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- Quality Control consists of a series of 16mm single take shots filmed in the summer of 2010,over a two day period, in a dry cleaners facility in Pritchard, Alabama, near Mobile, Quality Control exhibits the acts as well the conditions around labor and showcases, in Everson's words "the fine folks of Alabama producing a superior product." It is similar stylistically, in form and rhythm, to certain scenarios in Everson's award-winning and critically acclaimed previous films, including Erie (IFFR 2010) and in thematic concerns to several other short form works which follow the daily, quotidian tasks of workers in rest and in motion, and is an oblique sequel, ten years hence, to Everson's Creative Capital granted project A Week in the Hole (2001), which focused on an employee's adjustment to materials, time, space and personnel.
- The Golden Age of Fiah is an experimental feature film that interweaves various fragmentary narratives concerning Cleveland, Ohio. Though a series of motifs, an African American woman geologist is the catalyst that narrates Cleveland's prehistoric, past and present landscape. The title refers to Cleveland shale from the Devonian period (417 to 354 B.C.) a time that saw the arrival of many types of new fish. The irony lies in the story's subtle plot regarding murder/suicides in Cleveland, illustrated with archival footage of crime scenes.
- Emergency Needs is an experimental work, considering the July 1968 Hough Riots and the Glenville Shootout in Cleveland, Ohio and the response to the crisis, as observed in color footage from a local press conference, by Mayor Carl B. Stokes. Stokes, the first Black mayor of a major American city, maintains calm and measured composure; his demeanor and words help diffuse an already incendiary situation. Actress Esosa Edosomwan, dressed in suit and tie, delivers Stokes' statements. The footage of Stokes and filmed performance of Edosomwan is rendered in split screen and combined with footage/reportage from the streets. The film was a commission of IFFR's Meet the Maestro homage to the films of Gus Van Sant and was a featured work in the 2008 Whitney Biennial in New York City.