7.3/10
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The Great Train Robbery (1903)

A group of bandits stage a brazen train hold-up, only to find a determined posse hot on their heels.

Director:

(uncredited)
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Cast

Uncredited cast:
A.C. Abadie ...
Sheriff (uncredited)
...
Bandit / Shot Passenger / Tenderfoot Dancer (uncredited)
...
(uncredited)
...
Bandit Who Fires at Camera (uncredited)
Walter Cameron ...
Sheriff (uncredited)
John Manus Dougherty Sr. ...
Fourth Bandit (uncredited)
...
Little Boy (uncredited)
Shadrack E. Graham ...
Child (uncredited)
Frank Hanaway ...
Bandit (uncredited)
Adam Charles Hayman ...
Bandit (uncredited)
Morgan Jones ...
(uncredited)
...
Trainman / Bandit (uncredited)
Marie Murray ...
Dance-Hall Dancer (uncredited)
Mary Snow ...
Little Girl (uncredited)
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Storyline

Among the earliest existing films in American cinema - notable as the first film that presented a narrative story to tell - it depicts a group of cowboy outlaws who hold up a train and rob the passengers. They are then pursued by a Sheriff's posse. Several scenes have color included - all hand tinted. Written by garykmcd

Plot Summary | Plot Synopsis

Genres:

Short | Action | Crime | Western

Certificate:

TV-G

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 December 1903 (USA)  »

Also Known As:

Le vol du grand rapide  »

Filming Locations:

 »

Box Office

Budget:

$150 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(TCM print)

Sound Mix:

Color:

(hand-colored)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The film uses simple editing techniques (each scene is a single shot) and the story is mostly linear (with only a few "meanwhile" moments) but it represents a significant step in movie making, being one of the first "narrative" movies. See more »

Goofs

When the guard riding with the money in the baggage car is shot he throws his arms straight up in the air and falls to the floor with them extended. He was shot more then once, but while laying on the floor he holds his right arm up off the floor while his attackers search his body. Once they get up, he crosses his right arm across his face. See more »

Connections

Referenced in Friday the 13th Part III (1982) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Formation of Cinematic Narrative
8 August 2003 | by (Ottawa Canada) – See all my reviews

I enjoy this film even though it is very old and compared to today's cinema, very limited in its attempt at realism. But today's cinema would not be what it is without the original innovation of cinematic devices by Edwin S. Porter, one of films first masters. His progress in narrative construction and his work in special effects techniques astonished audiences like never before. His work was limited specifically because he used the static camera affecting the impact of each of his shots. His unique and influential editing style allowed the audience to take part in the action of the film, not sitting idly watching it. The movie is 12 minutes long and is considered the first narrative film in history. The most exciting scene is when the gangsters raid the train station and rob the train. The train is a really well done mat-shot of a train pulling into the station, frightening the audience in their seats. I personally am most excited by the final closing scene of the gangster shooting his gun, aiming it directly at the audience. This audience point of view shot makes me feel like the narrative of the train robbery enticed me to cheer for the Sheriff, and the angry gangster shoots at me because I was cheering for his enemy. This film and this sequence of the gangster shooting the audience was solidified in cinematic history when Martin Scorsese pays homage in 'Goodfellas', with Joe Pesci gun barrage and sinister look.


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