The clip shows a jockey, Domm, riding a horse, Sally Gardner. The clip is not filmed but instead consists of 24 individual photographs shot in rapid succession, making a moving picture when using a zoopraxiscope.
A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out?
The titles tell us this film is based on an incident in the Boxer Rebellion. A man tries to defend a woman and a large house against Chinese attackers. They attack with swords, guns, and ... See full summary »
As the camera looks down an open road, a horse and carriage approaches, and passes by to one side of the field of view. Soon afterwards, an automobile comes up the road, straight towards ... See full summary »
Based on Shakespeare's play, Act V, Scene vii: King John is in torment, and his supporters fear that his end is near. As he writhes in agony, he is attended by Prince Henry, the Earl of Pembroke, and Robert Bigot. Prince Henry tries repeatedly to comfort his delirious father, but to no avail - John's pain is too great. Written by
Comparing the extant Scene Three of "King John" with the three Scenes that are no longer extant, including their still photographs and their stage play versions, allows some conjecture on what speeches the unextant Scenes silently contain: Scene One, "The Temptation Scene", presumably filmed, at least, the lines from John's "Good Hubert, Hubert, Hubert throw thine eye" to his "Enough", Scene Two, "The Lamentation Scene", probably went from Philip's "O fair affliction, peace" to Constance's "The different plague of each calamity" and Scene Four, "The Death Scene", most likely pictured Faulconbridge's "Oh, I am scalded with my violent motion" to Henry's "When this was now a King, and now is clay?". See more »
Ay marry, now my soul hath elbow room,/ It would not out at windows, nor at doors,/ There is so hot a summer in my bosom,/ That all my bowels crumble up to dust:/ I am a scribbled form drawn with a pen/ Upon a parchment, and against this fire/ Do I shrink up.
How fares your Majesty?
Poison'd, ill fare: dead, forsook, cast off,/ And none of you will bid the winter come/ To thrust his icy fingers in my maw;/ Nor let my kingdom's rivers take their course/ Through my burn'd bosom: nor entreat the ...
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've been told this was the first Shakespeare adaptation and if so it isn't too bad for what it is. Running just over three minutes this here takes the final pages of the play as King John dies.
Tempest, The (1908)
*** (out of 4)
Another Shakespeare adaptation works perfectly well and delivers a very magical feel. Part of this is due to the dreamlike camera work but the special effects are also quite good for their time.
Midsummer Night's Dream, A (1909)
** 1/2 (out of 4)
Yep, more Shakespeare early style. The actual "story" never really comes across here and the title cards just make things even more confusing but the interesting thing are all the technical stuff. Every shot of the film takes place outdoors and all the locations are very nice. The camera angels are also all set up to perfectly capture the mood of the film.
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