A group of people are standing in a straight line along the platform of a railway station, waiting for a train, which is seen coming at some distance. When the train stops at the platform, ... See full summary »
A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised, and looks into the nozzle to find out why... See full summary »
The Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. The development of the war in their lives plays through to Lincoln's assassination and the birth of the Ku Klux Klan.
The clip shows a jockey, Domm, riding a horse, Sally Gardner. The clip is not filmed but instead consists of 24 individual photographs shot in rapid succession, making a moving picture when using a zoopraxiscope.
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the ... See full summary »
George S. Fleming,
Edwin S. Porter
James H. White
Among the earliest existing films in American cinema - notable as the first film that presented a narrative story to tell - it depicts a group of cowboy outlaws who hold up a train and rob the passengers. They are then pursued by a Sheriff's posse. Several scenes have color included - all hand tinted. Written by
This was Tom London's film debut. He was cast in the role of the locomotive engineer, his real-life job. See more »
When the guard riding with the money in the baggage car is shot he throws his arms straight up in the air and falls to the floor with them extended. He was shot more then once, but while laying on the floor he holds his right arm up off the floor while his attackers search his body. Once they get up, he crosses his right arm across his face. See more »
I just saw "The Great Train Robbery" in its entirety for the first time and I was truly amazed. Its hard to believe that the film is over 100 years old. It was shot from a stationary camera but it employs many of the cinematic techniques that have since become commonplace such as cross-cutting, the chase, the shootout etc. VCI Entertainment has released a marvelous 100 Year Anniversary Edition of the film in two versions...a completely silent version from the print owned by the U.S. Library of Congress and a second version with added music, color tints and sound effects.
Briefly, the story (filmed in the "wilds" of New Jersey), centers on four bandits who subdue a station agent (to keep him from sending out an alarm) and then climb aboard a train when it stops to take on water. Two of the bandits proceed to the mail car, kill the agent and make off with the loot. The others take care of the engineer and his fireman. One can imagine what the early audiences must have thought when one of the bandits suddenly throws the fireman off of the train. The cutting from the live action with the bandit and the fireman to the obvious dummy was quite innovative for the time.
The bandits then line up the passengers and rob them killing one of them as he tries to escape. They then ride the engine down the tracks to their waiting horses. Meanwhile the town folk are alerted at a local hoedown and form a posse to go after the robbers. What follows is a great little chase scene and the final showdown between the good guys and the bad guys, where you know who get what's coming to them.
The closing shot of actor George Barnes emptying his six shooter at the audience is perhaps one of the most famous shots in cinematic history. One can only imagine the effect that it must have had on the early audiences. I had always thought that this shot was at the beginning of the film. Early western pioneer "Broncho" Billy Anderson plays four roles in the film including one of the bandits.
Most of the scenes are filmed in medium to long shots. You don't really see the actors faces (except for Barnes as noted). But it is still a very good film for this or any time. It tells a complete and believable story in about 12 minutes and sets the stage for the many classic silent films that were to follow.
A truly historic cinematic experience.
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