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Tokyo Drifter (1966)
"Tôkyô nagaremono" (original title)

 -  Action | Crime | Drama  -  10 April 1966 (Japan)
7.3
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Ratings: 7.3/10 from 4,268 users  
Reviews: 37 user | 63 critic

After his gang disbands, a yakuza enforcer looks forward to life outside of organized crime but soon must become a drifter after his old rivals attempt to assassinate him.

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Cast

Cast overview, first billed only:
Tetsuya Watari ...
Tetsuya 'Phoenix Tetsu' Hondo
Chieko Matsubara ...
Chiharu
Tamio Kawaji ...
Tatsuzo, The Viper
Hideaki Nitani ...
Kenji Aizawa
Eiji Gô ...
Tanaka
Tomoko Hamakawa ...
Mutsuko
Tsuyoshi Yoshida ...
Keiichi
Isao Tamagawa ...
Umetani
Eimei Esumi ...
Otsuka
Ryûji Kita ...
Kurata
Michio Hino ...
Yoshii
Shuntarô Tamamura ...
Koyanagi
Hiroshi Midorikawa
Hiroshi Chô ...
Kumamoto
Akira Hisamatsu ...
(as Kosuke Hisamatsu)
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Storyline

Tetsu has joined his yakuza boss in going straight, but when a rival gang threatens to bring them back into the gang wars, Tetsu must become a drifter to keep the pressure off his old boss. Written by Erik Gregersen <erik@astro.as.utexas.edu>

Plot Summary | Add Synopsis

Genres:

Action | Crime | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 April 1966 (Japan)  »

Also Known As:

Tokyo Drifter  »

Filming Locations:

 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The colorful style of the classic anime Lupin the Third was inspired by this film; both feature characters in colored suits, have a very comical and playful undertone, and have a general emphasis on entertainment over logic. See more »

Connections

Referenced in Kill Bill: Vol. 1 (2003) See more »

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User Reviews

 
Bad-Ass
7 March 2004 | by (Tulsa, OK) – See all my reviews

Absolutely incredible. Seijun Suzuki is one of the most underrated directors of all time. His use of coloring and black and white is something that everyone from Steven Spielberg to Brian DePalma to George Romero have emulated to great effect in some of their most well-loved movies. Also, his way of stylizing violence is something that oriental films are still copying. Go check out Pistol Opera, Ichi the Killer, The Killer, or Hard Boiled if you want to see what I mean. The gun-throwing move that Tetsuya utilizes is used in American action movies to this day. It's also amazingly politically incorrect. Americans are lampooned as bumbling, drunken idiots and women are no more than objects to be slapped around and used for a man's benefit. I miss political incorrectness in contemporary movies. The theme song was pretty awesome, as well.


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