A train, with a camera mounted near the front, pulls out of the Jerusalem station. It passes groups, first of Europeans, then Palestinian Arabs, then Palestinian Jews. Dress, hats, and ... See full summary »
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on ... See full summary »
"In the opening of this film is seen the astronomer intently poring over his books. Suddenly, in a cloud of smoke, Satan appears and surprises the astronomer. At the command of the Fairy ... See full summary »
A stationary camera looks on as two dapper gents play a game of chess. One drinks and smokes, and when he looks away, his opponent moves two pieces. A fight ensues, first with the squirting... See full summary »
A man and a woman talk beside a street near a corner where a cop stands. Just as a horse-drawn cart rounds the corner, the man backs off the sidewalk saying good-by to his companion. The ... See full summary »
A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman who runs a tab at the bar, he pays off ... See full summary »
Walking four abreast, in groups of six rows, 144 of Chicago's finest parade past a stationary camera. Each of the six groups that pass is escorted by an officer. All are men, all are white,... See full summary »
A train, with a camera mounted near the front, pulls out of the Jerusalem station. It passes groups, first of Europeans, then Palestinian Arabs, then Palestinian Jews. Dress, hats, and facial hair are each distinctive group to group. Except for the station itself, the buildings visible in the background are ruins - no more than crumbling walls. Written by
This has some of the most fascinating and beautiful footage of any of the very earliest movies. The resourceful camera idea works out very well, and the setting could hardly have been more interesting. The blend of images and ideas in this short feature has rarely been matched in such a short running time. It's well worth watching a number of times, in order to appreciate all of the details.
Even aside from the subject being filmed, the film is quite resourceful in producing a reversed form of the "phantom rides" that were one of the staples of the very earliest years of motion pictures. The effect is convincing, making the viewers feel very much as if they were on board the train as it pulls away. Moreover, the camera field is set up perfectly, so as to catch plenty of action in the foreground and plenty of detail in the background. Cinematography doesn't get a lot better, in any era.
Even this display of skill might be eclipsed by the material itself. It's fascinating to see this view of Jerusalem, its inhabitants, and its scenery, and it's very fortunate that this footage preserves something of the Jerusalem of its era. The simple view of people from so many different cultures and of so many different personalities, all in one place, creates an atmosphere much quicker than words could have done. Then there is the background view of some of the ruins of old Jerusalem, plus a view of some newer structures. It all speaks eloquently of the history and humanity that is part of the city.
"Leaving Jerusalem By Railway" is one of the very best of the pioneering films from the mid-1890s. The combination of technical skill and imagination plus the fascinating material make it one of the movies of its time most worth watching and remembering.
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