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1-18 of 18
- An eccentric, disconcerting film-maker, brilliant inventor of new styles. In the shadows of the New Wave, Alain Resnais (1922-2014) left an indelible mark on European cinema. "On Connaît la Chanson", "L'Année Dernière à Marienbad", "Hiroshima Mon Amour"... A look back at the career of a discreet nonconformist.
- The paths of Sophie and Gerard cross following a traffic accident; as for their children, they meet during a school outing. Two encounters, two love stories.
- Fall 1974, French President Valéry Giscard d'Estaing puts his Health Minister, Simone Veil, in charge of a daunting task: to carry the abortion law. During three days, she will defend her text before parliamentarians with exemplary tenacity. Diane, a young journalist, makes it the subject of her first investigation, and discovers over her explorations a considerable changing of the women's social status.
- In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.
- La Grande Motte, in the winter. A couple of 50-somethings on the verge of splitting up have to tempt fate to save their relationship and foil the mocking hand of fate which puts them on the trail of a bag full of money.