A group of people are standing in a straight line along the platform of a railway station, waiting for a train, which is seen coming at some distance. When the train stops at the platform, ... See full summary »
A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised, and looks into the nozzle to find out why... See full summary »
The Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. The development of the war in their lives plays through to Lincoln's assassination and the birth of the Ku Klux Klan.
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the ... See full summary »
George S. Fleming,
Edwin S. Porter
James H. White
The clip shows a jockey, Domm, riding a horse, Sally Gardner. The clip is not filmed but instead consists of 24 individual photographs shot in rapid succession, making a moving picture when using a zoopraxiscope.
Among the earliest existing films in American cinema - notable as the first film that presented a narrative story to tell - it depicts a group of cowboy outlaws who hold up a train and rob the passengers. They are then pursued by a Sheriff's posse. Several scenes have color included - all hand tinted. Written by
The film was originally distributed with a note saying that the famous shot of the bandit firing his gun at the camera could be placed either at the beginning or at the end of the film. All known prints put it at the end. See more »
When the guard riding with the money in the baggage car is shot he throws his arms straight up in the air and falls to the floor with them extended. He was shot more then once, but while laying on the floor he holds his right arm up off the floor while his attackers search his body. Once they get up, he crosses his right arm across his face. See more »
It's easy to see why this was such a sensation in 1903, and why today it is still considered to be an icon in movie history. You can enjoy this either as a historical landmark for its use of such a variety of then-new skills, or you can simply watch it for the story. To be sure, the plot is of a now-familiar type, but this is what so many other movies have imitated over the years.
The story-telling is very good, and it is almost not even necessary to add 'for its time', because much of it still holds up quite well. It tells an action-packed story with plenty of detail, and it uses a good variety of effective techniques to increase the excitement, suspense, and realism. From the motion effects in the scenes inside the train, to the occasional use of color tinting, to the use of outdoor scenes, almost everything works nicely. There are only a few occasions when can you tell that it is almost a century old. There are even things like some basic cross-cutting and a pretty good panning shot. There is plenty to see, and it's worth watching more than once to see what else you can notice.
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