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The India Rubber Head (1901)
"L'homme à la tête en caoutchouc" (original title)

 -  Short | Comedy | Sci-Fi  -  1901 (France)
7.2
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Ratings: 7.2/10 from 1,190 users  
Reviews: 10 user | 2 critic

A chemist in his laboratory places upon a table his own head, alive; then fixing upon his head a rubber tube with a pair of bellows, he begins to blow with all his might. Immediately the ... See full summary »

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A chemist in his laboratory places upon a table his own head, alive; then fixing upon his head a rubber tube with a pair of bellows, he begins to blow with all his might. Immediately the head increases in size and continues to enlarge until it becomes truly colossal while making faces. The chemist, fearing to burst it, opens a cock in the tube. The head immediately contracts and resumes its original size. He then calls his assistant and informs him of his discovery. The assistant, wishing to experiment for himself, seizes the bellows and blows into the head with all his might. The head swells until it bursts with a crash, knocking over the two experimenters. Written by Anonymous

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Short | Comedy | Sci-Fi

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1901 (France)  »

Also Known As:

A gumifejű ember  »

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User Reviews

Technological Advancements on the modern audiences' rubber heads
18 December 2007 | by (United Kingdom) – See all my reviews

In Georges Melies film 'The Man With the Rubber Head', what is it that is suspended? Our belief or our disbelief? The modern audience is desensitised to what is witnessed, which to the films modern audience would have seemed particularly, lets say 'futuristic'. If technological advancements have affected the way in which we apprehend phenomena on-screen, does it affect the way in which we apprehend further life? Is it possible that life in a technological advanced society is less real than before? However, will the 'real' and the 'possible' be "more" as technology advances?

What this film does more than any other in the digital age is demonstrate artistic creativity. The illusion which (really) exists before us was not borne by the touch of a button, but crafted with a patience, that is rare in our postmodern dullness.


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