| Elizabeth Tait | ... | Kate Kelly | |
| John Tait | ... | School Master | |
| rest of cast listed alphabetically: | |||
| Norman Campbell | ... | Steve Hart | |
| Bella Cola | |||
| Will Coyne | ... | Joe Byrne | |
| Sam Crewes | ... | Dan Kelly | |
| Jack Ennis | ... | Steve Hart | |
| John Forde | ... | Dan Kelly | |
| Vera Linden | |||
| Mr. Marshall | ... | Dan Kelly | |
| Mr. McKenzie | ... | Steve Hart | |
| Frank Mills | ... | Ned Kelly | |
| Ollie Wilson | |||
| E.J. Tait | ... | Extra (uncredited) | |
| Frank Tait | ... | Extra (uncredited) | |
Directed by | |||
| Charles Tait | |||
Writing credits(in alphabetical order) | ||
| Charles Tait | ||
Produced by | |||
| W.A. Gibson | .... | producer | |
| Millard Johnson | .... | producer | |
| John Tait | .... | producer | |
| Nevin Tait | .... | producer | |
Original Music by | |||
| Eric Chapus | (music specially composed by) | ||
Cinematography by | |||
| Millard Johnson | |||
| Orrie Perry | |||
| Reg Perry | |||
Second Unit Director or Assistant Director | |||
| Sam Crewes | .... | assistant director | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Short section | IMDb Australia section |
The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian identity. Even more significantly it heralds the emergence of the feature film format.
The world's first feature-length movie was directed by Charles Tait and filmed at the Tait family's Chartersville Estate in the Melbourne suburb of Heidelberg. Originally there were no inter-titles; narration was performed by an on-stage lecturer who also provided sound effects including gunfire and hoofbeats. It cost £1000 to make, but that money and more was recovered within its first week of screening. It premiered in Melbourne on Boxing Day 1906, and was later shown across Australia, in New Zealand and in Britain.
Only fragments of the original production of more than one hour are known to exist and are preserved at the National Film and Sound Archive, Canberra. While some of the footage is almost pristine, other segments are severely distorted. The sensitive nitrate stock on which the film was shot deteriorated quickly in storage, so as we watch Ned make his final stand against the police at Glenrowan in his legendary suit of armor, he bends and morphs in much the same manner as a modern-day digital effect.