A group of people are standing in a straight line along the platform of a railway station, waiting for a train, which is seen coming at some distance. When the train stops at the platform, ... See full summary »
Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the ... See full summary »
George S. Fleming,
Edwin S. Porter
James H. White
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised, and looks into the nozzle to find out why... See full summary »
A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
A baby is seated at a table between its cheerful parents, Auguste and Marguerite Lumière. While the father is feeding the baby with a spoon, the mother is pouring coffee into her cup. The ... See full summary »
Mrs. Auguste Lumiere,
The first scene shows the chief as he explains to his followers the plan of the great train robbery. Two masked robbers enter and compel the operator to stop the approaching train. They ... See full summary »
Among the earliest existing films in American cinema - notable as the first film that presented a narrative story to tell - it depicts a group of cowboy outlaws who hold up a train and rob the passengers. They are then pursued by a Sheriff's posse. Several scenes have color included - all hand tinted. Written by
The film uses simple editing techniques (each scene is a single shot) and the story is mostly linear (with only a few "meanwhile" moments) but it represents a significant step in movie making, being one of the first "narrative" movies. See more »
When the guard riding with the money in the baggage car is shot he throws his arms straight up in the air and falls to the floor with them extended. He was shot more then once, but while laying on the floor he holds his right arm up off the floor while his attackers search his body. Once they get up, he crosses his right arm across his face. See more »
Historic action/crime thriller. A must-see for all film buffs.
The Great Train Robbery was filmed only a couple of years into the 20th century, and when you watch it, its age is quite obvious. However, when you watch movies like this, you need to transport yourself back to the time period in which it was created and kind of watch the film through eyes that haven't been subjected to spectacularly visual films like The Matrix or Terminator 2.
Edwin Porter made a ground-breaking film with The Great Train Robbery. Sure, the scenes were very simple and the film is so blurry that you can't make out a single face (this is also a result of the total lack of close-up shots), but in 1903 people watched this film and were stunned. It was hugely successful because it was one of the first films in the world to be made that actually told a story. Previously, films were made mainly to show off the technology of the "moving picture," and the public loved them because they had never seen such a thing before. But when Porter came along with The Great Train Robbery, the path of motion pictures changed dramatically because people began to realize that these films could tell stories just as well as they could show water lapping on the beach or factory workers getting off of work or people jumping into a lake. These were the type of films that were made in the 1890s and early 1900s. The Great Train Robbery is an extremely short film, but it is an interesting story that is made even more fascinating because of the fact that everything that happens on the screen happened nearly 100 years ago. It's like looking at a piece of history.
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