The melancholy, homely Kamimura is a hit man who takes a job to kill a mob boss who's gotten greedy. The rival gang lord who hires Kamimura and his driver Shun pays them and sets them up in... See full summary »
In Okayama in the mid-1930s, Kiroku attends high school and boards with a Catholic family whose daughter, Michiko, captures his heart. He must, however, hide his ardor and other aspects of ... See full summary »
A sharpshooter kills two prisoners in a police van at night. The guard on the van is suspended for six months; he's Tamon, an upright, modest man. He begins his own investigation into the ... See full summary »
A hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, putting him into conflict with his treacherous wife, with a mysterious woman eager for death and with the phantom-like hit-man known only as Number One.
Seijun Suzuki's DETECTIVE BUREAU 2-3: GO TO HELL BASTARDS follows police detective Tajima (Shishido), who, tasked with tracking down stolen firearms, turns an underworld grudge into a ... See full summary »
Tetsu has joined his yakuza boss in going straight, but when a rival gang threatens to bring them back into the gang wars, Tetsu must become a drifter to keep the pressure off his old boss. Written by
Erik Gregersen <firstname.lastname@example.org>
Having previously seen Branded to Kill on its Criterion release, and having found it to be utterly brilliant, I had to buy the Criterion release of Tokyo Drifter. It is not as good as Branded to Kill (heck, nothing can be), but it is still great. The color composition is particularly masterful. So what if the story is difficult to follow? It is still entertaining. I really wish more of Sezuki Seijun's films would be released by Criterion, or anyone else, for that matter. He's an extraordinarily interesting and gifted filmmaker who is very underappreciated in cinema history.
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