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A Kiss in the Tunnel (I) (1899)
"The Kiss in the Tunnel" (original title)

5.9
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Ratings: 5.9/10 from 576 users  
Reviews: 8 user | 4 critic

A humorous subject intended to be run as a part of a railroad scene during the period in which the train is passing through a tunnel.

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Title: A Kiss in the Tunnel (1899)

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Cast

Credited cast:
Laura Bayley ...
(as Mrs. George Albert Smith)
George Albert Smith
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Storyline

A train moves down the track. In a car, seated next to each other in a companionable way, is a couple who are reading, probably wife and husband. As the train enters a tunnel, the man abandons his reading, turns to the woman, and kisses her; she is somewhat reluctant. As the train leaves the tunnel, they return to their books. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Short | Comedy | Romance

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Details

Country:

Release Date:

November 1899 (UK)  »

Also Known As:

A Kiss in the Tunnel  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Contains of the earliest shots of the technique called "phantom ride". This entails the camera and or cameraman positioned onto the front of the train, here, and the viewer then gets the viewpoint / experience of being at the forefront of the then moving train. See more »

Frequently Asked Questions

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User Reviews

Thrill Ride
1 June 2009 | by (www.moviemoviesite.com) – See all my reviews

This is quite a sophisticated little feature for its time. Phantom rides, where a camera was fixed to the front of a train and then filmed the passing scenery as the track disappeared beneath it were extremely popular for a while in the late 19th century, and George Albert Smith, one of the Brighton School filmmakers, used this format to fashion a clever little film by inserting a shot between two phantom views of a train entering and leaving a tunnel of a couple (played by Smith and his wife) enjoying a couple of kisses. Metaphors - whether intended or otherwise - abound, and have done ever since, especially in the hands of Hitchcock. It no doubt proved quite saucy to a Victorian audience still conditioned to believe that displays of affection between husband and wife should be confined to the boudoir.


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