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A Trip to the Moon (1902)
"Le voyage dans la lune" (original title)

8.3
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Ratings: 8.3/10 from 19,798 users  
Reviews: 118 user | 72 critic

A group of astronomers go on an expedition to the moon.

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(uncredited)
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Title: A Trip to the Moon (1902)

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Cast

Credited cast:
Jules-Eugène Legris ...
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Storyline

A group of men travel to the moon by being shot in a capsule from a giant cannon. They are captured by moon-men, escape, and return to the earth. Written by John Oswalt <jao@jao.com>

Plot Summary | Plot Synopsis


Certificate:

TV-G | See all certifications »

Parents Guide:

 »
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Details

Country:

Release Date:

4 October 1902 (USA)  »

Also Known As:

A Trip to Mars  »

Box Office

Budget:

FRF 30,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

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Sound Mix:

Color:

(hand-colored)|

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Although no official credits are included, Georges Méliès left a record in a 1930 letter with cast and crew credits. Ballet girls from the Théâtre du Châtelet portrayed the stars while the Selenites were portrayed by acrobats from the Folies Bergère. See more »

Goofs

While on the moon, the astronomers watch the Earth rise over the horizon. To a person on the moon, the Earth never moves. It does not rise or set. See more »

Connections

Featured in Maltin on Movies: The Cabin in the Woods (2012) See more »

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User Reviews

Narrative Development: Magic
2 August 2004 | by See all my reviews

"A Trip to the Moon" is justly the most popular early film. I've seen thousands of early short movies and have commented on the most interesting cases, but this one is more amusing and imaginative than the rest. It's better than Georges Méliès's other surviving pictures because it has a more developed story--without the tableau vivant style becoming as boring as it usually does. Wacky humor and trick shots help, but that's in the rest of his oeuvre, too. Influenced by the works of Jules Verne and H.G. Wells, as well as Adolphe Dennery's adaptation of those pieces, the story is about a gang of astronomers, who, launched from a cannon onto the Moon, encounter explosive aliens (or "Selenites", as Méliès called them).

Méliès used the stop-motion (or substitution-splice) effect and arising smoke for explosive characters in many of his films--same with superimpositions, animated miniatures and placing a fish tank in front of the camera. Additionally, his set designs were the best of the day. I easily forget it's all done within a cramped studio. He often used moving props, too, but this is one of the few that I've seen where the prop is pulled towards the camera--creating the famous rocket kissing the moon's eye gag. The following shot is a temporal replay of that action from a different perspective. It works here, but Edwin S. Porter would make the mistake of adopting the technique for "Life of an American Fireman", which was reedited later, leading many to believe it was a landmark in narrative editing. The "30 tableaux", as Méliès called it, is linked by dissolves--a common transition at the time, which Méliès introduced.

Méliès made it known that his goal was to push cinema towards resembling theatre. The benefit was longer films with more developed stories. Given this, it's ironic that Méliès was one of the first filmmakers to achieve effects specific to motion pictures (i.e. incapable of being produced in theatre or other artistic media)... i.e. the trick shots.

Numerous early shorts are blatant imitations of Méliès's work, but they usually weren't as funny or creative. Many studios even duped his films and sold them as their own, which led to Méliès patenting his work in the U.S. and joining the Motion Pictures Patents Company (MPPC). "A Trip to the Moon" represents the height of his career. His work would soon diminish under the hectic schedule of the Nickelodeon age and the monopolization by the MPCC and Pathé, and he would end up burning his own negatives. Watch Jacques Meny's documentary "La Magie Méliès" (1997) for a good telling of his life and films.

(Note: This is one of four films that I've commented on because they're landmarks of early narrative development in film history. The others are "As Seen Through a Telescope", "The Great Train Robbery" and "Rescued by Rover".)


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