Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She follows him down a hole and finds herself in a hall of many doors. A key opens a small door... See full summary »
A chemist in his laboratory places upon a table his own head, alive; then fixing upon his head a rubber tube with a pair of bellows, he begins to blow with all his might. Immediately the ... See full summary »
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on ... See full summary »
Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She follows him down a hole and finds herself in a hall of many doors. A key opens a small door: eventually, she's through into a garden where a dog awaits. Later, in the rabbit's home, her size is again a problem. She tries to help a nanny with a howling baby, then a Cheshire cat directs her to a tea party where the Mad Hatter and March Hare dunk a dormouse. Expelled from the party, Alice happens on a royal processional: all the cards in the deck precede the Queen of Hearts, who welcomes then turns on Alice and calls on the royal executioner. Alice must run for her life. Written by
I don't know if this film exists in another form other than the public domain one that is available on the internet. My review is based solely on this public domain print. If there is a restored print available, please, please, please see that one instead, as the public domain one is severely degraded--much more so than usual. This is because older films were made on nitrate stock that would begin degrading (turning to powder, liquifying or even exploding over time) almost immediately. Many early sound and silent films simply no longer exist due to this decomposition. ALICE is so badly degraded that many portions of the film are almost unwatchable.
As for the film apart from that, like many of the films of these early years of cinema, they've taken a literary classic and replicated scenes from it--not the entire film. As most films were five minutes or less (often much less), the fact that this is about eight is actually unusual--making this "full-length" at least for the time. In many ways, it was like a highlights clip. The costumes and sets, for 1903, were very good but when compared to films of the middle and late silent era, it would appear very crude and incomplete. If I were comparing it to other 1903 era films, I'd give it a 7 or 8, but given the severe decomposition, it's probably not worth seeing for the average person and more of interest to film historians and devoted fans.
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