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High and Low (1963)
"Tengoku to jigoku" (original title)

8.3
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Ratings: 8.3/10 from 14,382 users  
Reviews: 73 user | 87 critic

An executive of a shoe company becomes a victim of extortion when his chauffeur's son is kidnapped and held for ransom.

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(screenplay), (screenplay), 3 more credits »
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Title: High and Low (1963)

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3 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Kyôko Kagawa ...
Reiko Gondo
Tatsuya Mihashi ...
Kawanishi - Gondo's Secretary
Isao Kimura ...
Detective Arai
Kenjirô Ishiyama ...
Chief Detective 'Bos'n' Taguchi
Takeshi Katô ...
Detective Nakao
...
Jun Tazaki ...
Kamiya, National Shoes Publicity Director
Nobuo Nakamura ...
Ishimaru, National Shoes Design Department Director
Yûnosuke Itô ...
Baba - National Shoes Executive
Tsutomu Yamazaki ...
Ginjirô Takeuchi - Medical Intern
Minoru Chiaki ...
First Reporter
Eijirô Tôno ...
Factory Worker
Masao Shimizu ...
Prison Warden
Edit

Storyline

An executive mortgages all he owns to stage a coup and gain control of the National Shoe Company, with the intent of keeping the company out of the hands of incompetent and greedy executives. He needs the same money, though, to pay the ransom that will possibly save a child's life. His resolution of that dilemma -- the certain loss of the company vs. the probable loss of the child -- makes for one distinct drama, and an ensuing elaborate police procedure makes for a second. Written by levin <levin@world.std.com>

Plot Summary | Plot Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

26 November 1963 (USA)  »

Also Known As:

High and Low  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

(Westrex Recording System)

Color:

| (Eastmancolor) (inserts only)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

There is one shot of the movie that is in color - the scene of the colored smoke rising from the incinerator. Some television prints botch this and have the scene in black and white instead, diluting its impact. See more »

Quotes

Kingo Gondo: Why should you and I hate each other?
Ginjirô Takeuchi, medical intern: I don't know. I'm not interested in self-analysis. I do know my room was so cold in winter and so hot in summer I couldn't sleep. Your house looked like heaven, high up there. That's how I began to hate you.
See more »

Connections

Referenced in Obsession (1976) See more »

Soundtracks

It's Now or Never
(uncredited)
from "O Sole Mio" by Eduardo Di Capua and Alfredo Mazzucchi
Adapted by Wally Gold and Aaron Schröder
See more »

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User Reviews

 
I was enthralled from start to finish.
25 September 2004 | by (United States) – See all my reviews

This movie was incredible!! They called it Film Noir but, my God, it's so much better than THAT-- This film out-Hitchcocks Hitchcock! And I'm a Hitchcock devotee. The issues Kurosawa wrestles with in this, and his other films; the ethic responsibility we have as humans, humanity vs. greed, crime and punishment are universally understood. Nothing he presents in black and white(except literally in the film stock)-- but every shade of grey is reflected on. The story unfolds slowly but contains many twists and turns as the viewer questions the motives of each character. It's not just the force of good against evil--but a question of what is morally right and morally wrong. The title itself clues the viewer in to the ambiguities of class, greed, and moral ethic.


24 of 28 people found this review helpful.  Was this review helpful to you?

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