The sea is quite rough, and at Dover a series of heavy waves pounds against a pier and along the adjacent shoreline. The scene then shifts to a different view of flowing water, and shows a heavy current from a point along a riverbank.
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised, and looks into the nozzle to find out why... See full summary »
Members of the French Photographic Society arrive from a riverboat to their congress venue in Neuville-sur-Saône on a summer day. They go ashore across a wooden landing stage. Among the ... See full summary »
A rowboat with three men is leaving a little harbor. Two of them are rowing the boat, while the third is sitting in the stern. All of them wear hats. They are passing the outer end of a ... See full summary »
A group of people are standing in a straight line along the platform of a railway station, waiting for a train, which is seen coming at some distance. When the train stops at the platform, ... See full summary »
A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
A stationary camera looks across the boulevard at a diagonal toward one corner of Lyon's Cordeliers' Square. It's a long shot, with a great deal of depth of focus. We can see the sky and ... See full summary »
A baby is seated at a table between its cheerful parents, Auguste and Marguerite Lumière. While the father is feeding the baby with a spoon, the mother is pouring coffee into her cup. The ... See full summary »
Mrs. Auguste Lumiere,
Outdoors, with a nondescript building in the background, four men stand, each holding the corner of a blanket stretched parallel to the ground. They wear the clothes of laborers. By the ... See full summary »
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the... See full summary »
The surf pounds against a breakwater on which are visible several people standing. The wall looks to be about 20 feet above sea level and extend at least 100 feet into the water. A large wave rolls picturesquely along the wall toward the shore. Smaller waves follow. Then the scene changes to river water flowing. We see both shores: in the foreground a log and tree branch are visible; on the far shore, there appears to be a low wall with trees beyond it. The camera is stationary in both shots. Written by
The footage in "Rough Sea At Dover" is rather unrefined, at least in its present condition, but it features some memorable views. The main footage is now rather blurry and unclear, and it's hard to tell just how realistic it may have looked originally. Again as it now stands, the movie consists of two different scenes that may have been edited together after the fact - once again, it's probably impossible to tell with certainty. But in any event, this short movie is one of the more effective examples of the type of early 'actuality' that features water in motion.
The scene at Dover catches the wall of a pier as heavy waves crash against it, and the slightly diagonal camera angle adds to the power of the sea as it comes towards the viewer. If the picture were less blurry, it might be an excellent shot. The second scene must come from an entirely different, inland location, but it too shows a good view of water in motion, from a different perspective.
The early cinema team of Birt Acres and R.W. Paul did not stick together very long, but this feature shows what they were capable of doing.
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