteen years before Eisenstein's first film, so the short is a must-see for cinema students for that reason alone. For the rest of us, it is an engaging fourteen minutes that delivers powerful images, notwithstanding its questionable footing in economic theory.


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