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1-13 of 13
- We show Lord Nelson leaving the admiralty room where he makes his famous speech and then introduce him with his captains giving the details of that wonderful plan of attack which was carried out to the letter at Trafalgar, the inspirations of the captains and their enthusiastic toast. We are then carried along to the day before the battle when the men are writing their last letters home. Here a beautiful scenic and photographic effect is introduced as the vision of the sweetheart of one of the lieutenants fades into view. This gives an opportunity to introduce that famous episode of the letter in which Lord Nelson called back the mail ship for a single message and which is endeared to the hearts of all those who sail the sea. We are then carried along to the morning of October twenty-first, Eighteen Hundred and Five, when the fleet of the enemy is sighted. The decks are cleared for action and the hoisting of the colors is portrayed with all the solemnity of the occasion before entering the battle. The correct incident of the hoisting of the famous signal "England expects every man to do his duty" is splendidly portrayed and carried out in every detail, and we note the pathetic touch in Nelson's life in bidding farewell to his captains having at the time a presentiment of his own death. We now get to the little human touch in his life and learn the true character of the man, for, in his last entry in his diary before the battle, he makes peace with his maker. And now we come to that wonderful spectacular picture of the real battle of Trafalgar. We see the ships in action, the firing of the guns, the ships caught on fire and then the camera switches to a close view of the deck of the Victory where human life is sacrificed by the hundreds, the fighting top of the Redoubtable, the fatal shot and Nelson's fall. We then see that wonderful character in his death, the solemnity, the beauty and the pathos of it all being carried out by the Edison players in all its grandeur; his farewell to Captain Hardy, the last kiss, the news of the victory and finally his death.
- Mrs. Graham and her baby boy are on their way from the east to an uncle's ranch in Wyoming, and they have completed the long journey in safety up to the time they are to take the stagecoach to Snakeville, near which the ranch is located. Through an accident Baby "Bumps," as he is fondly called by his mother, is carried off by the coach and Mrs. Graham left behind. The baby is the only passenger and fails to explain to the driver that they have run off without mother, who, in an effort to catch the coach, runs down the dusty road in pursuit. Arriving at Snakeville, the driver turns the baby over to a hotel keeper, who in turn assigns Broncho Bill as nurse, and instructs Bill to take care of the baby and try to put it to sleep. While one cowboy is sent off to milk a cow, another is routed out of his bed and the baby put in it. The baby refuses to go to sleep and Bill has his hands full in endeavoring to keep quiet the roistering cowboys in the dance hall and gambling palace below stairs. Bill is "all in" and about ready to do something desperate when Mrs. Graham, dusty and exhausted, and with gathering wrath, comes into the room and snatched her darling boy to her heart, and goes out of the room after giving Broncho Bill a piece of her mind.
- It is the early days of California. Father Sebastian, trudging his way on foot from the Mission, his attention is attracted to the wall of an infant coming from the crest of a ridge. He finds the body of a Spanish woman. Sitting beside its dead mother, a tiny baby greets the Padre's gaze. Lifting the infant tenderly in his arms, the Father resumes his journey, accompanied by an Indian woman, to whom he has entrusted the care of the orphaned child. Years pass by and we see the infant grown to manhood strong, handsome and a true worshiper; the bright eyes of a pretty Spanish maiden turn the head of our Jose, causing him to forget his duty. How, after the Padre has warned him of the danger, he disregards the advice of the Father and leaves in the night with his inamorata; how, in their ignorance of the trails, they wander out into the terrible desert and almost die from thirst and the burning heat; how they are found by some American prospectors and nursed back to life; how Jose lays in a delirium of fever and Papinta returns to another, and the long search of the patient Padre for his adopted son, which is rewarded at last by finding him. The settings are real and beautiful, the locations being chosen from in and about San Gabriel Mission, the sea coast, the Sierra Madre Mountains and the great desert of southern California.
- There is no documentation that any film bearing this title was either produced or distributed by Biograph or General or directed by D.W. Griffith at this time. Production may have been suspended before completion or else the film may have been released under a different title. An entirely different film, The Flaming Arrows, was, however released by Pathe in 1911 (q.v.).
- (Reel 1) Beamish McCoul joined the Irish insurrection and had become a leader in the movement when he was arrested and placed in Wicklow Jail. His property was confiscated by the authorities. When his followers learned of his imprisonment, they perfected a plot for his escape, which involved a rope, a fast horse and a boat to carry him from the country. Arrah Meelish, the prisoner's foster sister, volunteered to carry the idea of their plot to him. She approached the armed sentinels and begged permission to kiss her brother farewell, as the next day would bring about his execution. While kissing him a note was slipped from her mouth to his without being detected by the wardens. Later the guards were seized and Beamish made his escape from the prison, hurried to his sweetheart, Fanny Powers, bid her farewell and left for France. Four years Beamish spent in reckless exile, and, unable to endure it longer, returned to Ireland. He learned that Fanny was still true to him, having refused Colonel O'Grady, the magistrate, and her legal guardian. Beamish, on his arrival, quickly gathers together his old friends. He robs Michael Feeney, collector of the Government Clerk's Office, of his gold and banknotes and of his free pass across the mountain, because they had confiscated his property. Arrah, who has promised her hand to Shaun, a postman, secretes her foster brother in her barn and informs him of her imminent marriage. Beamish gives her as a wedding present a number of banknotes, which he robbed the collector of. Feeney, who is also a suitor for Arrah's hand, tells her that he suspects Shaun is the man who had robbed him. She is surprised and tells him she has plenty of money, at the same time showing him the banknotes which her foster brother gave her. These are recognized by the collector, who says nothing. The following day Shaun and Arrah are wed in the old barn in which Beamish is secluded. Major Coffin, an English officer, brings Colonel O'Grady information that a rebel had made a bold robbery and was at present secreted in Arrah's barn. They set out at once for her house, in company with Feeney, the informer, Fanny and soldiers. The gaiety is stopped and the searching party begins its work. Beamish makes his escape through a window, and. grasping a branch of a tree nearby, lowers himself to the ground and hurries away. Arrah is accused of harboring the rebel as Feeney had found McCoul's coat, which contains the mountain pass. Her husband takes the blame of Beamish's robbery, and says the coat is his. He is arrested and taken to prison. (Reel 2) Beamish goes to the place where he is supposed to meet his sweetheart. He is greatly distressed at not finding her there. As he sits in solitude, a messenger arrives with a letter from Fanny, saying that she had been at Arrah's cottage and knew all. He replies, stating that he has left for Dublin to visit the Secretary of State and secure, if possible, a pardon for Shaun. Fanny returns home and announces to Colonel O'Grady that she is now prepared to become his wife, but before their marriage he must obtain a pardon for the release of Shaun, who is ignorant of the whole affair. The colonel consents to do his best. Arrah is now seen at the prison, hopefully awaiting a word from her husband. Feeney enters Shaun's cell, accompanied by Fanny. Feeney starts to heap insults upon Arrah, and although Shaun's hands are tied, he pounces upon him, causing him to cry out for help. The guards order Feeney from the place. Fanny tells Shaun that she is going to denounce her affianced husband in order to save the postman from unjust punishment. Arrah, at this time, comes to the door and falls into her husband's arms and confesses that it was Beamish she had concealed in her barn. Everybody is ordered out of the room as the guards conduct Shaun into the courtroom to await trial. The verdict handed down is to the effect that Shaun must die the following day. (Reel 3) Beamish McCoul arrives at the Secretary of State in Dublin and proclaims his identity with a written confession of the affair. Colonel O'Grady arrives a few minutes later and the secretary hides McCoul behind the curtains, while O'Grady makes a plea for Shaun's release. The third person to put in an appearance is Fanny Powers, and the secretary conceals the Colonel in another place about the room. During her interview, the two men, each unconscious of the presence of the other, finding it impossible to restrain themselves longer, slip from their hiding places and confront the young woman. The old secretary reunites Beamish and his sweetheart, writes a pardon for Shaun, which he hands to the colonel, and the three depart on their missions. Meanwhile Shaun's hour approaches. Arrah climbs to the battlements of the castle in the hope of seeing her husband for the last time. Shaun discovers a loose stone in his cell, and with almost superhuman strength, breaks the barred window, thereby effecting his escape. Feeney meets Arrah upon the battlement and tries to induce her to forget Shaun and become his wife. She refuses. He is infuriated. In the meantime Shaun is stealthily climbing up the ivy on the outside of the jail, and when he reaches the top he enters into a fierce struggle with Feeney, who is finally overpowered and thrown into the waters below. At this moment the colonel, Beamish and Fanny arrive with Shaun's pardon. Beamish asks Shaun to pardon him for all the trouble he has caused him, which is joyfully granted, and the story ends showing Shaun placing his arms about his wife's neck.
- There is no reliable documentation that a film bearing this title was ever produced by Kalem Company at this time; most likely, it is a variant title of another differently titled production starring Gene Gauntier, possibly A War Time Escape (1911) or To the Aid of Stonewall Jackson (1911) q.v.