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- Producer
- Writer
- Actor
Quentin Jerome Tarantino was born in Knoxville, Tennessee. His father, Tony Tarantino, is an Italian-American actor and musician from New York, and his mother, Connie (McHugh), is a nurse from Tennessee. Quentin moved with his mother to Torrance, California, when he was four years old.
In January of 1992, first-time writer-director Tarantino's Reservoir Dogs (1992) appeared at the Sundance Film Festival. The film garnered critical acclaim and the director became a legend immediately. Two years later, he followed up Dogs success with Pulp Fiction (1994) which premiered at the Cannes film festival, winning the coveted Palme D'Or Award. At the 1995 Academy Awards, it was nominated for the best picture, best director and best original screenplay. Tarantino and writing partner Roger Avary came away with the award only for best original screenplay. In 1995, Tarantino directed one fourth of the anthology Four Rooms (1995) with friends and fellow auteurs Alexandre Rockwell, Robert Rodriguez and Allison Anders. The film opened December 25 in the United States to very weak reviews. Tarantino's next film was From Dusk Till Dawn (1996), a vampire/crime story which he wrote and co-starred with George Clooney. The film did fairly well theatrically.
Since then, Tarantino has helmed several critically and financially successful films, including Jackie Brown (1997), Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), Inglourious Basterds (2009), Django Unchained (2012) and The Hateful Eight (2015).- Actress
- Director
- Producer
Born to immigrants in New York City, Lucy Liu has always tried to balance an interest in her cultural heritage with a desire to move beyond a strictly Asian-American experience. Her mother, Cecilia, a biochemist, is from Beijing & her father, Tom Liu, a civil engineer, is from Shanghai. Once relegated to "ethnic" parts, the energetic actress is finally earning her stripes as an across-the-board leading lady.
She graduated from Stuyvesant High School in 1986 & enrolled in NYU. However, she was discouraged by the dark and sarcastic atmosphere, so she transferred to the University of Michigan after her freshman year. She graduated w/ a degree in Asian Languages & Cultures, managing to squeeze in some additional training in dance, voice, fine arts & acting. During her senior year, she auditioned for a small part in a production of Alice in Wonderland and walked away with the lead. Encouraged by the experience, she decided to take the plunge into professional acting. She moved to L.A., splitting her time between auditions & food service day jobs. She eventually scored a guest appearance as a waitress on Beverly Hills, 90210 (1990). That performance led to more walk-on parts in shows like NYPD Blue (1993), ER (1994) & The X-Files (1993). In 1996, she was cast as an ambitious college student on Rhea Perlman's ephemeral sitcom Pearl (1996).
She first appeared on the big screen as an ex-girlfriend in Jerry Maguire (1996) (she had previously filmed a scene in the indie Bang (1995), but it was shelved for 2 years). She then waded through a series of supporting parts in small films before landing her big break on Ally McBeal (1997). She initially auditioned for the role of Nelle Porter, which went to Portia de Rossi. However, writer-producer David E. Kelley was so impressed w/ her that he promised to write a part for her in an upcoming episode. The part turned out to be that of growling, ill-tempered lawyer Ling Woo, which she filled w/ such aplomb that she was signed on as a regular cast member.
The "Ally" win gave her film career a much-needed boost-in 1999, she was cast as a dominatrix in the Mel Gibson action flick Payback (1999) & as a hitchhiker in the ill-received boxing saga Play It to the Bone (1999). The following year brought even larger roles: first as the kidnapped Princess Pei Pei in Jackie Chan's western Shanghai Noon (2000), then as one-third of the comely crime-fighting trio in Charlie's Angels (2000).
When she's not hissing at clients or throwing well-coiffed punches, she keeps busy w/ an eclectic mix of off-screen hobbies. She practices the martial art of Kali-Eskrima-Silat (knife-and-stick fighting), skis, rock climbs, rides horses &plays the accordion. In 1993, she exhibited a collection of multimedia art pieces at the Cast Iron Gallery in SoHo (New York), after which she won a grant to study & create art in China. Her hectic schedule doesn't leave much time for romantic intrigue, but she says she prefers to keep that side of her life uncluttered.- Actress
- Producer
- Writer
Uma Karuna Thurman was born in Boston, Massachusetts, into a highly unorthodox and internationally-minded family. She is the daughter of Nena Thurman (née Birgitte Caroline von Schlebrügge), a fashion model and socialite who now runs a mountain retreat, and of Robert Thurman (Robert Alexander Farrar Thurman), a professor and academic who is one of the nation's foremost Buddhist scholars. Uma's mother was born in Mexico City, Mexico, to a German father and a Swedish mother (who herself was of Swedish, Danish, and German descent). Uma's father, a New Yorker, has English, Scots-Irish, Scottish, and German ancestry. Uma grew up in Amherst, Massachusetts, where her father worked at Amherst College.
She and her siblings all have names deriving from Buddhist mythology; and Middle American behavior was little understood, much less pursued. And so it was that the young Thurman confronted childhood with an odd name and eccentric home life -- and nature seemingly conspired against her as well. She is six feet tall, and from an early age towered over everyone else in class. Her famously large feet would soon sprout to size 11 -- and even beyond that -- and although they would eventually be lovingly filmed by director Quentin Tarantino, as a child she generally wore the biggest shoes in class, which only provided another subject of ridicule. Even her long nose moved one of her mother's friends to helpfully suggest rhinoplasty -- to the ten-year-old Thurman. To make matters worse yet, the family constantly relocated, making the gangly, socially inept Thurman perpetually the new kid in class. The result was an exceptionally awkward, self-conscious, lonely and alienated childhood.
Unsurprisingly, the young Thurman enjoyed making believe she was someone other than herself, and so thrived at acting in school plays -- her sole successful extracurricular activity. This interest, and her lanky frame, perfect for modeling, led the 15-year-old Thurman to New York City for high school and modeling work (including a layout in Glamour Magazine) as she sought acting roles. The roles soon came, starting with a few formulaic and forgettable Hollywood products, but immediately followed by Terry Gilliam's The Adventures of Baron Munchausen (1988) and Stephen Frears' Dangerous Liaisons (1988), both of which brought much attention to her unorthodox sensuality and performances that intriguingly combined innocence and worldliness. The weird, gangly girl became a sex symbol virtually overnight.
Thurman continued to be offered good roles in Hollywood pictures into the early '90s, the least commercially successful but probably best-known of which was her smoldering, astonishingly-adult performance as June, Henry Miller's wife, in Henry & June (1990), the first movie to actually receive the dreaded NC-17 rating in the USA. After a celebrated start, Thurman's career stalled in the early '90s with movies such as the mediocre Mad Dog and Glory (1993). Worse, her first starring role was in Even Cowgirls Get the Blues (1993), which had endured a tortured journey from cult-favorite book to big-budget movie, and was a critical and financial debacle. Fortunately, Uma bounced back with a brilliant performance as Mia Wallace, that most unorthodox of all gangster's molls, in Tarantino's lauded, hugely successful Pulp Fiction (1994), a role for which Thurman received an Academy Award nomination.
Since then, Thurman has had periods of flirting with roles in arty independents such as A Month by the Lake (1995), and supporting roles in which she has lent some glamorous presence to a mixed batch of movies, such as Beautiful Girls (1996) and The Truth About Cats & Dogs (1996). Thurman returned to smaller films after playing the villainess Poison Ivy in the reviled Joel Schumacher effort Batman & Robin (1997) and Emma Peel in a remake of The Avengers (1998). She worked with Woody Allen and Sean Penn on Sweet and Lowdown (1999), and starred in Richard Linklater's drama Tape (2001) opposite Hawke. Thurman also won a Golden Globe award for her turn in the made-for-television film Hysterical Blindness (2002), directed by Mira Nair.
A return to the mainstream spotlight came when Thurman re-teamed with Quentin Tarantino for Kill Bill: Vol. 1 (2003), a revenge flick the two had dreamed up on the set of Pulp Fiction (1994). She also turned up in the John Woo cautioner Paycheck (2003) that same year. The renewed attention was not altogether welcome because Thurman was dealing with the break-up of her marriage with Hawke at about this time. Thurman handled the situation with grace, however, and took her surging popularity in stride. She garnered critical acclaim for her work in Kill Bill: Vol. 2 (2004) and was hailed as Tarantino's muse. Thurman reunited with Pulp Fiction (1994) dance partner John Travolta for the Get Shorty (1995) sequel Be Cool (2005) and played Ulla in The Producers (2005).
Thurman had been briefly married to Gary Oldman, from 1990 to 1992. In 1998, she married Ethan Hawke, her co-star in the offbeat futuristic thriller Gattaca (1997). The couple had two children, Levon and Maya. Hawke and Thurman filed for divorce in 2004.- Actress
- Producer
- Director
Daryl Christine Hannah was born and raised in Chicago, Illinois. She is the daughter of Susan Jeanne (Metzger), a schoolteacher and later a producer, and Donald Christian Hannah, who owned a tugboat/barge company. Her stepfather was music journalist/promoter Jerrold Wexler. Her siblings are Page Hannah, Don Hannah and Tanya Wexler. She has Scottish, Norwegian, Danish, Irish, English, and German ancestry.
Daryl graduated from the University of Southern California School of Theatre. She practiced ballet with Maria Tallchief and studied drama at Chicago's Goodman Theatre. In her twenties, she played keyboard and sang backup for Jackson Browne. Hannah, a tall (5' 10") blond beauty, with haunting blue-green eyes, was a natural for show biz.
She started with small roles, such as a student in The Fury (1978) and as Kim Basinger's kid sister in Hard Country (1981). Daryl's breakout role was as the acrobatic, beautiful replicant punk android Pris in Blade Runner (1982); Pris was the vixen who wanted to live beyond her allotted years and risked the wrath of the title character. Showing her versatility, from there she portrayed a mermaid, Madison, who falls in love with Tom Hanks's character in Ron Howard's zany comedy Splash (1983), and a Cro-Magnon in The Clan of the Cave Bear (1986). Hannah played Roxanne in the eponymous Steve Martins contemporary take on the Cyrano de Bergerac story, and co-starred as Elle Driver in Quintin Tarantino's box office hit Kill Bill: Vol. 2 (2004).
Hannah has been a consistent, strong supporter of independent cinema, both acting in and producing many films, starring in such indie films as John Sayles's Casa de los babys (2003) as well as his political satire Silver City (2004). She worked on several films with the revered Robert Altman, including The Gingerbread Man (1998), as well as several films with the Polish Brothers including Northfork (2003) and Jackpot (2001). Daryl starred in the experimental improvised Michael Radford film Dancing at the Blue Iguana (2000) and made As a filmmaker, Hannah wrote, directed, and produced an award winning short film, entitled The Last Supper (1995). Hannah also directed, produced and shot the documentary Strip Notes (2002) which was inspired while researching her role for Dancing at the Blue Iguana (2000) that was shown on HBO and UK's Channel 4.
Daryl is in the process of shooting a documentary on Human Trafficking and has traveled undercover to South East Asia to document this atrocity and has become and advocates raising awareness and ending slavery. She has made over 40 video blogs for various websites including her popular dhlovelife.com. She designed dhlovelife.com (online since 2005) her website dedicated to sharing solutions on how to live more harmoniously with the planet and all other living things. Daryl has been passionate, committed and effective advocate for a more ethical relationship with each other and all life on the Planet. She has produced, hosted and shot numerous environmental awareness/ health documentaries, TV appearances and is a frequent speaker on both the conservative and progressive news.
Hannah has been a greening consultant for events such as the Virgin Music Festival, attended by over 150,000 people. Her many speaking engagements include keynote speeches at the UN Climate Change Summit, UN Global Business Conference on the environment, Natural and Organic Products Expo, LOHAS and numerous national and international universities, conferences and events. She has written articles on self sufficiency and sustainability for many magazines and has done a plethora of interviews on the topic in thousands of publications. The site features weekly five-minute inspirational video blogs which Daryl produces and films. There are daily news updates, alerts, community and access to goods and services. She is a member of the World Future Council, sits on the boards of the Sylvia Earle Alliance, Mission Blue, Eco America, Environmental Media Association (EMA), The Somaly Mam Foundation, and the Action Sports Environmental Coalition, She is the founder of the Sustainable Biodiesel Alliance (SBA).- The archetypal screen tough guy with weatherbeaten features--one film critic described his rugged looks as "a Clark Gable who had been left out in the sun too long"--Charles Bronson was born Charles Buchinsky, one of 15 children of struggling parents in Pennsylvania. His mother, Mary (Valinsky), was born in Pennsylvania, to Lithuanian parents, and his father, Walter Buchinsky, was a Lithuanian immigrant coal miner.
He completed high school and joined his father in the mines (an experience that resulted in a lifetime fear of being in enclosed spaces) and then served in WW II. After his return from the war, Bronson used the GI Bill to study art (a passion he had for the rest of his life), then enrolled at the Pasadena Playhouse in California. One of his teachers was impressed with the young man and recommended him to director Henry Hathaway, resulting in Bronson making his film debut in You're in the Navy Now (1951).
He appeared on screen often early in his career, though usually uncredited. However, he made an impact on audiences as the evil assistant to Vincent Price in the 3-D thriller House of Wax (1953). His sinewy yet muscular physique got him cast in action-type roles, often without a shirt to highlight his manly frame. He received positive notices from critics for his performances in Vera Cruz (1954), Target Zero (1955) and Run of the Arrow (1957). Indie director Roger Corman cast him as the lead in his well-received low-budget gangster flick Machine-Gun Kelly (1958), then Bronson scored the lead in his own TV series, Man with a Camera (1958). The 1960s proved to be the era in which Bronson made his reputation as a man of few words but much action.
Director John Sturges cast him as half Irish/half Mexican gunslinger Bernardo O'Reilly in the smash hit western The Magnificent Seven (1960), and hired him again as tunnel rat Danny Velinski for the WWII POW big-budget epic The Great Escape (1963). Several more strong roles followed, then once again he was back in military uniform, alongside Lee Marvin and Ernest Borgnine in the testosterone-filled The Dirty Dozen (1967).
European audiences had taken a shine to his minimalist acting style, and he headed to the Continent to star in several action-oriented films, including Guns for San Sebastian (1968) (aka "Guns for San Sebastian"), the cult western Once Upon a Time in the West (1968) (aka "Once Upon a Time in The West"), Rider on the Rain (1970) (aka "Rider On The Rain") and, in one of the quirkier examples of international casting, alongside Japansese screen legend Toshirô Mifune in the western Red Sun (1971) (aka "Red Sun").
American audiences were by now keen to see Bronson back on US soil, and he returned triumphantly in the early 1970s to take the lead in more hard-edged crime and western dramas, including The Valachi Papers (1972) and the revenge western Chato's Land (1972). After nearly 25 years as a working actor, he became an 'overnight" sensation. Bronson then hooked up with British director Michael Winner to star in several highly successful urban crime thrillers, including The Mechanic (1972) and The Stone Killer (1973). He then scored a solid hit as a Colorado melon farmer-done-wrong in Richard Fleischer's Mr. Majestyk (1974). However, the film that proved to be a breakthrough for both Bronson and Winner came in 1974 with the release of the controversial Death Wish (1974) (written with Henry Fonda in mind, who turned it down because he was disgusted by the script).
The US was at the time in the midst of rising street crime, and audiences flocked to see a story about a mild-mannered architect who seeks revenge for the murder of his wife and rape of his daughter by gunning down hoods, rapists and killers on the streets of New York City. So popular was the film that it spawned four sequels over the next 20 years.
Action fans could not get enough of tough guy Bronson, and he appeared in what many fans--and critics--consider his best role: Depression-era street fighter Chaney alongside James Coburn in Hard Times (1975). That was followed by the somewhat slow-paced western Breakheart Pass (1975) (with wife Jill Ireland), the light-hearted romp (a flop) From Noon Till Three (1976) and as Soviet agent Grigori Borsov in director Don Siegel's Cold War thriller Telefon (1977).
Bronson remained busy throughout the 1980s, with most of his films taking a more violent tone, and he was pitched as an avenging angel eradicating evildoers in films like the 10 to Midnight (1983), The Evil That Men Do (1984), Assassination (1987) and Kinjite: Forbidden Subjects (1989). Bronson jolted many critics with his forceful work as murdered United Mine Workers leader Jock Yablonski in the TV movie Act of Vengeance (1986), gave a very interesting performance in the Sean Penn-directed The Indian Runner (1991) and surprised everyone with his appearance as compassionate newspaper editor Francis Church in the family film Yes Virginia, There Is a Santa Claus (1991).
Bronson's final film roles were as police commissioner Paul Fein in a well-received trio of crime/drama TV movies Family of Cops (1995), Breach of Faith: A Family of Cops II (1997) and Family of Cops III: Under Suspicion (1999). Unfortunately, ill health began to take its toll; he suffered from Alzheimer's disease for the last few years of his life, and finally passed away from pneumonia at Los Angeles' Cedars-Sinai Medical Center in August 2003.
Bronson was a true icon of international cinema; critics had few good things to say about his films, but he remained a fan favorite in both the US and abroad for 50 years, a claim few other film legends can make. - Actor
- Producer
- Writer
Michael Madsen is an enigmatic force in the entertainment industry, widely regarded as one of the most intense and compelling actors of our time. With an electrifying presence both on and off the screen, Madsen has captivated audiences worldwide with his mesmerizing performances, making an indelible mark on the realm of cinema. Known for his rugged charm and brooding charisma, Madsen has perfected the art of bringing complex characters to life, seamlessly transitioning between nuanced vulnerability and unbridled intensity. Michael Madsen continues to command attention and leave an indelible impact on the industry.
Born with an innate talent for acting, Madsen's journey in the entertainment industry has been nothing short of extraordinary. His powerful performances have earned him critical acclaim and a dedicated fan base, cementing his status as a true Hollywood icon. Madsen's distinctive ability to effortlessly portray characters with a captivating blend of sensitivity and grit has led to collaborations with renowned directors and fellow actors, garnering him numerous accolades and nominations. His unparalleled versatility has allowed him to effortlessly navigate between genres, delivering unforgettable performances in films such as "Kill Bill: Vol. 1," "Thelma & Louise," and "Donnie Brasco," among others.
Beyond his remarkable acting career, Michael Madsen's multifaceted talents extend to other creative endeavors. An accomplished poet, he has published several volumes of poetry, revealing a profound depth and introspection that mirrors the complexity of his on-screen persona. With an unparalleled body of work and an undying passion for his craft, Michael Madsen remains an indomitable force, continuously pushing the boundaries of cinematic storytelling and leaving an indelible mark on the entertainment landscape.- Actress
- Producer
- Director
Vivica A. Fox was born in South Bend, Indiana, on July 30, 1964, and is the daughter of Everlyena, a pharmaceutical technician, and William Fox, a private school administrator. She is of Native American and African-American descent and is proud of her heritage. She is a graduate of Arlington High School in Indianapolis, Indiana, and, after graduating, moved to California to attend college. Vivica went to Golden West College and graduated with an Associate Art degree in Social Sciences. While in California, she started acting professionally, first on soap operas, such as Generations (1989), Days of Our Lives (1965) and The Young and the Restless (1973). In another early role, she played Patti LaBelle's fashion designer daughter, "Charisse Chamberlain", on the NBC-TV series, Out All Night (1992). Her first big break was in the film, Independence Day (1996), along with Will Smith, and also Set It Off (1996). She has earned critical acclaim for her portrayal of "Maxine" in the 1997 motion picture, Soul Food (1997), which netted her MTV Movie Award and NAACP Image Award nominations. In 2000, she was casted in the medical drama, City of Angels (2000), as "Dr. Lillian Price". She has had roles in many other movies ever since, such as: Teaching Mrs. Tingle (1999), Two Can Play That Game (2001) and Kill Bill: Vol. 1 (2003). In 2004, Fox was in an episode of Punk'd (2003), where her pregnant friend pretended to go into labor, but they became angry when a paramedic appeared to care more about taking pictures than delivering the baby. Vivica also took another television role, from 2004 to 2006, as she starred in the drama series, 1-800-Missing (2003), on the Lifetime Television Network. In 2007, she was a contender on Dancing with the Stars (2005) and stayed until she was voted off in the fourth week. In 1998, Vivica A. Fox married singer Christopher Harvest (aka Sixx-Nine), whom she later divorced in June 2002. She also dated rapper 50 Cent, however this was a brief relationship.- Stunts
- Actress
- Second Unit Director or Assistant Director
As an established and extremely talented stunt double and actress, Zoe Bell has made a name for herself through her unparalleled dedication, skills, and focus.
Zoe Bell was born on Waiheke Island, New Zealand, to Tish, a nurse, and Andrew Bell, a doctor. She has a background in gymnastics and martial arts. She began working as a stunt woman when she doubled Lucy Lawless on the cult favorite TV series Xena: Warrior Princess (1995). Bell also appeared as a double in the ABC thriller Alias (2001) and on an episode of Cleopatra 2525 in 2000 as a double for Vicki Pratti. In the action packed-documentary Double Dare (2004), Bell, along with legendary stunt-woman Jeannie Epper, give an insight into the career of women who take falls and punches for a living. Double Dare also gives a glimpse into the struggles of stunt-women to stay thin, employed, and sane in a male-dominated career.
After the cancellation of Xena, Bell's next gig was working with Quentin Tarantino in Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004), playing the stunt double for Uma Thurman's role, The Bride. Bell was nominated for her work in Kill Bill, Vol. 1 in the categories of Best Stunt by a Stunt Woman and Best Fight for the Taurus World Stunt Awards, both of which she would win the following year for Kill Bill: Vol. 2. Bell also showed off her stunt-woman skills as a double for Sharon Stone in Halle Barry's Catwoman (2004).
Bell was injured in the final days of filming, requiring surgery, but she has since recovered and returned to work. Bell appeared along with legendary stunt woman Jeannie Epper in Amanda Micheli's acclaimed documentary Double Dare (2004), which offers a glimpse at the lives and careers of both women, as well as the friendship they share.
Bell debuted her acting career, with her already famous stunt skills, in the double feature Grindhouse (2007) written by Quentin Tarantino and Robert Rodriguez. She was hand-picked, by Tarentino himself, to star in his segment of the double feature, Death Proof (2007), about four women working in the film industry that are stalked by a murderer in his Death Proof car.
Bell, a native of New Zealand, resides in Los Angeles but hopes to someday own a home in New Zealand.- Actor
- Producer
- Director
David Carradine was born in Hollywood, California, the eldest son of legendary character actor John Carradine, and his wife, Ardanelle Abigail (McCool). He was a member of an acting family that included brothers Keith Carradine and Robert Carradine as well as his daughters Calista Carradine and Kansas Carradine, and nieces Ever Carradine and Martha Plimpton.
He was born in Hollywood and educated at San Francisco State College, where he studied music theory and composition. It was while writing music for the Drama Department's annual revues that he discovered his own passion for the stage, joining a Shakespearean repertory company and learning his craft on his feet. After a two-year stint in the army, he found work in New York as a commercial artist and later found fame on Broadway in "The Deputy" and "The Royal Hunt of the Sun" opposite Christopher Plummer. With that experience he returned to Hollywood, landing the lead in the short-lived TV series Shane (1966) before being tapped to star opposite Barbara Hershey in Martin Scorsese's first Hollywood film, Boxcar Bertha (1972). The iconic Kung Fu (1972) followed, catapulting Carradine to super-stardom for the next three years, until he left the series to pursue his film career.
That career included more than 100 feature films, a couple of dozen television movies, a whole range of theater on and off Broadway and another hit series, Kung Fu: A Legend Reborn (1992).
Carradine received the Best Actor Award from the National Board of Film Review as well as a Golden Globe nomination for his portrayal of Woody Guthrie in Hal Ashby's Bound for Glory (1976), and he won critical acclaim for his work as Cole Younger in The Long Riders (1980). "Kung Fu" also received seven Emmy nominations in its first season, including one for Carradine as Best Actor. In addition, he won the People's Prize at the Cannes Film Festival's "Director's Fortnight" for his work on Americana (1981), and a second Golden Globe nomination for his supporting role in North & South: Book 1, North & South (1985). Among his other notable film credits were Gray Lady Down (1978), Mean Streets (1973), Bird on a Wire (1990), The Long Goodbye (1973), The Serpent's Egg (1977) and Circle of Iron (1978). He returned to the screen in what could be his greatest performance, playing the title role in Quentin Tarantino's Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004), for which he received his fourth Golden Globe nomination. He also continued his devotion to music, and recorded some 60 tracks in various musical genres and sang in several movies. He made his home in Los Angeles with his fifth wife Annie, her four children and their two dogs.
Found dead in Bangkok, Thailand, on June 3, 2009, aged 72.- Producer
- Writer
- Director
Robert Anthony Rodriguez was born and raised in San Antonio, Texas, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family is of Mexican descent.
Of all the people to be amazed by the images of John Carpenter's 1981 sci-fi parable, Escape from New York (1981), none were as captivated as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch films and arrogantly proclaim "I can do that." This young man said something different: "I WILL do that. I'm gonna make movies." That day was the catalyst of his dream career. Born and raised in Texas, Robert was the middle child of a family that would include 10 children. While many a child would easily succumb to a Jan Brady sense of being lost in the shuffle, Robert always stood out as a very creative and very active young man. An artist by nature, he was very rarely seen sans pencil-in-hand doodling some abstract (yet astounding) dramatic feature on a piece of paper. His mother, not a fan of the "dreary" cinema of the 1970s, instills a sense of cinema in her children by taking them on weekly trips to San Antonio's famed Olmos Theatre movie house and treats them to a healthy dose of Hollywood's "Golden Age" wonders, from Sergio Leone to the silent classic of Charles Chaplin and Buster Keaton.
In a short amount of time, young Robert finds the family's old Super-8 film camera and makes his first films. The genres are unlimited: action, sci-fi, horror, drama, stop-motion animation. He uses props from around the house, settings from around town, and makes use of the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological wonder: a VCR, and with it (as a gift from the manufacturer) a video camera. With this new equipment at his disposal, he makes movies his entire life. He screens the movies for friends, all of whom desperately want to star in the next one. He gains a reputation in the neighborhood as "the kid who makes movies". Rather than handing in term papers, he is allowed to hand in "term movies" because, as he himself explains, "[the teachers] knew I'd put more effort into a movie than I ever would into an essay." He starts his own comic strip, "Los Hooligans". His movies win every local film competition and festival. When low academic grades threaten to keep him out of UT Austin's renowned film department, he proves his worth the only way he knows how: he makes a movie. Three, in fact: trilogy of short movies called "Austin Stories" starring his siblings. It beats the entries of the school's top students and allows Robert to enter the program. After being accepted into the film department, Robert takes $400 of his own money to make his "biggest" film yet: a 16mm short comedy/fantasy called Bedhead (1991).
Pouring every idea and camera trick he knew into the short, it went on to win multiple awards. After meeting and marrying fellow Austin resident Elizabeth Avellan, Robert comes up with a crazy idea: he will sell his body to science in order to finance his first feature-length picture (a Mexican action adventure about a guitarist with no name looking for work but getting caught up in a shoot-'em-up adventure) that he will sell to the Spanish video market and use as an entry point to a lucrative Hollywood career. With his "guinea pig" money he raises a mere $7,000 and creates El Mariachi (1992). But rather than lingering in obscurity, the film finds its way to the Sundance film festival where it becomes an instant favorite, wins Robert a distribution deal with Columbia Pictures and turns him into an icon among would-be film-makers the world over. Not one to rest on his laurels, he immediately helms the straight-to-cable movie Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995) (his will be the most lauded segment).
His first "genuine" studio effort would soon have people referring to him as "John Woo from south-of-the-border". It is the "Mariachi" remake/sequel Desperado (1995). More lavish and action-packed than its own predecessor, the movie--while not a blockbuster hit--does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also furthers the director's reputation of working on low budgets to create big results. In the year when movies like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past the $100 million mark, Rodriguez brought in "Desperado" for just under $7 million. The film also featured a cameo by fellow indie film wunderkind, Quentin Tarantino. It would be the beginning of a long friendship between the two sprinkled with numerous collaborations. Most notable the Tarantino-penned vampire schlock-fest From Dusk Till Dawn (1996). The kitschy flick (about a pair of criminal brothers on the run from the Texas Rangers, only to find themselves in a vamp-infested Mexican bar) became an instant cult favorite and launched the lucrative film career of ER (1994) star George Clooney.
After a two-year break from directing (primarily to spend with his family, but also developing story ideas and declining Hollywood offers) he returned to "Dusk till Dawn" territory with the teen sci-fi/horror movie The Faculty (1998), written by Scream (1996) writer, Kevin Williamson. Although it's developed a small following of its own, it would prove to be Robert's least-successful film. Critics and fans alike took issue with the pedestrian script, the off-kilter casting and the flick's blatant over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year break, Rodriguez returned to make his most successful (and most unexpected) movie yet, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action fare, no one anticipated him to write and direct the colorful and creative Spy Kids (2001), a movie about a pair of prepubescent Latino sibs who discover that their lame parents (Antonio Banderas and Carla Gugino) are actually two of the world's greatest secret agents. The film was hit among both audiences and critics alike.
After quitting the Writers' Guild of America and being introduced to digital filmmaking by George Lucas, Robert immediately applied the creative, flexible (and cost-effective) technology to every one of his movies from then on, starting with an immediate sequel to his family friendly hit: Spy Kids 2: Island of Lost Dreams (2002) which was THEN immediately followed by the trilogy-capper Spy Kids 3: Game Over (2003). The latter would prove to be the most financially-lucrative of the series and employ the long-banished movie gimmick of 3-D with eye-popping results. Later the same year Rodriguez career came full circle when he completed the final entry of the story that made brought him to prominence: "El Mariachi". The last chapter, Once Upon a Time in Mexico (2003), would be his most direct homage to the Sergio Leone westerns he grew up on. With a cast boasting Antonio Banderas (returning as the gunslinging guitarist), Johnny Depp (as a corrupt CIA agent attempting to manipulate him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film delivered even more of the Mexican shoot-'em-up spectacle than both of the previous films combined.
Now given his choice of movies to do next, Robert sought out famed comic book writer/artist Frank Miller, a man who had been very vocal of never letting his works be adapted for the screen. Even so, he was wholeheartedly convinced and elated when Rodriguez presented him with a plan to turn Miller's signature work into the film Sin City (2005). A collection of noir-ish tales set in a fictional, crime-ridden slum, the movie boasted the largest cast Rodriguez had worked with to that date. Saying he didn't want to mere "adapt" Miller's comics but "translate" them, Rodriguez' insistence that Miller co-direct the movie lead to Robert's resignation from the Director's Guild of America (and his subsequent dismissal from the film John Carter (2012) as a result). Many critics cited that Sin City was created as a pure film noir piece to adapt Miller's comics onto the screen. Co-directing with Frank Miller and bringing in Quentin Tarantino to guest-direct a scene allowed Rodriguez to again shock Hollywood with his talent.
In late 2007, Rodriguez again teamed up with his friend Tarantino to create the double feature Grindhouse (2007). Rodriguez's offering, Planet Terror (2007), was a film made to be "hardcore, extreme, sex-fueled, action-packed." Rodriguez flirts with his passion to make a showy film exploiting all of his experience to make an extremely entertaining thrill ride. The film is encompassed around Cherry (Rose McGowan), a reluctant go-go dancer who is found wanting when she meets her ex-lover El Wray (played by Freddy Rodríguez) who turns up at a local BBQ grill. They then, after a turn of events, find themselves fending off brain-eating zombies whilst trying to flee to Mexico (here we go off to Mexico again). Apart from directing, Rodriguez also involves himself in camera work, editing and composing music for his movies' sound tracks (he composed Planet Terror's main theme). He also shoots a lot of his own action scenes to get a direct idea from his eye as the director into the film. In El Mariachi (1992), Rodriguez spent hours in front of a pay-to-use, computer editing his film. This allowed him to capture the ideal footage exactly as he wanted it. Away from the filming aspect of Hollywood, Rodriguez is an expert chef who cooks gourmet meals for the cast and crew. Rodriguez is also known for his ability to turn a low-budgeted film with a small crew into an example of film mastery. El mariachi was "the movie made on seven grand" and still managed to rank as one of Rodriguez' best films (receiving a rating of 92% on the Rotten Tomatoes film review site).
Because Rodriguez is involved so deeply in his films, he is able to capture what he wants first time, which saves both time and money. Rodriguez's films share some similar threads and ideas, whilst also having differences. In El Mariachi (1992), he uses a hand-held camera. He made this decision for several reasons. First, he couldn't afford a tripod and secondly, he wanted to make the audience more aware of the action. In the action sequences he is given more mobility with a hand-held camera and also allows for distortion of the unprofessional action sequences (because the cost of all special effects in the film totaled $600). However, in Sin City (2005) and Planet Terror (2007), the budget was much greater, and Rodriguez could afford to spend more on special affects (especially since both films were filmed predominately with green screen) and, thus, there was no need to cover for error.
Playing by his own rules or not at all, Robert Rodriguez has redefined what a filmmaker can or cannot do. Shunning Hollywood's ridiculously high budgets, multi-picture deals and the two most powerful unions for the sake of maintaining creative freedom are decisions that would (and have) cost many directors their careers. Rodriguez has turned these into his strengths, creating some of the most imaginative works the big-screen has ever seen.- Actor
- Director
- Producer
Michael Parks is known as an actor's actor by his peers with a breadth of astonishing range that has allowed him to portray stunning contrasts--sometimes in the same film, like in Tusk (2014), starring in dual roles as an erudite serial killer opposite Justin Long, and as a feeble rube opposite Johnny Depp. In Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004). Parks portrayed spot-on contrasting roles as Texas Ranger Earl McGraw and the heavily accented Esteban Vihaio opposite Uma Thurman. Writers/directors, including Kevin Smith and Quentin Tarantino, wrote roles specifically for Parks, claiming all they need to do is "turn on the camera" to elicit a masterful performance.
Parks has played in more than 100 films and TV shows over a 50-year career. He started as a contract player in 1961 with the portrayal of the nephew of the character George MacMichael on the ABC sitcom The Real McCoys (1957). He played Adam in John Huston's 1966 movie The Bible in the Beginning... (1966). His other early roles includes appearances in two NBC series: Too Many Strangers (1962) as "Larry Wilcox" and as "Dr. Mark Reynolds" in Pressure Breakdown (1963). He also starred in The China Lake Murders (1990) and Stranger by Night (1994), playing a police officer in both.
From 1969-70 he starred in the series Then Came Bronson (1969), in which he was the only recurring character. He sang the theme song for the show, "Long Lonesome Highway", which became a #20 Billboard Hot 100 and #41 Hot Country Songs hit. Albums he recorded under MGM Records (the label of the studio which produced the series) include "Closing The Gap" (1969)," Long Lonesome Highway" (1970) and "Blue". He also had various records of songs included on these albums. He played Philip Colby during the second season (1986-87) of ABC's Dynasty (1981) spin-off series The Colbys (1985). He played the antagonist Irish mob boss Tommy O'Shea in Death Wish: The Face of Death (1994) (1994), French-Canadian drug runner Jean Renault in the ABC television series Twin Peaks (1990), Dr. Banyard in Deceiver (1997), Texas Ranger Earl McGraw in From Dusk Till Dawn (1996) and Ambrose Bierce in From Dusk Till Dawn 3: The Hangman's Daughter (1999). After playing Earl McGraw in the "Kill Bill" film series he reprised the role in both segments of the film Grindhouse (2007). In Red State (2011) as villain Abin Cooper, quoting the Bible and issuing homicidal directives in the same gently insinuating voice, Parks plays a disturbingly soft-spoken psycho making the talk all the more convincing and scary with his brilliant delivery affecting a folksy "down-home" accent , knowing just how to modulate his remarks for maximum effect; most reviewers agreed with "Hollywood Reporter" writer Todd McCarthy that he is mesmerizing as he spews Cooper's hate in a way that brooks no argument . In "Tusk" as Howard Howe, a real-life ancient mariner (a role Kevin Smith tailor-made for him), "Parks has such light in his eyes, fire in his belly and a mellifluous purr in his voice" that "Variety" wrote, "it would probably be a pleasure to watch him recite the Manitoba phone book".- Actress
- Casting Department
Julie Dreyfus was born in Paris, France. After studying interior design, she moved to Japan as a young adult and made her debut on Japanese T.V. She became fluent in Japanese and English and appeared in several American movies as well. She is very well known in Japan but is also known internationally for her roles in Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004) and Inglourious Basterds (2009).- Actress
- Soundtrack
Chiaki Kuriyama was born on October 10, 1984 in Tsuchiura, Japan. She was a popular model during Japan's child model boom in the mid-90s. In 1997, she appeared in the photo books Girl of Myth & Girl's Residence, which were photographed by Kishin Shinoyama. Girl of Myth became a best-seller but as it contained some nudity, it was discontinued by the publisher in 1999 after the institution of new anti-child pornography laws. She also posed as a model for the child fashion magazines Nicola & Pichi Lemon.- Actor
- Director
- Writer
Peter Bogdanovich was conceived in Europe but born in Kingston, New York. He is the son of immigrants fleeing the Nazis, Herma (Robinson) and Borislav Bogdanovich, a painter and pianist. His father was a Serbian Orthodox Christian, and his mother was from a wealthy Austrian Jewish family. Peter originally was an actor in the 1950s, studying his craft with legendary acting teacher Stella Adler and appearing on television and in summer stock. In the early 1960s he achieved notoriety for programming movies at the Museum of Modern Art in New York City. An obsessive cinema-goer, sometimes seeing up to 400 movies a year in his youth, Bogdanovich prominently showcased the work of American directors such as John Ford, about whom he subsequently wrote a book based on the notes he had produced for the MOMA retrospective of the director, and the then-underappreciated Howard Hawks. Bogdanovich also brought attention to such forgotten pioneers of American cinema as Allan Dwan.
Bogdanovich was influenced by the French critics of the 1950s who wrote for Cahiers du Cinema, especially critic-turned-director François Truffaut. Before becoming a director himself, he built his reputation as a film writer with articles in Esquire Magazine. In 1968, following the example of Cahiers du Cinema critics Truffaut, Jean-Luc Godard, Claude Chabrol and Éric Rohmer who had created the Nouvelle Vague ("New Wave") by making their own films, Bogdanovich became a director. Working for low-budget schlock-meister Roger Corman, Bogdanovich directed the critically praised Targets (1968) and the not-so-critically praised Voyage to the Planet of Prehistoric Women (1968), a film best forgotten.
Turning back to journalism, Bogdanovich struck up a lifelong friendship with the legendary Orson Welles while interviewing him on the set of Mike Nichols' film adaptation of Catch-22 (1970) from the novel by Joseph Heller. Subsequently, Bogdanovich has played a major role in elucidating Welles and his career with his writings on the great actor-director, most notably his book "This is Orson Welles" (1992). He has steadily produced invaluable books about the cinema, especially "Who the Devil Made It: Conversations with Legendary Film Directors," an indispensable tome that establishes Bogdanovich, along with Kevin Brownlow, as one of the premier English-language chroniclers of cinema.
The 32-year-old Bogdanovich was hailed by a critics as a Wellesian wunderkind when his most famous film, The Last Picture Show (1971) was released. The film received eight Academy Award nominations, including Bogdanovich as Best Director, and won two of them, for Cloris Leachman and "John Ford Stock Company" veteran Ben Johnson in the supporting acting categories. Bogdanovich, who had cast 19-year-old model Cybill Shepherd in a major role in the film, fell in love with the young beauty, an affair that eventually led to his divorce from the film's set designer Polly Platt, his longtime artistic collaborator and the mother of his two children.
Bogdanovich followed up The Last Picture Show (1971) with a major hit, What's Up, Doc? (1972), a screwball comedy heavily indebted to Hawks' Bringing Up Baby (1938) and His Girl Friday (1940), starring Barbra Streisand and 'Ryan O'Neal'. Despite his reliance on homage to bygone cinema, Bogdanovich had solidified his status as one of a new breed of A-list directors that included Academy Award winners Francis Ford Coppola and William Friedkin, with whom he formed The Directors Company. The Directors Company was a generous production deal with Paramount Pictures that essentially gave the directors carte blanche if they kept within strict budget limitations. It was through this entity that Bogdanovich's next big hit, the critically praised Paper Moon (1973), was produced.
Paper Moon (1973), a Depression-era comedy starring Ryan O'Neal that won his ten-year-old daughter Tatum O'Neal an Oscar as Best Supporting Actress, proved to be the highwater mark of Bogdanovich's career. Forced to share the profits with his fellow directors, Bogdanovich became dissatisfied with the arrangement. The Directors Company subsequently produced only two more films, Francis Ford Coppola's critically acclaimed The Conversation (1974) which was nominated for an Academy Award for Best Picture of 1974 and garnered Coppola an Oscar nod for Best Director, and Bogdanovich's Daisy Miller (1974), a film that had a quite different critical reception.
An adaptation of the Henry James novella, Daisy Miller (1974) spelled the beginning of the end of Bogdanovich's career as a popular, critically acclaimed director. The film, which starred Bogdanovich's lover Cybill Shepherd as the title character, was savaged by critics and was a flop at the box office. Bogdanovich's follow-up, At Long Last Love (1975), a filming of the Cole Porter musical starring Cybill Shepherd, was derided by some critics as one of the worst films ever made, noted as such in Harry Medved and Michael Medved's book "The Golden Turkey Awards: Nominees and Winners, the Worst Achievements in Hollywood History" (1980). The film also was a box office bomb despite featuring Burt Reynolds, a hotly burning star who would achieve super-nova status at the end of the 1970s.
Bogdanovich insisted on filming the musical numbers for At Long Last Love (1975) live, a process not used since the early days of the talkies, when sound engineer Douglas Shearer developed lip-synching at Metro-Goldwyn-Mayer. The decision was widely ridiculed, as none of the leading actors were known for their singing abilities (Bogdanovich himself had produced a critically panned album of Cybill Shepherd singing Cole Porter songs in 1974). The public perception of Bogdanovich became that of an arrogant director hamstrung by his own hubris.
Trying to recapture the lightning in the bottle that was his early success, Bogdanovich once again turned to the past, his own and that of cinema, with Nickelodeon (1976). The film, a comedy recounting the earliest days of the motion picture industry, reunited Ryan O'Neal and 'Tatum O'Neal' from his last hit, Paper Moon (1973) with Burt Reynolds. Counseled not to use the unpopular (with both audiences and critics) Cybill Shepherd in the film, Bogdanovich instead used newcomer Jane Hitchcock as the film's ingénue. Unfortunately, the magic of Paper Moon (1973) was not be repeated and the film died at the box office. Jane Hitchcock, Bogdanovich's discovery, would make only one more film before calling it quits.
After a three-year hiatus, Bogdanovich returned with the critically and financially underwhelming Saint Jack (1979) for Hugh Hefner's Playboy Productions Inc. Bogdanovich's long affair with Cybill Shepherd had ended in 1978, but the production deal making Hugh Hefner the film's producer was part of the settlement of a lawsuit Shepherd had filed against Hefner for publishing nude photos of her pirated from a print of The Last Picture Show (1971) in Playboy Magazine. Bogdanovich then launched the film that would be his career Waterloo, They All Laughed (1981), a low-budget ensemble comedy starring Audrey Hepburn and the 1980 Playboy Playmate of the Year, Dorothy Stratten. During the filming of the picture, Bogdanovich fell in love with Stratten, who was married to an emotionally unstable hustler, Paul Snider, who relied on her financially. Stratten moved in with Bogdanovich, and when she told Snider she was leaving him, he shot and killed her, then committed suicide.
They All Laughed (1981) could not attract a distributor due to the negative publicity surrounding the Stratten murder, despite it being one of the few films made by the legendary Audrey Hepburn after her provisional retirement in 1967 (the film would prove to be Hepburn's last starring role in a theatrically released motion picture). The heartbroken Bogdanovich bought the rights to the negative so that it would be seen by the public, but the film had a limited release, garnered weak reviews and cost Bogdanovich millions of dollars, driving the emotionally devastated director into bankruptcy.
Bogdanovich turned back to his first avocation, writing, to pen a memoir of his dead love, "The Killing of the Unicorn: Dorothy Stratten (1960-1980)" that was published in 1984. The book was a riposte to Teresa Carpenter's "Death of a Playmate" article written for The Village Voice that had won the 1981 Pulitzer Prize. Carpenter had lambasted Bogdanovich and Hugh Hefner, claiming that Stratten was as much a victim of them as she was of Paul Snider. The article served as the basis of Bob Fosse's film Star 80 (1983), in which Bogdanovich was portrayed as the fictional director "Aram Nicholas".
Bogdanovich's career as a noted director was over, and though he achieved modest success with Mask (1985), his sequel to his greatest success The Last Picture Show (1971), Texasville (1990), was a critical and box office disappointment. He directed two more theatrical films in 1992 and 1993, but their failure kept him off the big screen until 2001's The Cat's Meow (2001). Returning once again to a reworking of the past, this time the alleged murder of director Thomas H. Ince by Welles' bete noir William Randolph Hearst, The Cat's Meow (2001) was a modest critical success but a flop at the box office. In addition to helming some television movies, Bogdanovich has returned to acting, with a recurring guest role on the cable television series The Sopranos (1999) as Dr. Jennifer Melfi's analyst.
Bogdanovich's personal reputation suffered from gossip about his 13-year marriage to Dorothy Stratten's 19-year-old-kid sister Louise Stratten, who was 29 years his junior. Some gossip held that Bogdanovich's behavior was akin to that of the James Stewart character in Alfred Hitchcock's necrophiliac masterpiece Vertigo (1958), with the director trying to remold Stratten into the image of her late sister. The marriage ended in divorce in 2001.
Now in his early eighties, Bogdanovich has arguably imitated his hero Orson Welles, but in an unintended fashion, as filmmaker who never regained the acclaim bestowed on their first major success. However, unlike the widely acclaimed master Welles, the orbit of Bogdanovich's reputation has never recovered from the apogee it reached briefly in the early 1970s.
There has been speculation that Peter Bogdanovich's ruin as a director was guaranteed when he ditched his wife and artistic collaborator Polly Platt for Cybill Shepherd. Platt had worked with Bogdanovich on all his early successes, and some critics believe that the controlling artistic consciousness on The Last Picture Show (1971) was Platt's. Parting company with Platt after Paper Moon (1973), Bogdanovich promptly slipped from the heights of a wunderkind to a has-been pursuing epic folly, as evidenced by Daisy Miller (1974) and At Long Last Love (1975).
In 1998 the National Film Preservation Board of the Library of Congress named The Last Picture Show (1971) to the National Film Registry, an honor awarded only to the most culturally significant films.- Producer
- Actor
- Writer
Harvey Weinstein was born on March 19, 1952, in Flushing, Queens, New York City, New York, USA, the first of two boys born to Max and Miriam Weinstein. He is a film producer, known for Pulp Fiction (1994), Shakespeare in Love (1998), and Gangs of New York (2002). He has been married and divorced twice; most recently from Georgina Chapman and previously from Eve Chilton.- Actor
- Soundtrack
Michael Bowen Jr. is an American actor. He is best known for portraying Nicolas Cage's romantic rival, Tommy, in the cult classic Valley Girl (1983), Danny Pickett on the ABC series Lost, and Jack Welker on the AMC series Breaking Bad. Bowen is the only son of Beat painter Michael Bowen Sr. and actress Sonia Sorel (née Henius; 1921-2004) who was Bowen's first wife. His maternal great-grandfather was biochemist Max Henius, a Danish immigrant to America who himself was of Polish-Jewish descent, and his maternal great-grandmother was the sister of historian Johan Ludvig Heiberg. He grew up in San Francisco knowing "interesting characters - revolutionary-type people," which inspired his portrayal of Uncle Jack. Through his mother's other marriage he is the half-brother of actors Robert and Keith Carradine of the Carradine family. He is the half-uncle of actresses Martha Plimpton and Ever Carradine.- Actor
- Writer
- Composer
Robert Fitzgerald Diggs better known by his stage name the RZA, is an American rapper, actor, filmmaker, and record producer. He is the DE factor leader of the hip hop group Wu-Tang Clan, having produced most albums for the group and its respective members. He is a cousin of two other original Wu-Tang Clan members: GZA and Ol' Dirty Bastard. He has also released solo albums under the alter-ego Bobby Digital, along with executive producing credits for side projects. After forming the Wu-Tang Clan, RZA was a founding member of the horror-core group Gravediggaz, where he went by the name The RZArector.- Actor
- Additional Crew
- Producer
Jonathan Loughran is an American actor and comedian who is known for playing a trucker in Kill Bill and his many collaborations with Adam Sandler. He also acted in Little Nicky, Big Daddy, The Waterboy, 50 First Dates, Eight Crazy Nights, Grown Ups, Hotel Transylvania 2, Anger Management, Punch-Drunk Love, Planet Terror and Grandma's Boy.- Music Artist
- Actor
- Music Department
Isaac Hayes, the second-born child of Eula and Isaac Hayes Sr., was raised by his grandparents, Mr. and Mrs. Willie Wade Sr. The child of a poor family, he grew up picking cotton in Covington, Tennessee. He dropped out of high school, but later his former high-school teachers to get his diploma, which he earned when he was 21. Otis Redding, Johnnie Taylor, The Bar-Kays, and Booker T. Jones (later of Booker T. & the M.G.s fame) were some of the "Memphis Sound" musical luminaries Hayes worked with during his early years as a budding musician and vocalist. He was a multi-talented composer, singer, and arranger who played the piano, vibraphone, and saxophone equally well. In 1971 he won an Academy Award for Best Original Song for a Motion Picture for the "Theme from Shaft" (1970) and was nominated for Best Original Dramatic Score for Shaft (1971).- Composer
- Music Department
- Actor
A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialized in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for A Fistful of Dollars (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionized the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies - making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvo's The Battle of Algiers (1966) , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's The Hawks and the Sparrows (1966).- Actor
- Writer
- Art Department
James Parks is an American actor who has worked with distinguished independent film directors Quentin Tarantino, John Sayles, Robert Rodriguez, Kevin Smith, and David Lynch. His career of over twenty years and his love for acting was inspired by his father, veteran actor Michael Parks, and began with classical training and work in Shakespearean theater. He has since worked consistently in film, television and theater, appearing most notably in Quentin Tarantino's film The Hateful Eight (2015), Kill Bill: Vol. 1 (2003), Amigo (2010), In ascolto (2006), and in episodes of Deadwood (2004) (pilot), True Blood (2008), and a number of other popular TV series. He stars alongside Caroline Goodall in The Elevator (2015), an English-language suspense film shot in Rome by Italian director Massimo Coglitore.
Most recently, James Parks plays Niles Gilbert on the TV series The Son (2017) on AMC, with Pierce Brosnan leading the ensemble.
James is also a writer for film and movie events for television.- Actor
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- Additional Crew
Sonny Chiba was born as Sadao Maeda in Fukuoka, Japan on January 22, 1939. His father was a military test pilot. During his youth, he had an interest in both theater & gymnastics. He was talented enough to make the Japanese Olympic Team until a chronic back injury ended his career. However, he took a strong interest in karate under the guidance of the Mas Oyama during college & soon earned his first black belt. However, his life changed again when he was discovered during a talent search by Toei Studios in 1960. He soon began his screen career under the name Shinichi Chiba, appearing as the space chief in Uchu Kaisoku-ken. Over the next decade, he busied himself w/ appearances in Japanese crime thrillers, steadily building a reputation for playing hard men of few words & direct actions.
With his proficiency in karate, judo & kenpo, he took advantage of the early 1970s martial arts boom sparked by Bruce Lee. He starred in The Street Fighter (1974), playing a mercenary style street thug who would do anything for a price & take on anyone, even the yakuza. The approach of the film was quite different from the Bruce Lee films in that Lee only eliminated his enemies when he was defending his friends or his honor. Instead, he was only aiming for a fistful of dollars for his deadly services & would engage in mortal combat for the highest bidder, although this often clouded his judgement to his own detriment. The only person the Street Fighter respects is his martial arts teacher, karate master Masaoko who manages to easily out smart & out fight him. Upon its release, the film was criticized for its excessive violence.
A sequel quickly followed w/ him back in Return of the Street Fighter (1974), which was then followed by a third Street Fighter movie starring Etsuko Shihomi in the gritty Sister Street Fighter (1974). There was a fourth & final film in the series Gyakushu Satsujin ken.
He had firmly established himself as a key anti-hero of Asian martial arts cinema who said little & used his fists to sort out his troubles. With the demand high from fans, he remained busy on screen for the next 20 years, starring in numerous Japanese film & TV productions w/ an emphasis on bruising fights, samurai swords, yakuza gangsters & beautiful girls in trouble.
Outside of Japan, the Street Fighter film series has achieved enduring popularity through many midnight cult screenings. Their style heavily influenced Quentin Tarantino. He has used strong references & imagery from the Street Fighter movies in several of his films including True Romance (1993) and Pulp Fiction (1994). When he came around to casting for Kill Bill: Vol. 1 (2003), he was eager to have Chiba accept the key role of the hot headed & sometimes humorous Okinawan sword maker Hanzo Hattori. He continued to be a major figure & influence in the world-wide passion in martial arts movies for over 3 decades, contributing to the genre by encouraging & training young hopefuls seeking to make their mark on screen.
He passed away on August 19, 2021.- Actor
- Stunts
- Director
Chia-Hui Liu was born on 22 August 1951 in Guangdong, China. He is an actor and director, known for Kill Bill: Vol. 2 (2004), The 36th Chamber of Shaolin (1978) and Kill Bill: Vol. 1 (2003). He was previously married to Ma Fei-feng.- Shun Sugata was born on 17 February 1955 in Yamanashi, Japan. He is an actor, known for Kill Bill: Vol. 1 (2003), The Last Samurai (2003) and Bunraku (2010).
- Music Department
- Producer
- Composer
Considered to be one of the greatest minds in music and television history, Quincy Delight Jones, Jr. was born on March 14, 1933 in Chicago, Illinois. He is the son of Sarah Frances (Wells), a bank executive, and Quincy Delight Jones, Sr., a carpenter.
Jones found his love for music while he was enrolled in grade school at Seattle's Garfield High School, this is also where he had met Ray Charles whom he later worked and became friends with. In 1951, Quincy Jones had won a scholarship to the Berklee College Of Music in Boston, Massachusetts. Jones however dropped out when he got the opportunity to tour with Lionel Hampton's band as a trumpeter and conductor. Jones also worked for the European production of Harold Arlen's blues opera, Free and Easy in 1959. After Jones had worked on several projects overseas he returned to New York where he composed and arranged, and recorded for artists such as Duke Ellington, Ray Charles, Sarah Vaughan, Count Basie, Dinah Washington, LeVern Baker, and Big Maybell. Jones was working with these artists while holding an executive position at Mercury Records, being one of the very few African Americans at the time to have such a position.
In 1963, Quincy Jones won his first Grammy award for his Count Basie arrangement of "I Can't Stop Loving You". In 1964, by the request of director Sidney Lumet, Jones composed the music for his movie, The Pawnbroker. This would be the first of many Jones composed for film scores. By the mid-1960's Quincy Jones became the conductor and arranger for Frank Sinatra's orchestra. Jones also conducted and arranged one of Sinatra's most memorable songs, Fly Me To The Moon. Jones appeared on a lot of film credits for his music such as The Slender Thread, Walk, Don't Run, In Cold Blood, In The Heat Of The Night, A Dandy In Aspic, Mackenna's Gold, and The Italian Job. In 1972 Quincy Jones was the theme song composer for the hit-sitcom, Sanford And Son.
Quincy Jones in 1978 worked on music for the Wiz, this is where he met icon, Michael Jackson. Jackson at the time was looking for a producer, Jones recommended some producers but in the end asked Jackson if he could do it, Jackson said yes. In 1982 as a result of this partnership, Jones had formed a tapestry with Jackson which was unbreakable it was called, Thriller. The Thriller album sold more than 100 million records world-wide. Jones continued working with Jackson with his Bad album in 1987. However after Jones recommended Jackson seek other producers to update his music. Jones referred Jackson to producer, Teddy Riley. This ended a partnership between two-greats, Jackson and Jones would never collaborate again.
In 1981 Jones had an album called, The Dude. In 1985 Jones scored the film adaptation of The Color Purple. Jones also was a philanthropist, in 1985 gathering multiple stars to participate in the song We Are The World to help raise money to help the victims of the Ethopian disaster.
In 1990 Jones composed a theme song for the new sitcom which was centered around Will Smith, The Fresh Prince Of Bel Air. Jones was also the executive producer of the show.
Quincy Jones will forever be remembered as someone who helped sculpt music in every form, he refined music and through the music he helped sculpt brought messages of peace, justice, love, funk, and hope.- Actor
- Composer
- Writer
Sonny Bono was born on 16 February 1935 in Detroit, Michigan, USA. He was an actor and composer, known for The Sonny and Cher Show (1976), Kill Bill: Vol. 1 (2003) and Hairspray (1988). He was married to Mary Bono, Susie Coelho, Cher and Donna Rankin. He died on 5 January 1998 in South Lake Tahoe, California, USA.- Cinematographer
- Camera and Electrical Department
- Additional Crew
Robert Richardson has won three Academy Awards and earned seven Academy Award nominations for his cinematography. His work on director Oliver Stone's JFK earned him his first Oscar. His second and third came with The Aviator and Hugo directed by Martin Scorsese. These two films also garnered him BAFTA nominations for Best Cinematographer.
Prior to regularly collaborating with well-known directors like Oliver Stone and Quentin Tarantino, Richardson served an apprenticeship shooting second unit on Repo Man while filming television documentaries for PBS and the BBC. His work in television led Stone to hire Richardson to shoot both Salvador and Platoon. From there, he worked almost exclusively with Stone, filming Wall Street, Born on the Fourth of July and The Doors, while occasionally branching out to shoot films like John Sayles' Eight Men Out and City of Hope.
Richardson also shot Stone's Natural Born Killers, Nixon and U-Turn. He then began collaborating with Martin Scorsese and Quentin Tarantino. Scorsese chose him as DP on 1999's Bringing Out the Dead, while Tarantino snapped him up for Kill Bill, Vol. 1 and Kill Bill, Vol. 2.
Richardson continued to make his mark as Tarantino's DP on 2012's Django Unchained and 2015's The Hateful Eight, as well as on Ben Affleck's 2016 film Live By Night. He shot Director Andy Serkis's 2017 Breathe starring Andrew Garfield and Claire Foy; 2018's Adrift for Director Balthasar Kormakur starring Shailene Woodley and Sam Claflin for STX, and 2018's A Private War for Director Matthew Heineman starring Rosamund Pike. Richardson then shot Tarantino's 2020 hit Once Upon a Time in Hollywood, which starred Leonardo DiCaprio and Brad Pitt, and 2021's Venom 2 for Sony/Director Andy Serkis.
Recent credits include 2022's Emancipation again with Fuqua for Apple Studios, 2023's Air directed by Ben Affleck for Amazon Studios, and The Equalizer 3 for Director Antoine Fuqua and for Columbia Pictures.- Actress
- Composer
- Soundtrack
Meiko Kaji was born on March 24, 1947 in the Kanda area of Tokyo, Japan. Following graduation from the Yakumo Academy High School in Meguro, Tokyo, Japan in 1965, Kaji first began acting in films in the mid-1960's under her real name of Masako Ôta. She was given the stage name Meiko Kaji by director Masahiro Makino. Meiko achieved her greatest enduring cult cinema popularity with her fierce portrayals of various tough outlaw characters which include young rebellious delinquents in the Stray Cat Rock series, the lethal Sasori from the Female Prisoner Scorpion pictures, and, most famously, the ruthless and driven titular assassin in the Lady Snowblood films. Kaji won a plethora of awards for her stand-out performance in Double Suicide of Sonezaki (1978). In the 1980's Meiko started acting more on television. Moreover, Kaji has also eked out a career as a singer: She not only sang the haunting theme song "Flower of Carnage (Shura No Hana)" for Lady Snowblood (1973) and the theme song "Urami-Bushi" for Female Prisoner #701: Scorpion (1972), but also has recorded and released several albums and singles. ("Flower of Carnage (Shura No Hana)" and "Urami-Bushi" were both featured on the soundtracks to Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004), respectively.) In addition, Meiko has turned down offers to act in Hollywood movies because she believes she can't give a good performance in a language other than Japanese.- Make-Up Department
- Producer
- Special Effects
Gifted SFX and make-up wizard, who learned his trade under the watchful eye of SFX splatter guru Tom Savini. Nicotero and buddies, Howard Berger and Robert Kurtzman started KNB Efx Group in 1988 and the group has provided eye-popping & jaw dropping special effects for major Hollywood releases including The Green Mile (1999), Vanilla Sky (2001), Sin City (2005) and Land of the Dead (2005).- Make-Up Department
- Actor
- Special Effects
Academy Award winner and 2 time Emmy winner Christopher Allen Nelson moved to Los Angeles at the age of 15. He has established himself as one of the top Special FX Make-up Artists and designers in the industry, after having worked for Rick Baker, Steve Johnson, KNB, Stan Winston, and many more over the course of 29 years. His love and intricate knowledge for all aspects of film, television, story, and art has set him apart as one of the most well rounded artists in the industry.- Ambrosia was born on October 4, 1995. Her Entertainment career began in September 1999 ( a month shy of being 4 years old), when her Aunt Crystal notified Ambrosia's Mom Annette and Grandma Arcy of an open call by a local Agency in her hometown of Corpus Christi, Texas. The Agency at the time was called Infinity Modeling Agency. Infinity signed her on immediately because a trip to Hollywood was in the works to attend IMTA Competitions. So off to Hollywood in January 2000. Ambrosia had 38 callbacks from Agencies and Management Agencies. By the next month, Mom and Grandma had moved to LA to pursue Ambrosia's new found career. Ambrosia booked her very first audition ever in Hollywood (February 2000), a TV Sitcom that was called Popular (1999) on the WB. She became a SAG Member right away.
Ambrosia has been blessed to have worked with the most talented Celebrities in Hollywood. She performed on stage at the AMA's with one of her idols, Jennifer Lopez. She worked with Uma Thurman and Vivica A. Fox in Kill Bill: Vol. 1 (2003) which was directed by Quentin Tarantino. She worked with Regina King, Loretta Devine, and Chris Brown in director Preston A. Whitmore II's 2007 film This Christmas (2007). Ambrosia has had co-starring roles in TV shows such as CSI: Miami (2002), The Parkers (1999), Half & Half (2002), Jimmy Kimmel Live! (2003), Mad TV (1995), Popular (1999) and a 2002 pilot, "Astronauts". She has done many national commercials, print, runway, and videos. Now, Ambrosia has started a new venture in the music side of the industry. She has written and recorded her own original songs. - Jun Kunimura was born on 16 November 1955 in Yatsushiro, Japan. He is an actor, known for Kill Bill: Vol. 1 (2003), Kate (2021) and The Wailing (2016).
- Stunts
- Second Unit Director or Assistant Director
- Actor
Chris O'Hara was born in Bronx, New York, USA. He is an assistant director and actor, known for Venom (2018), Baby Driver (2017) and Jurassic World (2015).- Producer
- Camera and Electrical Department
- Actor
Lawrence Bender is a movie producer working in the entertainment industry for 20 years. He helped produce Hollywood films like Reservoir Dogs (1992), Good Will Hunting (1997), Inglourious Basterds (2009) and Django (2012). Lawrence won 6 Academy Awards with 29 nominations including 3 Best Picture films. An Inconvenient Truth is a documentary he produced that raised awareness of climate change and won him an Academy Award for Best Documentary. Lawrence Bender was born in The Bronx, New York City, as Lawrence Kirk Bender. His mother was a kindergarten teacher. Lawrence's father was a college history professor. In high school, he was inspired to follow his grandfather's career as a civil engineer. At the University of Maine in 1979, he graduated with a degree in Civil Engineering. After he graduated, he became a dancer for several years which ended after an injury. Lawrence is a political and environmental activist as the co-founder of the Detroit Project. In 2003 he worked with environmentalists in targeting gas-guzzling SUVs. As the Dean of Harvard's John F. Kennedy School of Government, he sits on the Advisory Board. Lawrence has used his influence to support philanthropic initiatives working with Yahoo, the Muppets, the EPA, and Wal-Mart. He is a Director for CleanSource Power, LLC and a board member of The Creative Coalition Inc.- Make-Up Department
- Additional Crew
- Actor
Jake Garber was born on 16 April 1965 in St. Paul, Minnesota, USA. Jake is an actor, known for Fallout (2024), Django Unchained (2012) and The Walking Dead (2010).- Monica Staggs was born on 24 February 1970 in Boulder, Colorado, USA. She is an actress, known for Once Upon a Time... in Hollywood (2019). She was previously married to Gary J. Wayton.
- Director
- Stunts
- Actor
Woo-Ping Yuen was born on 1 January 1945 in Guangzhou, China. He is a director and actor, known for Crouching Tiger, Hidden Dragon (2000), Fearless (2006) and The Grandmaster (2013).- Make-Up Department
- Special Effects
- Actor
Howard Berger was born in Los Angeles, CA. Howard was raised on monster films and knew at an early age someone made those monster for the movies and began figuring it out at age 8 when he was introduced to Famous Monster of Filmland Magazine. His parents were very supportive and indulged his obsession of makeup and monster. When Howard went to a sci-fi convention in LA, he saw his idol Rick Baker speak and that was it! Howard was hooked and with the inspiration from Rick, Stan Winston, Dick Smith, Rob Bottin and others, he forged a path towards his career in film and TV as a special makeup effects artist.
Once out of high school he began working at Stan Winston Studios on PREDATOR, ALIENS, PUMPKINHEAD and then moved on to work for Rick Baker on the Oscar winning HARRY AND THE HENDERSONS.
Howard ended up meeting fellow monster makers Greg Nicotero and Robert Kurtzman and the 3 became fast friends, room mates and eventually co-owners of KNB EFX GROUP, which was founded in 1988. In the decades to come Howard and Greg would gather a cache of great directors, actors and films to work with and in 2006, Howard won an Oscar for the makeup work in THE CHRONICLES OF NARNIA THE LION, THE WITCH AND THE WARDROBE. Howard would then be nominated again for his work on Sir Anthony Hopkins for the film HITCHCOCK.
Howard continues to be a guiding force at KNB, along with Greg Nicotero, and has added being a Makeup Dept. Head to his list of achievements, starting with Peter Berg's film LONE SURVIVOR. In the past decade he has Dept. Headed over a dozen films and TV series.
Howard is a Governor of there Makeup Artists and Hair Stylist Branch at the AMPAS. He lives in Sherman Oaks with artist wife Mirjam and he has 3 grown children, none of which followed in his foot steps, and followed their own dreams as he did.- Michiko Nishiwaki is a multi-talented lady. An actress, martial artist, stunt woman, fight choreographer, and Japan's first Woman's Bodybuilding and Power lifting Champion. She held these titles for 1980, 1981 and 1982. While still keeping her femininity and not bulking up with the aid of anabolic steroids or other drugs, Michiko created a bodybuilding boom all over Japan and was in constant demand for personal and television appearances, and executive personal training. All this while operating two successful gyms. Michiko forever changed the stereotype of the submissive and docile Japanese woman by being a strong role model. She now lives in the U.S. with her Husband and Son.
- Producer
- Writer
- Music Department
Bob Weinstein was born on 18 October 1954 in Flushing, Queens, New York City, New York, USA. He is a producer and writer, known for The Lord of the Rings: The Fellowship of the Ring (2001), The Hateful Eight (2015) and St. Vincent (2014). He has been married to Annie Clayton since 29 April 2000. They have two children.- Actor
- Art Department
- Additional Crew
Issei Takahashi was born on 9 December 1980 in Tokyo, Japan. He is an actor, known for Kill Bill: Vol. 1 (2003), Whisper of the Heart (1995) and Shin Godzilla (2016). He has been married to Marie Iitoyo since May 2024.- Kazuki Kitamura was born on 17 July 1969 in Osaka, Japan. He is an actor, known for Signal: The Movie (2021), Folklore (2018) and Kera (2016).
- Editor
- Producer
- Sound Department
Sally Menke was born on 17 December 1953 in Mineola, New York, USA. She was an editor and producer, known for Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004) and Inglourious Basterds (2009). She was married to Dean Parisot. She died on 27 September 2010 in Los Angeles, California, USA.- Producer
- Actress
Stacey Sher was born on 30 November 1962 in New York City, New York, USA. She is a producer and actress, known for Gattaca (1997), Django Unchained (2012) and Erin Brockovich (2000). She has been married to Kerry P. Brown since 2001. They have two children.- Director
- Second Unit Director or Assistant Director
- Actor
Born in Oklahoma in 1915, Witney broke into the business in 1933, working at Mascot, the leading producer of low-budget serials. After Mascot and other small companies merged in 1935 to form Republic, Witney graduated to director (at 21, he was Hollywood's youngest). Witney teamed with director John English on many of the era's best serials, most of them highlighted by kinetic fight and chase scenes that helped change the face of action moviemaking. Witney also directed many features and much TV. Retired since the late 1970s, he has authored two books, "In a Door, Into a Fight, Out a Door, Into a Chase" (about his serial directing career) and "Trigger Remembered" (about Roy Rogers' famed movie horse).- Director
- Writer
- Music Department
Chang Cheh was the leading Martial Arts director in Hong Kong in the 1970s, now with close to 100 films to his name. His has influenced other directors such as John Woo and Liu Chiau Liang, and made famous such Hong Kong stars as Phillip Chung-Fung Kwok, Fu Sheng and Lung Ti. Chang has declared that he will stop working after he has made his 101st film. During the 1970s, Chang was the most prolific of the directors for the now legendary Shaw Brothers Studios, and most revered works include Dynasty of Blood (1973) (aka Blood Brothers) and the awesome film which is Five Deadly Venoms (1978) (aka Five Venoms).- Producer
- Actor
- Manager
Keith Barrows Executive Producer
With 30 plus years of experience, Mr. Barrows started out as a humble servant to Rock n" Roll playing bass guitar for "No Class, F.U., Dirty Looks, and Rumble Dog". While playing session Bass for "N.W.A., Tupac, Bone Thugs and Harmony, Nancy Sinatra, Ike Turner, Mick Fleetwood, Herb Alpert, etc, etc". Engineering and mixing artists such as INXS, Ozzy Ozbourne, Morrisey, U2 The Chairman of the Board, Earth Wind & Fire, Ray Charles, Atban Klann "Black Eyed Peas: Rage against the Machine, Boo Yah Tribe, Faith No More, Johnny Guitar Watson "R.I.P.", Brian Wilson, Lemmy Kilmister "MOTORHEAD" Lee Hazelwood and show's such as The Sinatra Show "The London Palladium, David Leveau", The Sinatra Show, The Tony Danza Show. Michael Jackson's "Earth Song", Kill Bill "BANG BANG", Hustle and Flow, Human Nature "Tim Robbins" and The Sopranos, then moving to Production Management touring with major productions such as Nancy Sinatra, Frank Sinatra Jr. E.W.F., The Commodores, including venues such as Royal Festival Hall, Carnegie Hall and Dodgers Stadium. He has since worked on extensive film projects in the film industry in all aspects of production. From sound to editing to directing and filming, he is the go-to-guy when it comes to producing a motion picture or sound on any and all projects.- Actor
- Stunts
Kenji Ôba was born on 5 February 1955 in Matsuyama, Japan. He is an actor, known for Kill Bill: Vol. 1 (2003), Gokaiger Goseiger Super Sentai 199 Hero Great Battle (2011) and Kill Bill: Vol. 2 (2004).- Actor
- Director
- Producer
Born in Indonesia to Cantonese parents, Lo migrated to Hong Kong in his teens, where he attended acting school and in 1962 joined the Shaw Bros. film company. By 1969 he had become the first kungfu superstar, preceding the legendary Bruce Lee. He acted in more than 100 films, usually cast as villains, then turned to directing in the 1980s. For over a decade ending in 1999, Lo was involved in television work in Hong Kong, until failing health forced him into semi-retirement.- Stunts
- Director
- Actor
Oliver Theess grew up in Los Angeles, California. Growing up on both sides of the hill " The Hollywood Hills", that is. Living a jet set surfer lifestyle. Oliver has always excelled in sports. He has a championship under his belt for every sport he has ever competed in and sports team he has ever been apart of. At the age of 15, Oliver became a BMX national champion racer. In Track and Field, he has a Gold Medal record breaking time of 33 seconds in the 440, although it is unofficial, of course. From BMX, Oliver went on to compete in skateboarding and surfing events. Oliver Theess talents and creative ability attracted the attention of Hollywood producers and was offered parts in feature films at an early age, but did not take them. In his later teens, After studying television production and photography and Acting, Oliver Theess decided to start accepting work that was offered him in Hollywood. In just one week he had joined three Unions. He landed many bit acting parts and stunt performer jobs on countless studio Television and feature films at Warner Brothers, Paramount, Universal, ABC and NBC Studios such as Beverly Hills Ninja, Wayne's World , Back to the Future, Scrooged , Mr. Belvedere, Facts of Life , The Bronx Zoo, The new Gidget, Growing Pains, China Beach, Head of The Class, Star Trek Next Generation, Santa Barbara, Bay Watch, Murder She wrote, Beverly Hills 90210, and Matlock. Working with the legendary Andy Griffith on the TV program Matlock was such a thrill for him. He has also been trained in many different styles of martial arts: Tang so do, Taekwondo, Kempo and Shotokan. His training includes being prepared in the use of weaponry such as the Samurai Katana sword along with various others: rapiers, daggers and broadswords. His skilled weapons training in the use of nun-chucks landed him an audition for Wayne's World. Once they discovered he had skills like no other, he was given the job. As Oliver became more focused on a Hollywood stunt career, he began to train with the best Hollywood stunt coordinators. That training led to stunt driving on The Green Hornet. As an actor, Oliver trained with the last of the Hollywood Studio teachers, Estelle Harmon, at her Actors Workshop in Hollywood, California. Surfing has always been a passion of his. He has traveled to some the best surfing spots in the world and surfed some of the biggest waves imaginable. Oliver produces innovative skateboards and surfboards. He handcrafts them in his studio shaping room in the South Bay. He has created some of the most state of the art designs and shapes. His surfing label is "Theess Surfboards". His surfboards keep him by the beach while acting, action directing, and stunt coordinating independent feature films keep him very busy today.