| Vivian Vaughan | ... | The Girl (uncredited) | |
| Arthur White | ... | The Fireman (uncredited) | |
| James H. White | ... | Fire Chief (uncredited) |
Directed by | |||
| George S. Fleming | (uncredited) | ||
| Edwin S. Porter | (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Edwin S. Porter | uncredited | |
Produced by | |||
| Edwin S. Porter | .... | producer (uncredited) | |
Cinematography by | |||
| Edwin S. Porter | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| James H. White | .... | assistant director (uncredited) | |
Art Department | |||
| George S. Fleming | .... | set designer (uncredited) | |
|
|
|
|
|
| Arson Gang Busters | The Towering Inferno | The Fire Fighters | Life of an American Fireman | Spider-Man 2 |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Short section | IMDb USA section |
At Edison's Company, he experimented with longer films, and was responsible for directing the first American documentary or realistic narrative film, The Life of an American Fireman (1903). Though it's among the earliest story films (but by no means the first as often alleged), The six-minute narrative film combined re-enacted scenes and documentary footage, and was dramatically edited with inter-cutting between the exterior and interior of a burning house. Edison was actually uncomfortable with Porter's editing techniques, including his use of close-ups to tell an entertaining story. For action, excitement, & suspense, Life of an American Fireman rates awfully high, improving on all that went before, borrowing from what came before wherever it was already thrilling.