Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the ...
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A baby is seated at a table between its cheerful parents, Auguste and Marguerite Lumière. While the father is feeding the baby with a spoon, the mother is pouring coffee into her cup. The ... See full summary »
Mrs. Auguste Lumiere,
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Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the scene, and effect the safe rescue of a woman from the burning house. But wait, she tells them of her child yet asleep in the burning bedroom . . . Written by
Thomas McWilliams <email@example.com>
The print used on the DVD release ("More Treasures From American Film Archives 1894-1931, Program 1) was copied at 18 frames per second from a 35mm print preserved by MoMA (Musuem Of Modern Art). It in turn is from an unaltered nitrate exhibition print first preserved in 1979. See more »
THE LIFE OF AN AMERICAN FIREMAN is one of the earliest narrative films. It was made in 1903 by Edwin S. Porter. The extremely short film tells of the life of an American fireman. In the finale, he races to save a girl from a burning building.
Arthur White stars as the fireman. The film is very fascinating, as it gives a look at a bygone era. It is fascinating to see horse-drawn fire trucks. And this was just at the beginning of the 20th Century!
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