The first scene shows the chief as he explains to his followers the plan of the great train robbery. Two masked robbers enter and compel the operator to stop the approaching train. They ... See full summary »
The sound has been found in the form of an old Edisonian recording cylinder. The cylinder was repaired, then Walter Murch ACE MPSE synced the film to the correct music in (I believe) 2002. Total running time is approximately 17 seconds.
A rough criminal gets into an argument over a girl in a dance hall. The argument turns into a fight, and the criminal is shot. As everyone else looks on, a young woman comes to his aid, and... See full summary »
Gilbert M. 'Broncho Billy' Anderson,
A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman's face smiles. The rest is spinning cylinders, pistons, gears and turbines, ... See full summary »
The earliest celluloid film was shot by Louise Le Prince using the Le Prince single-lens camera made in 1888. It was taken in the garden of the Whitley family house in Oakwood Grange Road, ... See full summary »
Louis Aimé Augustin Le Prince
Adolphe Le Prince,
Rising Moon loves Little Bear, but her father prefers Standing Rock, a richer suitor. Standing Rock takes her to his teepee under guard, but she escapes and joins Little Bear as they attempt to escape.
When her father becomes ill, a young woman takes over the telegraph at a lonely western railroad station. She soon gets word that the next train will deliver the payroll for a mining ... See full summary »
Among the earliest existing films in American cinema - notable as the first film that presented a narrative story to tell - it depicts a group of cowboy outlaws who hold up a train and rob the passengers. They are then pursued by a Sheriff's posse. Several scenes have color included - all hand tinted. Written by
The film uses simple editing techniques (each scene is a single shot) and the story is mostly linear (with only a few "meanwhile" moments) but it represents a significant step in movie making, being one of the first "narrative" movies. See more »
Obvious dummy is thrown from the train. See more »
I enjoy this film even though it is very old and compared to today's cinema, very limited in its attempt at realism. But today's cinema would not be what it is without the original innovation of cinematic devices by Edwin S. Porter, one of films first masters. His progress in narrative construction and his work in special effects techniques astonished audiences like never before. His work was limited specifically because he used the static camera affecting the impact of each of his shots. His unique and influential editing style allowed the audience to take part in the action of the film, not sitting idly watching it. The movie is 12 minutes long and is considered the first narrative film in history. The most exciting scene is when the gangsters raid the train station and rob the train. The train is a really well done mat-shot of a train pulling into the station, frightening the audience in their seats. I personally am most excited by the final closing scene of the gangster shooting his gun, aiming it directly at the audience. This audience point of view shot makes me feel like the narrative of the train robbery enticed me to cheer for the Sheriff, and the angry gangster shoots at me because I was cheering for his enemy. This film and this sequence of the gangster shooting the audience was solidified in cinematic history when Martin Scorsese pays homage in 'Goodfellas', with Joe Pesci gun barrage and sinister look.
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