A group of people are standing in a straight line along the platform of a railway station, waiting for a train, which is seen coming at some distance. When the train stops at the platform, ... See full summary »
A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Although no official credits are included, Georges Méliès left a record in a 1930 letter with cast and crew credits. Ballet girls from the Théâtre du Châtelet portrayed the stars while the Selenites were portrayed by acrobats from the Folies Bergère. See more »
The President knocks his own hat off when he walks behind the desk. See more »
Magical short by one of cinema's special effects pioneers
Georges Melies is often credited with being the cinema's father of fantasy, and his 1902 short A Trip to the Moon would seem to support that contention. Full of imaginative uses of editing and photography and inspired by the works of Jules Verne, the film contains one of the most recognizable images in motion picture history: the sleek, steel-riveted rocket ship jutting out from one of the eye sockets of an expressive man in the moon. Most historical accounts of Melies indicate that he was a trained stage magician whose skills were well-adapted to the new medium of the cinema, but he was also the first filmmaker to produce "commercials" (in the sense of advertising films for a variety of companies). A Trip to the Moon is still surprisingly enjoyable and bursts with many of Melies' technical innovations.
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