A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised, and looks into the nozzle to find out why... See full summary »
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the ... See full summary »
George S. Fleming,
Edwin S. Porter
James H. White
The Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. The development of the war in their lives plays through to Lincoln's assassination and the birth of the Ku Klux Klan.
In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.
Sergei M. Eisenstein
The first scene shows the chief as he explains to his followers the plan of the great train robbery. Two masked robbers enter and compel the operator to stop the approaching train. They ... See full summary »
Among the earliest existing films in American cinema - notable as an early film to present a narrative story to tell - it depicts a group of cowboy outlaws who hold up a train and rob the passengers. They are then pursued by a Sheriff's posse. Several scenes have color included - all hand tinted. Written by
The film was originally distributed with a note saying that the famous shot of the bandit firing his gun at the camera could be placed either at the beginning or at the end of the film. All known prints put it at the end. See more »
Looking closely, you can see that every time a gun is used, it is pointed away from the person/camera. This might be regarded as a revealing mistake, but this is done for 2 reasons. The first being that film was in its early stages, so they didn't think the audience could see the tilted guns. Reason 2 being that blank cartridges for pistols weren't invented/widely used at the time, so they had to use real bullets. See more »
It's hard to assign "The Great Train Robbery" a rating, as it shouldn't really be watched as a film the way we watch films now. But from a historical perspective, it's fascinating, and is an excellent example of the use of film editing, an art form then in its infancy and now an award category recognized every year at the Oscars.
Before this movie, it wasn't customary to tell multiple story lines simultaneously, but here, various activities going on in different locations are intercut to create suspense. D.W. Griffith would use this technique much more ambitiously (and combine it with many other developing film techniques) in "The Birth of a Nation" over ten years later, but credit must be given to "Train Robbery" for blazing a trail.
Also, this is the movie famous for the shot of an outlaw shooting a gun directly at the camera. I can't imagine what effect this had on audiences at the time, who were probably diving behind their chairs for cover.
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