Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the ... See full summary »
George S. Fleming,
Edwin S. Porter
James H. White
A group of people are standing in a straight line along the platform of a railway station, waiting for a train, which is seen coming at some distance. When the train stops at the platform, ... See full summary »
A baby is seated at a table between its cheerful parents, Auguste and Marguerite Lumière. While the father is feeding the baby with a spoon, the mother is pouring coffee into her cup. The ... See full summary »
Mrs. Auguste Lumiere,
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised, and looks into the nozzle to find out why... See full summary »
A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
A chemist in his laboratory places upon a table his own head, alive; then fixing upon his head a rubber tube with a pair of bellows, he begins to blow with all his might. Immediately the ... See full summary »
Among the earliest existing films in American cinema - notable as the first film that presented a narrative story to tell - it depicts a group of cowboy outlaws who hold up a train and rob the passengers. They are then pursued by a Sheriff's posse. Several scenes have color included - all hand tinted. Written by
The original camera negative still exists in excellent condition. The Library of Congress, who holds it, can still make new prints. See more »
When the guard riding with the money in the baggage car is shot he throws his arms straight up in the air and falls to the floor with them extended. He was shot more then once, but while laying on the floor he holds his right arm up off the floor while his attackers search his body. Once they get up, he crosses his right arm across his face. See more »
It's hard to assign "The Great Train Robbery" a rating, as it shouldn't really be watched as a film the way we watch films now. But from a historical perspective, it's fascinating, and is an excellent example of the use of film editing, an art form then in its infancy and now an award category recognized every year at the Oscars.
Before this movie, it wasn't customary to tell multiple story lines simultaneously, but here, various activities going on in different locations are intercut to create suspense. D.W. Griffith would use this technique much more ambitiously (and combine it with many other developing film techniques) in "The Birth of a Nation" over ten years later, but credit must be given to "Train Robbery" for blazing a trail.
Also, this is the movie famous for the shot of an outlaw shooting a gun directly at the camera. I can't imagine what effect this had on audiences at the time, who were probably diving behind their chairs for cover.
17 of 18 people found this review helpful.
Was this review helpful to you?