"Music hath charms to soothe a savage breast." Not always, but sometimes. Hence it was that the dulcet tones produced by Heinie Holtzmeyer, the fiddler, and Orpheus of the little Holland Village, failed to tranquilize his wife Lena, who was rather a Xantippe than an Eurydice, and Heinie's head, like that of Socrates, often played the target for her pots and pans, and her aim was very good. The poor fellow sought solace at the public house, where he met the toss-pots of the town, and right merry souls were they. His fiddle made him a favorite with all, especially the barmaids, who rewarded his efforts with wine and kisses. His joys, however, are of short duration, for Lena appears, and, brandishing a rolling-pin, clears out the place. Heinie rushes home, packs his bag and, with his fiddle, decamps. He is followed by Lena until he reaches the wharf, where he finds himself, as it were, "between the devil and the deep sea," so he chooses the sea. Jumping into a row-boat he rows to an ... Written by
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Is believed to be the first film to feature cannibals. See more