A group of people are standing in a straight line along the platform of a railway station, waiting for a train, which is seen coming at some distance. When the train stops at the platform, ... See full summary »
A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Part of the movie Hugo (2011) is a largely fictionalized story of the making of this short film. See more »
When the umbrella is growing in the mushroom garden, you can see the edge of the first Selenite, off camera to the right, waiting for his cue to enter the scene. May not be visible in all versions of the film. See more »
This is a wonderful historical treasure, made with care and skill by one of the masters of early motion pictures. It is also entertaining to watch, in addition to its historical value, since it is loaded with creative ideas both in the story and in the way it was made.
While many of the techniques that Méliès used are now considered outdated, almost of them still hold up well as you watch it. It's fascinating to see the ways that he used his amazing imagination to solve some of the technical challenges, in order to produce the effects that he wanted.
It's equally fascinating to see the conception of space travel (mostly based on Jules Verne). It may have scientific flaws that are known to later generations, and it is sometimes stylized, but it shows marvelous inventiveness. It's no wonder that this is one of the best-remembered films from cinema's earliest years.
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