A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out?
Francia, alla fine del Cinquecento. Enrico III ha deciso di eliminare il suo rivale, il duca di Guisa, e, perciò, lo convoca nel castello di Blois. L'amante del duca, avvertita delle ... See full summary »
Charles Le Bargy
Charles Le Bargy,
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the ... See full summary »
George S. Fleming,
Edwin S. Porter
James H. White
A greedy tycoon decides, on a whim, to corner the world market in wheat. This doubles the price of bread, forcing the grain's producers into charity lines and further into poverty. The film... See full summary »
A combination of celebration and despair greets a viewing of this special presentation of footage and imagery from the historic 1906 feature film.
The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian identity. Even more significantly it heralds the emergence of the feature film format.
The world's first feature-length movie was directed by Charles Tait and filmed at the Tait family's Chartersville Estate in the Melbourne suburb of Heidelberg. Originally there were no inter-titles; narration was performed by an on-stage lecturer who also provided sound effects including gunfire and hoofbeats. It cost £1000 to make, but that money and more was recovered within its first week of screening. It premiered in Melbourne on Boxing Day 1906, and was later shown across Australia, in New Zealand and in Britain.
Only fragments of the original production of more than one hour are known to exist and are preserved at the National Film and Sound Archive, Canberra. While some of the footage is almost pristine, other segments are severely distorted. The sensitive nitrate stock on which the film was shot deteriorated quickly in storage, so as we watch Ned make his final stand against the police at Glenrowan in his legendary suit of armor, he bends and morphs in much the same manner as a modern-day digital effect.
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