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- The scene opens with an assembly of citizens who are harangued by one of their number, whose words have great weight with the crowd, and their attitude of approval shows that Roman misrule in Jerusalem has reached its climax. Heralds now approach and Roman soldiers beat back the crowd to make way for the approach of the Roman Procurator. The scene changes to the home of Ben Hur, who is seen with his sister and mother on the house top. The cavalcade of Roman troops approaches, and to get a near view Ben Hur leans from the coping and knocks down one of the stones thereof onto the shoulder of the Procurator. This is seen and misconstrued by the Governor, who orders soldiers to arrest the inmates; they, after ineffectual pleas and struggles, are carried off. Ben Hur is consigned to the galleys, where he is loaded with chains. Here he signalizes himself by saving the life of Arrias, who publicly adopts him as his son and proclaims him a Roman citizen amidst the acclamations of the assembled crowd in the forum. Now comes the scene in the games where Ben Hur is challenged by Messala, and accepts it, to the great delight of the citizens. The chariots and athletes parade before the dais and in due time are arranged, and the chariot race commences. Three times 'round the ring dash the chariots, and at the fourth turn Ben Hur comes out the victor and is crowned with the wreath, to the great, chagrin of Messala, who is borne on a stretcher, wounded to death.
- The Chinese Slave Smuggling scene opens up in the midst of a wood in which a shanty is hid; there appears upon the scene a Chinese Potentate, who is stealthily drawing nearer to the door of the shanty, and knocks in a peculiar manner. Lieutenant Manly, who has had his suspicions aroused, appears at this moment, peering around the corner of the shanty, and sees the Chinaman admitted by the captain of the sloop, after which Lieutenant Manly comes forward and looks through an aperture, and, seeing them about to reappear, he hides again. The door then opens, with the captain of the sloop and the Chinaman dragging a Chinese girl between them. At this point a controversy takes place between the Chinaman and the captain of the sloop, about the money to be paid for smuggling the girl, but the captain refuses to allow the girl to go unless he is paid in full. They re-enter the shanty and settle this matter, leaving the girl alone. At this point the lieutenant, seeing the coast clear, runs up to the girl and informs her that he will render her assistance. The two captors then re-appear upon the scene, and Lieutenant Manly again hides. They now drag the girl away, but they are followed at a distance by the lieutenant. The scene is now changed to the Coast Guard Station, with a coast guard performing sentry-go. The lieutenant rushes up and explains to the sentry his errand, and goes into the station, and, calling his comrades, he explains to them what he has discovered, and soon re-appears in the disguise of a common seaman. The next scene is aboard the sloop, and the men are seen quarreling amongst themselves. The captain and the Chinaman are seen coming along with the Chinese girl between them, and the sailors assist in getting the girl aboard. Just as they are about to sail, the disguised lieutenant springs aboard, and after a little parley is engaged as one of the crew. As soon as this matter is settled, orders are given to sail. While they are busily engaged, the lieutenant advances to the girl, tells her to be of good courage, but in this act he is observed and is felled by the marline spike of the captain; he lies on the deck in a swoon while the girl is beaten. The information given at the Revenue Station has caused the officers to bring out the cutter and they give chase to the sloop. We see them gradually drawing nearer, but as yet they are not observed by those on the sloop. The girl, turning to her rescuer, tries to revive him with cold water, bathing his face; this soon revives him from his swoon. Hearing steps, he feigns unconsciousness again, and the girl assumes her attitude of dejection. The Chinaman then appears and offers his attentions to the girl, but she repulses him, but he calmly smokes his pipe and puts his arm around her waist. At this moment the revived lieutenant strikes the Chinaman, and gives him a dig in the arm with his knife, and then lies back in a supposed swoon. The Chinaman then calls the captain of the sloop, and, with his marline spike, attempts to strike the prostrate form of the lieutenant, but the girl interferes and prevents the blow. The revenue cutter is now seen drawing nearer and nearer to the sloop, and the revenue men are seen training their guns upon the sloop. This takes the attention away from the couple, and they prepare to fight off the onslaught of the revenue men, but the men on the sloop are soon over-powered by the revenue men, who take charge of the sloop and rescue the girl and Lieutenant Manly. -- The Moving Picture World, October 5, 1907
- On their wedding night, the newlyweds are ready to go to bed with the ceremony of taking off their clothes, the bride, and the groom wanting to see what he has not seen yet.
- As the clock strikes twelve, a weary astronomer attempts to answer the impertinent enquiries of his young students by scrutinising an impending lunar eclipse, as an effeminate and delicate moon caresses the mighty sun's hungry cosmic rays.
- On a dark and stormy night, a traveler takes a room at a spooky hotel in the forest. As soon as the proprietor leaves, the room comes alive with ghosts and poltergeists who torment the man as he tries to unpack, eat, and go to sleep.
- A humongous and obese anthropomorphic swine dressed like a fine gentleman in a fancy dinner attire tries to make a pass at a solitary lady having a picnic.
- Depicting well-known incidents in the life of Jesus Christ, this milestone of early cinema won world fame, huge audiences and a screen life of decades when most secular films of the time measured their commercial life in weeks.
- Undersea adventures in a submarine by a dreaming fisherman who encounters mystical underwater creatures at odds with him. A parody on Jules Verne's novel.
- A demonic magician attempts to perform his act in a strange grotto, but is confronted by a Good Spirit who opposes him.
- A boy writes on a board, then tips his hat to the viewer.
- A sorcerer tosses an iridescent little beetle into a flaming ceremonial cauldron, and much to his amazement, a six-winged fairy in the body of a beautiful young woman emerges. Is his sorcery potent enough to tame her?
- The opening shows a colored nursemaid in the park with baby carriage, and seated on a bench receives the attention of several smart colored men who admire her greatly and endeavor to make her acquaintance. But the dusky belle is coy and declines to make the acquaintance of any of them, until one more fortunate than the rest is invited to a seat on the bench with her, and a most pronounced flirtation takes place between the lady and her beau. The course of true love seems to run smoothly, and we are next introduced to the lady's home, where the young man is paying a visit and is introduced by the girl to her, father and mother, typical old darkies of before the war time, and several funny scenes follow in which the kid hint her plays a prominent part. The coon favors his girl with many presents and lavishes attentions upon her, although it cannot he said that the courtship proceeds altogether without incident. A rival appears on the scene, razors are drawn and finally a duel is arranged, at which both suitors, accompanied by their seconds, appear on the field of honor and exchange shots at thirty paces; one of the combatants is carried off the field, while our original hero remains the master of the situation, and the girl, arriving at the moment, is so pleased with his valor that arrangements for the wedding are made at once. The happy climax is reached at last and the marriage ceremony makes the two coons one and ends the "wooing" in a wedding. Next is seen the home of the young couple, but quite a change has taken place. No longer does the colored gallant overwhelm his lady with presents and similar attentions. Put the familiar sign of "Washing Done Here" is apparent, and while the woman toils at the wash tub the married coon smokes, drinks and enjoys himself at his leisure until he decides to go out and enjoy the sights and pleasures of the town. In turn he visits a trap game and several other gambling scenes, not forgetting various saloons, at which he accumulates a very perceptible package. His gambling experience has been unsuccessful and he loses not only his money but his clothes as well, and finally is compelled to rob a scarecrow in order to get clothes enough to get home again at all, which he finally gains in a very disheveled and ragged condition. The unfortunate coon has not been home long before he is attacked by imaginary foes as the result of his drinking bout; seizing a broom he gives battle wildly but is surprised by his wife, who, disgusted with the condition in which her husband has returned, attacks him viciously and gives him the beating he so richly deserves and ends by throwing a tub of suds and dirty water all over him.
- For any good comedy, you generally need at least two things to set the story in motion. In this case, you have a dog and you have a sausage. The dog wants the sausage. Others want to keep the dog from the sausage. There are any number of ways this could go. However, since the dog gets the sausage at the very beginning, it means that we have a chase. THE RACE FOR THE SAUSAGE, then, is a race against the dog. Guess who wins?
- Satan uses of magical powers to cure his boredom while locked in a prison cell.
- The cyclist is dispatched upon an important errand, and his humorous and alarming adventures by the way form the subject of this series. Misadventure follows misadventure with great frequency, but the cyclist comes up smiling every time, mounts his machine, and again resumes his journey. Accidents which would maim or kill an ordinary mortal serve only to spur him on to fresh exertions in a mad search for physical inconveniences and dangers, which always present themselves. It may indeed be predicted of the hero that he will either die peacefully in his bed or end his career through slipping on a piece of orange peel, or swallowing a pin. Only an ordinary and simple ending would be appropriate after such a strenuous life. Certainly he will never be hanged or drowned. He charges at full speed a horse-drawn tram car, and is upset. He attacks the double windows of a corner shop, to falls into a basket of eggs on the other side. He bodily upsets a donkey, cart and driver. He is precipitated into and disorganizes a party of men and women enjoying refreshment at an open-air café. He is thrown into a deep excavation in the road, and, colliding with the parapet of a bridge, is thrown over and falls forty feet into a swiftly flowing river, to be fished out and remount his machine. Finally, he appears in full view of the audience, a sorry spectacle of mud, eggs, water and other accumulations, but wearing a grin of triumph which augurs well for his future.
- A girl who works in a textile mill suffers unwanted advances from her boss. Her boyfriend, who also works there, sees it and knocks the boss down. In retaliation, the boss hires two thugs to beat up the boyfriend, but he outwits them. Instead, the boss fires him. As the boss is forcing his attentions on the girl again, a fire breaks out in the mill...
- Max causes havoc when he joins other skaters on a frozen lake.
- Seven toy teddy bears of varying sizes suddenly come to life, getting in all sorts of merry misadventures.
- Three young women are smiling and playing in a lake, their nude bodies reflecting in the water, when a forest watcher appears from the wood, and chases them away. They get out of the water, pick their clothes from tree branches, and move away before putting them on. The bearded man seems to be shy, but he is chasing after them through the wood, anyway. the circular movement of that water.
- In front of a round tent, a pasha is sitting on the grass; to the right of the tent's door, covered with a patterned blanket, is a flagpole - on top of which is an 8-pointed star [Saturn-Film's logo]. The pasha claps hands, and a servant comes to his bid. The lord is going to smoke from his water-pipe while he buys some new slave girls. The servant calls the seller and his two henchmen, who bring forth four girls in patterned burnooses. The first is totally undressed [facing the Arab, not the camera], and sent into the tent; the next girl gets topless, and also sent into the tent; the third is forced to undress by the henchmen, and also sent inside. The fourth, apparently a younger girl, is dismissed by the Arab after showing her small, firm breasts, and she goes back with the henchmen. Follows an argument over the price, and finally the slave master goes away, happy. The servant must help the pasha up, and the lord goes to his tent. The curtain falls over the door - and stays - and stays.
- Compilation of two shorts also distributed independently: Cricket und Reifenspiel [Croquet and the Arc and Hook Game], and Springschnur und Amazonen [Jump Roping and the Amazons]. In a sunny day, on a lawn in the woods, three nude, young brunettes with little flower arrangements on their hair are playing a succession of three dexterity games: throwing and catching three arcs with the use of a thin long hook, jumping the rope (soon replaced by a long piece of light cloth), and using the arcs as hoops for a bit of croquet with appropriate mallets and balls.
- A behind the scenes look at Alice Guy Blanche directing one of her films.
- King Edward VII of England and the President of the French Republic, Armand Fallières, envision tunnelling the English Channel; nevertheless, only a maiden voyage can determine whether this is a triumphant aspiration or an acrid nightmare.
- A heavily pregnant woman has a series of irrepressible cravings while walking with her family.
- A boy breaks his sister's doll and it mends, grows, tears him up and eats him.
- The new ideas embodied in this picture are of a ludicrous and startling nature. This is not an advertisement film, although in order to carry out the idea it was necessary to utilize (in animated form) the conception of a famous poster. Mr. Jones, with house cleaning tendencies, stops his cab in front of a hoarding on which is displayed the "Vacuum Cleaner" poster. He takes the address of the firm's offices. The firm gives a demonstration before Mr. Jones. Mr. Jones engages the firm to clean his premises. The slavey is frightened at the sudden invasion of the vacuum spout, which she mistakes for a hideous monster. In her endeavor to escape she is sucked up by the rapacious machine. Mr. Jones has a dream: subject, the antics (?) of the vacuum cleaner. The attendants at work. In rapid succession the chairs, tables, carpets, etc., are drawn into the spout apparently through the two-inch hose, to be taken from the machine, newly upholstered, varnished and cleaned. The servant and children are likewise drawn through the apparatus and are taken from the machine, cleaned and newly dressed, to their great delight. Jones is now approached by the fearful spout. He rapidly disappears down its gullet and is shoveled into a barrow by the attendants who are clearing the machine of the collected rubbish. This is wheeled away and dumped over an embankment into a field. Jones is seen rolling down the slope. Jones has been the victim of a nightmare. The final scene shows him restlessly tossing in his bed, from which he finally tumbles to the floor. He wakens, and in a dazed way realizes that his troubles are of nightmare quality only, and instead of finding himself at the base of the rubbish heap he is still capable of instituting domestic reforms.
- The artist studio is decorated with a rug, a chaise longue, a small table, a plinth, a couple of copies of classic sculptures, a vase with flowers, a few prints on the walls, and on the wood paneled lower half of the wall, an 8-pointed star [Saturn-Film's logo]. The artist is wearing a white shift over his grey trousers, shirt and necktie, and he is wearing black shoes. With hammer and chisel, he applies the last touches on his last piece of sculpture - the three graces, standing nude on a rectangular podium covered with a white bed-shit. He steps back, contemplates his work, and rejoices on the beauty he has achieved. He goes out momentarily, and brings a bottle of champagne and a glass; before drinking, he makes a toast to his finished statue. He drinks, smokes a cigarette, and contemplates his work - until he falls asleep on the chaise longue. Obly then do the three graces stir, and tip-toe around their creator. One even dares to approach her lips to the artist's, and they dart back to their static positions. The artist wakes, throws kisses at the triple statue, kneeling in front of it, then drinks some more, and gets back to sleep. When he wakes up again, it seems he had some idea during his sleep; he takes the hammer and chisel again, and rectifies again the elbow of one the graces.
- It's a play in three parts. This film is supposed to be the first long feature film released in Europe
- The life of Jesus Christ. The film is believed to possibly be a US re-release of Alice Guy's The Birth, the Life and the Death of Christ (1906).
- A generous boy tries to help a girl who does not believe in Santa Claus because of her family's poverty.
- Four Arab men in white burnouses, two women in grey, and one female cook in striped burnous, are sitting in front of a cave in a forest path. (From a piece of grey cloth over the entrance to the cave, two 8-pointed white stars hang incongruously: the Production company's logo.) A pan hangs from a tripod. A girl in a colorful dress arrives with a Bucovina shepherd dog, and starts dancing in front of the men. First, half of the men go, then the others and the girl leave. Only one man stays, taking care of the food being prepared in the pot. Snivelling from their hiding place, a robber jumps him, and knocks him out with a blow. Three thugs join him, and they take whatever they find in the cave (guns). The dog comes back, and sits a while near the fallen cook. The Arabs return, and are alarmed at the robbery, and the killing of their cook. Meanwhile, somewhere in the forest, five girls reach a pond covered with moss, disrobe, and enter the water. Three are wearing headbands, but one takes hers off before getting wet. Refreshed now, the girls sit on towels on the grass to sundry - but they are attacked by the gang of robbers, and forced to follow them, leaving their clothes behind. One girl manages to escape, but she is hunted by two robbers. She jumps into the lake and swims away to the middle of it. The two men seem to be afraid of wetting their feet, and chose to fire their guns at her, but the girl escapes the shooting by diving deep into the lake, and they miss.
- Two youths unharness a man's donkey, letting the cart tip up, and the pumpkins inside roll down the street. The owner and his donkey then pursue the pumpkins through a variety of obstacles until they catch up with them.
- Two thieves, Robert Macaire and Bertrand, are eating at an outdoor restaurant, when they find themselves left alone. So, spying their chance, they make off with everything on the table. The waitress, discovering the theft, gives the alarm and four policemen begin following the thieves. Robert Macaire and Bertrand meanwhile rob a bank and steal several costumes to disguise themselves as tourists. They leave their clothes in a garden and embark onto a train, the police behind them. They get off at the station, and an attendant tells the police which way they when the police arrive. Entering a town, an earthquake hits and the thieves fly through the air. They land and the police are again on their trail. To hide themselves Macaire and Bertrand must disclose themselves in a barn. The police soon discover their abode and shoot the thieves down, but Robert Macaire and Bertrand get up and escape after the police turn their backs. And, jumping into a hot air balloon, they float away, making rude gestures to the officers of the law.
- A convict morphs into different forms to escape from prison.
- A young girl reads an ad in the newspaper and enthusiastically shows it to a young man, who cares for her. She leaves on the train; the young man gives her a carrier pigeon. At the end of the journey, she meets with a lady, who takes her to her house. The girl is given an evening dress and taken to a salon filled with bachantians.
- A policeman spots a dog stealing a piece of meat from a butcher's shop, and gives chase. Soon several more policemen have joined the pursuit. But the chase does not turn out as the policemen expect.
- A tumultuous time in French history affects the life of one particular man, an innocent bystander swept up in the confusion around him.
- A woman goes to the dentist for a toothache and is given gas. On her way home on the subway she can't stop laughing, and every other passenger catches the laughter from her.
- While in a park, a young woman sees her fiancé being quite affectionate with another woman. When she calls him on the telephone to demand an explanation, he tells her that it was his sister. She is not satisfied, and insists on coming over to meet his 'sister'. As the young man broods over how to get out of trouble, an old college friend comes over, and he offers to pretend to be the sister. At first this works, but soon it has created even more complications.
- A rebellious boy is expelled from school. His father gets him a series of apprenticeships - at a hat shop, a dry goods store, a barbershop, a bakery, and a bar - each of which he messes up through a combination of clumsiness and laziness.
- Dramatization of the real-life shooting of Stanford White by Harry K. Thaw.
- Two white hunters accompanied by their servant go hunting in the African jungle. They see various animals and shoot a lion.
- An obese cooks' lover succeeds in escaping the police after an incident involving her masters.
- By 1907, sound experimenter Georges Mendel had devised a system to assure synchronization by mechanically interlocking phonograph and projector. The film was shot to playback but amplification of the acoustic recording remained a significant limitation. Here, M. Note of the Paris Opera sings "La Marseillaise" in 1908.
- Ponchinella the servant [called "Harlequin" in the English language version] rescues his girlfriend from a gang of decadent aristocrats, who have transformed her into a mechanical doll.