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1-50 of 569
- Actress
- Additional Crew
Kelsey Reinhardt is known for Transparent (2014), Run the Race (2018) and Flight Facilities: Clair De Lune (2012).- Casey Reinhardt was born on 1 July 1986 in Beverly Hills, California, USA. She is an actress, known for Drawn Into the Night (2022), Lure (2010) and Laguna Beach: The Real Orange County (2004). She has been married to Sean Brown since 20 February 2016. They have two children.
- Actor
- Producer
Since his leading role in Alexander Nezlobin's comedy ZHENIKH ("The Groom"), which became Russia's most successful comedy of 2016 with almost 3 million moviegoers, the Swiss Philippe Reinhardt has been one of the most famous film faces in Russia. The comedy reached more than 20Mill. viewers at the television broadcast. The film and its character "Helmut" have meanwhile achieved similar status there as FACK JU GOEHTE in Germany. "Helmut" became a kind of best friend of the Russians, the ideal German Buddy. The sequel ZHENIKH 2, in which Philippe Reinhardt will once again stand in front of the camera as "Helmut", is already a done deal.
The blockbuster series DIVERSANT, for whose fourth film Philippe Reinhardt is currently starring, enjoyed even greater success. The first three films in this war epic were each seen by 50 million viewers on Russian television. In the latest film, Philippe Reinhardt plays the role of a Nazi officer.
This year, Philippe Reinhardt will also be seen in several international productions: In the Russian series TOBOL (directed by Igor Zaytsev), in the German action series TRUE NORTH, the World War II drama THOUGH THE SCOPE (directed by Sergey Korotaev), or in the series CONTAMIN (directed by Harald Franklin).
In 2022, Philippe Reinhardt's first U.S. feature film THE MATCH (directed by Jakov Sedlar, Dominik Sedlar) will take the actor back to a story he is familiar with: THE MATCH tells the same story as the Russian soccer drama MATCH (directed by Andrey Malyukov) of almost the same name from 2012. For Philippe Reinhardt, it is therefore a journey back to the start of his cinema career. In THE MATCH he will be seen alongside Armand Assante, Casper Philippson and Franco Nero. The release of THE MATCH will presumably be video-on-demand due to Corona.
Philippe Reinhardt gained his first stage experience at the age of 8 years through various roles in children's theatre, where he already showed a natural talent for acting. Shortly afterwards he also started to produce short films himself and thus discovered his love for film and acting.
After his military service Philippe Reinhardt decided to realize his dream of becoming an actor himself and studied acting in Hamburg. To this day, Philippe Reinhardt also works closely with various well-known mentors for acting, including Lioudmila Meier Babkina, Christopher Fettes, Giles Forman, Lena Lessing and Frank Bezelt.
Philippe Reinhardt soon attracted attention and first roles followed, such as in Granz Henman's comedy KEIN BUND FÜRS FÜRS LEBEN, Til Schweiger's cinema success 1½ RITTER or Rainer Matsutani's film FAKTOR 8.
Philippe Reinhardt was also able to prove his talent for languages in international productions. Under the coaching of director Lioudmila Meier Babkina he learned Russian and in 2012 he was given a role in Fedor Bondarchuk's Blockbuster STALINGRAD, which was sent into the race for the Oscar for best foreign language film in Russia. This was followed by the football drama MATCH about the historic Dead Pool of 1942, directed by Andrey Malyukovs. Appearances in numerous other Russian productions followed, including the leading role in Sergey Mokritsky's I AM TEACHER, which was also shown in the USA.
In 2017 Philippe Reinhardt appeared in the war drama SOBIBOR, by Konstantin Khabenskiy, which was based on true events. The film deals with the 1943 uprising in the extermination camp of the same name in eastern Poland and was screened for Russia at the 2019 Oscars.
In 2019 Philippe Reinhardt was seen in the relationship comedy "Love Made Easy" in Germany, Austria and Switzerland at the cinema, which had already started in Russia with over 700 copies.
In addition to his work in front of the camera, Philippe Reinhardt has also appeared in various theater roles in Germany and Switzerland since 2005.
Born in 1981, the actor lives in Berlin and Zurich.- Additional Crew
- Director
- Writer
Max Reinhardt was from an Austrian merchant family (surname officially changed from the family name Goldmann to Reinhardt in 1904), and even as a boy, after his family moved to Vienna, he haunted the "Hofburg Theater" and tried to see every play. In 1890 he studied at the Sulkowsky Theater in Matzleinsdorf and started acting in Vienna and later at the "Stadtheater" in Salzburg with duties as an assistant director. But by 1894 he was invited to Berlin by Otto Brahm, director, critic, and theater manager. And that was an important juncture. Brahm had founded the "Free Stage" (1890), a theater company crusading for realism in German theater by providing a forum for so-called banned plays - the iconoclastic works, such as, those of Henrik Ibsen and Leo Tolstoy. The result was the opening of German state theater to the corpus of the modern stage by 1894. Brahm became director of the Deutsches Theater in Berlin, and there Reinhardt cut his teeth on the full theater experience, not simply acting alone, although he was much applauded for his convincing specialty of playing old men.
In 1901 Reinhardt co-founded his own - sort of avant garde - cabaret "Schall und Rauch" (Sound and Smoke) for experimental theater. It was renamed "Kleines Theater" (Small Theater) in 1902, a place for contemporary plays accented with the sort of spirit confined to cabaret entertainment. He then opened and managed his own theater "Neues Theater", now called the "Berliner Ensemble", from 1902 to 1905. These were all a part of his evolving philosophy of the harmony of stage design, costumes, language, music, and choreography as a whole unified artwork, Gesamtkunstwerk. He was influenced by several figures, August Strindberg for one, but most significantly by Richard Wagner and his operatic ideal that the director must pull together all aspects of art in his production. Reinhardt's infusion gave new dimensions to German theater. After producing more than fifty plays at Neues Theater, wherein he always found somebody to donate the money for productions, he was asked to take the helm of Deutsches Theater in Berlin for Brahm in 1905. At Deutsches Theater he embarked on big theater, employing the whole physical theater space for productions and often even spreading scenes into the audience as a means of fusing actors and audience in a total theater experience. Here was something different - making theater a democratic institution - after all the audience was the means of generating the money to do more. And Reinhardt was never avant garde enough to disdain making profit when it finally came knocking. He staged truly gargantuan productions of epic pageantry and lighting with stark colors for various dramatic effects. He staged one of his most famous early productions, his first rendition of Shakespeare's "A Midsummer Night's Dream" with a wooded forest revolving stage - turning to reveal progressive new scenes. He became famous for realistic direction of huge crowd and mob scenes.
He built the smaller Kammerspiele, a theater near Deutsches Theater in 1906. At this latter theater Reinhardt developed "Kammerspiel" theater, chamber dramas in a minimalist and naturalistic style. This followed from his expressionist influences which defied the realist dictum (though he would look to realism as well in the mix to appropriately stage some of his most ambitious efforts) and sought out more personal, expressive, and emphatic ways of coaxing the elements of theater from the conventional objective into palpable subjectivity. This all opened Reinhardt to even more experimental ideas in staging with sometimes nightmarish and vivid lighting techniques. He began introducing the expressionist plays to the German-speaking public. And he also opened a famous acting school which would function for decades turning out many of Germany's great actors and actresses. In addition there was a acting troupe that played in neutral areas of Europe during World War I. On the bill was always a cycle of Shakespeare plays. Reinhardt did everything in a big way and to accommodate a growing enthusiastic theater-going public he had expanded with a chain of theaters throughout Germany. He would manage thirty theaters and acting companies in all.
Reihardt fulfilled another of his ideals, and that was of finding the 'perfect playhouse' as a means of complementing the content and experience of a play. In 1919 he opened an enormous arena theater, the "Grosses Schauspielhaus", (Great Playhouse), but known as the "Theatre of the Five Thousand", which included a large revolving stage. Many of his biggest productions were done here, including Shakespeare and Greek plays. In the 1920s he built the two Boulevard Theaters on the Kurfürstendamm in Berlin. And yet, the privations of post-war Germany and the perennial anti-Semitic undercurrent caused a gradual loss of his big audiences. In 1920 Reinhardt went back to Salzburg and established the Salzburg Festival with composer Richard Strauss and playwright Hugo von Hofmannsthal. Annually he enjoyed staging the most apropos of morality plays, the medieval "Everyman", with the biggest set he could muster as a backdrop-the Austrian Alps in the open air before the Salzburg Cathedral. From 1924 he became director of the Theater in der Josefstadt in Vienna and renewed his Berlin popularity with a new theater called "Komoedie". His output was no less than astounding. Whereas a theater director today would not commit himself beyond two or three productions in a year, Reinhardt averaged twenty in his first twelve years. Between 1916 and 1917 he produced 48 - his highest output. Although he did few films, he was very interested in the potential of the medium. He directed four silent movies starting in 1910. One of these was the filming of one his favorite pantomime plays "The Miracle".
Reinhardt was a titan of influence and inspiration on a whole generation of theater and film directors in Germany-many who spread the word to the rest of the world. His disciples included: F.W. Murnau, Paul Leni, Ernst Lubitsch, William Dieterle , and Otto Preminger. His staging of crowds and use of lighting were frequently appropriated by the great silent filmmakers of the Weimar Republic, including 'Fritz Lang' and Murnau. And he profoundly influenced the expressionist movement in German film. He also influenced many actors with his techniques of developing expressive characterizations and movement-many would eventually come to New York and Hollywood. But by 1933 Hitler had come to power, and Reinhardt found himself falling victim to the same methods of attrition as other German Jews. So-called assimilative families of ethnic mixtures, whether high or low, were increasing placed in the same category as ethnic Jews. His theaters were `appropriated' one-by-one by the government and later his considerable properties confiscated. Later in 1933 he moved back to Austria to the "Theater in der Josefstadt" in Vienna (where Preminger had quickly become a director), hoping his native land could resist the Nazi machine. But the same pressures enveloped him there. He left for a last theater tour of Europe and arrived in America in 1934. "Midsummer" had a special significance for Reinhardt. The play was his continued inspiration of a world without ideologies - a utopia - as the theater itself was a haven from the harsh realities of the world and of the individual. The audience learned something, but they also could steep themselves without taxing imagination in the illusion of theater. "Midsummer" was always a work-in-progress for him - he had staged it twelve times up to 1934, and in fact had already brought it to Broadway in late 1927. And that was not his first trip to the US, having started presenting plays as producer, director, or writer since early 1912 there (he did ten productions in all to 1943).
He came to Hollywood in 1934 with his fame preceding him. His last tour through Europe had included lavish productions in Florence (1933) and a"Midsummer" at Oxford (1934). He offered to do the same in Hollywood at an ideal outdoor stage-the Hollywood Bowl. But the bowl had to go - it was removed to provide a view of a "forest" up the hillside - a "forest" that required tons of dirt hauled in especially for its planting, Reinhardt and his design staff erected a 250-foot wide, 100-foot deep stage. Also included was a pond and a suspension bridge or trestle constructed from the hills in back to the stage to be lined with torchbearers - with real flaming torches - for the wedding procession inserted between Acts IV and V. This lavish production included a ballet corps, children playing faeries, and hundreds of extras. The 18-year-old Olivia de Havilland was at Mills College in Oakland, participating in a school "Midsummer" production where in attendance was none other than Max Reinhardt himself. He was so impressed with her that he picked her for his extravaganza. Along with other Hollywood actors, was 14 year old veteran of the cinema 'Mickey Rooney', added to the cast as Puck. Another new arrival from Austria was classical opera composer Erich Wolfgang Korngold, musical collaborator of Reinhardt's from Vienna. Reinhardt cabled his friend to come over and help him by doing the orchestrations of Felix Mendelssohn's famous 1843 music for the Hollywood Bowl production. It was a night to remember - even for Jack L. Warner - who was not always sure of what he was seeing. But it was enough to sign Reinhardt to direct a filmed version of A Midsummer Night's Dream (1935) which began shooting in December of 1934. De Havilland was back to start her film career-Rooney for another memorable part. Otherwise, it was new cast headed by Hollywood stars 'Dick Powell' and James Cagney and boasting the best actors from Warner's impressive stock company of players. Since Reinhardt did not know Hollywood filmmaking, Warner assigned a co-director, William Dieterle, Reinhardt's acting then directing protege, from the Deutsches Theater days in Berlin. Dieterle, the disciple, had directed in Germany since 1923 and then came to Hollywood to become one of the studio's most reliable new directors. It was the beginning of Korngold's screen career as a film composer when he was hired to do the film score, an arrangement based on Mendelssohn's music used at the Bowl. But he actually mixed in much more of a variety of the composer's music to fit the play. Warner's laid down 1.5 million dollars and had its top technical staff step up to the challenge. But all-most of all, Reinhardt - was on a bit of a learning curve. Reinhardt was allowed the liberty of long play-like rehearsals instead of rehearsing scene by scene. Reinhardt's early over-emphasized stage acting directions were recalled by Cagney, who noted the actors often stood around on the sidelines whispering to one another, "Somebody ought to tell him." It was the politic Dieterle who did - setting his old master straight as to the subtle wonders of the microphone and sound film techniques. Shakespeare's lines were cut for public consumption, but there was so much to see - who would notice. In Depression era America the movie theater had taken the place of Reinhardt's all encompassing theater as a haven - and that was certainly fine with him. And here was a feast for starving souls. Reinhardt's multi-faceted approach to theater shone in all its entertaining best-through Warner stage design efficiency. There was the realist extravagance in forested backdrops, but the wonderful ballet of the coming of night with dancer Nini Theilade was distilled expressionism. Other ballet sequences featuring the fairies-children and adults - were choreographed by 'Bronislava Nijinska' (the great Nijinsky's sister). Reinhardt conjured all his and the camera's magic to create the summation of a lifetime of stagecraft. His imaginative wizardry with lighting put the remarkable glow on the faces of Cagney and his motley peasant comrades as they rehearsed - on the dancing faeries in their sequins - on the enchanted sparkle of shimmering (painted and tensiled) woods and veiled atmosphere that awaited the gaiety of Titania and the black looks of King Oberon. Everything of British and German folklore was thrown in for good measure - from gossamer English faeries and magic animals to rather frightening, rubber-masked dwarfs dressed as Teutonic gnomes and goblins. Reinhardt fuzzed and gauzed the camera lens and even put scintillating borders and covers of various sorts on the camera cowling to frame some faerie scenes as if from a Victorian painting by English artists Richard Dadd and Joseph Noel Paton-obvious influences. The movie was not a box office success, but it was Hollywood history-salute to Shakespeare? - certainly - but more so, a great event of melting pot talent and modern film making that was Hollywood coupled with profound European stage traditions that began with Max Reinhardt. He - by the way - did no more films, perhaps deciding that the real challenge was still the stage. But this one record on sound film measures the genius of the man of theater and gives today a glimpse of his creative powers and something of what his stage productions were like. He was more interested in continuing working on-stage as a director and producer, but he did not forsake Hollywood. With his second wife actress 'Helene Thimig', from a famous Viennese acting family, he split his time between the coasts. He found a Hollywood-based theater workshop and an acting school in New York. All of Reinhardt's productions were tallied - just from 1905 to 1930 - and found to total 23,374 performances of 452 plays - and still a little short. His wide-eyed exuberance for spreading out a great show was indicative of the child in Max Reinhardt. He betrayed that very comparison unashamedly: "Theater is the happiest haven for those who have secretly put their childhood in their pockets, so that they can continue to play to the end of their days."- Ray Reinhardt was born on 28 March 1930 in The Bronx, New York, USA. He is an actor, known for The Hunt for Red October (1990), Time After Time (1979) and Jexi (2019).
- Actress
- Additional Crew
- Reinhardt Kettlebell System (RKS) Co-Creator and Spokesperson Doug Reinhardt is an accomplished professional athlete and entrepreneur who is passionate about helping others stay healthy and fit, in a timely and effective manner. Doug and Co-Creator and Certified Kettlebell Instructor Owen Evans have created a new full-body workout that increases one's strength, endurance, flexibility and cardiovascular condition, all while simultaneously melting away unwanted body fat.
Born from necessity, the RKS workout was developed when Doug was recovering from an injury to his knee and had limited time to exercise due to his busy schedule as a cast member on the MTV reality series, "The Hills". Doug began training privately with Owen using kettlebells and quickly realized that although he had been exposed to some of the best athletic trainers in the world when he was a professional baseball player, kettlebell workouts were the most effective at increasing his overall fitness and helping him achieve his optimal physique. Doug was so impressed by his own results that he decided to collaborate with Owen to create a quick, effective workout that everyone could use. Since then, Doug has used RKS as his exclusive workout to train for his Mount Kilimanjaro climb in 2010 and to win the "Fight for Humanity" charity boxing event in New York, raising more than $1 million for the cause.
Doug's childhood planted the seed for this current career in fitness and athletics. He began playing organized baseball at the age of four, by the time he reached high school his passion, matched with his diligence and ability, gained the attention of both college and professional scouts. Ultimately, he turned down a baseball scholarship with University of Southern California to sign with the Los Angeles Angels of Anaheim as their eighth pick of the 2004 MLB June Draft. During his three years of playing professional baseball, Doug had the misfortune of suffering multiple knee injuries, often requiring surgery. Doug decided to use his injuries as an opportunity to re-focus on his academic career by enrolling at Pepperdine University. At the same time, he continued to pursue his professional baseball career as well, signing with the Baltimore Orioles for the 2007 Season.
In 2005, Doug launched two new technology companies: Fugen Mobile, LLC, a leading North American company that specializes in providing global mobile messaging services and applications for consumer and enterprise markets, and Fun Facter, a company that licenses, creates, publishes and distributes across the U.S. a broad range of premium mobile content. Doug gained experience in multi-family real estate in 2008-2010 working with Entrepreneurial Properties Corporation.
Doug is committed to serving the community and sits on the Board of Directors of the Eric Trump Foundation, which is dedicated to improving the lives of children battling life-threatening or debilitating medical conditions. The RKS co-creator currently resides in Los Angeles. In his spare time he enjoys being active by skiing, golfing and mountain biking. - Director
- Writer
- Producer
John Reinhardt was born on 24 February 1901 in Vienna, Austria-Hungary [now Austria]. He was a director and writer, known for Chicago Calling (1951), Sofia (1948) and For You I Die (1947). He was married to Elizabeth Reinhardt. He died on 6 August 1953 in Berlin, Germany.- Music Department
- Composer
- Actor
Django Reinhardt was born on 23 January 1910 in Liberchies, Wallonia, Belgium. He was a composer and actor, known for The Matrix (1999), Gattaca (1997) and The Matrix Revolutions (2003). He was married to Sophie Ziegler. He died on 16 May 1953 in Fontainebleau, Seine-et-Marne, France.- Adèle Reinhardt is known for L'assassin jouait du trombone (1991), Le négociateur (2005) and Ma vie en cinémascope (2004).
- Actor
- Stunts
- Additional Crew
- Composer
- Music Department
- Soundtrack
Born in Los Angeles in 1966, Justin Reinhardt attended the Berklee College of Music in Boston before returning home to work in the music industry. He has recorded on platinum albums and performed live with numerous hip hop artists including NWA, Dr. Dre, The Pharcyde, Snoop Dogg and Warren G., touring the U.S. with MC Hammer's "Don't Hurt 'Em" tour. He is best known in this regard for his keyboard work on Dr. Dre's classic album "The Chronic". His original music has been featured in many films and television shows, including HBO's Sex And The City. He has also worked extensively performing and recording in many stylistic genres including jazz (Elliott Caine/Justo Almario) and rockabilly (Rosie Flores). He is the son of US 9th Circuit Judge Stephen Reinhardt (appointed by Jimmy Carter), and is married to Chelsea Hadley, with whom he has two children.- John Reinhardt was born on 11 March 1885 in the USA. He is known for Feathertop (1916), The Carter Case (1919) and Bound and Gagged (1919).
- Cinematographer
- Camera and Electrical Department
- Additional Crew
Odd Reinhardt Nicolaysen is known for Max Manus: Man of War (2008), Vinterkyss (2005) and Kon-Tiki (2012).- Production Manager
- Sound Department
- Camera and Electrical Department
- Actor
A. Josh Reinhardt is known for 12 Years a Slave (2013), The Twilight Saga: Eclipse (2010) and Dead Man Down (2013).- Director
- Producer
- Writer
Gottfried Reinhardt was born on 20 March 1913 in Berlin, Germany. He was a director and producer, known for Vor Sonnenuntergang (1956), Town Without Pity (1961) and Betrayed (1954). He was married to Silvia Hanlon Shapiro. He died on 19 July 1994 in Los Angeles, California, USA.- Cole Reinhardt is an American actor born with a love and fascination for story telling in all its forms. Sometimes it involved solving a Hardy Boys mystery, writing a short story, or just re-watching The Goonies for the hundredth time. By 5th grade he had learned (from a family friend) how to correctly use a camcorder and edit inside of Adobe Premiere. With these newfound skills he began to write and produce short films starring friends, family and himself on occasion. At 16 he began working as an intern for Fox Sports West's Prep Zone division and by 18 he was working as a Director. He was also an avid athlete often competing in Football, Baseball, Basketball, Wrestling, and Judo to name a few. It was in Wrestling where he learned about weight manipulation. About quickly dropping 10-15 pounds to reach a lower weight class along with how to gain weight rapidly when needed. Both of which he is now proficient in. After a few years directing, he decided to focus his efforts into developing his skills in front of the camera. He started attending local acting classes and joining local performances. Now, he continues his pursuits as an actor with various roles in both Film and Television.
- Talent Agent
- Additional Crew
- Actress
- Costume Designer
- Music Department
- Actor
- Soundtrack
Stephen Reinhardt was born on 30 November 1947 in Philadelphia, Pennsylvania, USA. He is an actor, known for Days of Our Lives (1965), Godspell (1973) and General Hospital (1963). He has been married to Gilmer McCormick since 12 February 1972. They have two children.- Christopher Reinhardt was born on 19 December 1989. He is an actor, known for Krimi.de (2005), The Origin of Violence (2016) and Komshu: The Neighbour (2020).
- Actor
- Music Department
Reinhardt Fraunfelder Jr. was born on 28 April 1920 in Amden, Kanton St. Gallen, Switzerland. He was an actor. He died on 2 February 2007 in Salem, Oregon, USA.- Sandra Reinhardt is known for Another World (1964).
- Script and Continuity Department
- Producer
- Camera and Electrical Department
- Mats Reinhardt was born on 29 April 1964. He is an actor, known for Battalion (2015), The House (2016) and Tanks for Stalin (2018).
- Additional Crew
- Transportation Department
Sandy Reinhardt is known for The Hunger Games: The Ballad of Songbirds & Snakes (2023), No Time to Die (2021) and John Wick: Chapter 4 (2023).- Mark Reinhardt is known for Second-Hand Happiness (2017) and Scene 1, Take 2 (2016).
- Actor
- Writer
- Brandon Reinhardt is known for Cast Away (2000) and Inland Empire (2006).
- Actor
- Music Department
Reinhardt Fraunfelder Sr. was born on 26 February 1895 in Wildegg, Switzerland. He was an actor. He died on 31 August 1988 in Salem, Oregon, USA.- Visual Effects
Stefan Reinhardt is known for The Seventh Dwarf (2014).- Mathis Reinhardt was born in 1978 in Filderstadt, Baden-Württemberg, West Germany. He is an actor, known for Labyrinth of Lies (2014), Matthäuspassion (2006) and Tatort (1970).
- Markus Reinhardt is known for A Bucket of Blood (1995).
- Writer
- Actor
Éric Reinhardt is known for Just the Two of Us (2023), Le système Victoria and Ce soir (ou jamais!) (2006).- Grace Reinhardt is known for Grace's Room (2016).
- Susanne Reinhardt is married to Armin Reinhardt. They have two children.
- Composer
- Music Department
Babik Reinhardt was born on 8 June 1944 in Paris, France. He was a composer, known for Mohamed Bertrand-Duval (1991), Le prix du silence (1989) and Téléthon (1987). He died on 13 November 2001 in Grasse, Alpes-Maritimes, France.- Additional Crew
- Producer
- Casting Department
Robin Reinhardt was born in New Jersey, USA. She is a producer, known for The 48th Annual People's Choice Awards (2022), The 2023 Primetime Creative Arts Emmy Awards (2024) and 54th NAACP Image Awards (2023).- Levis Reinhardt is known for Django (2017).
- Dara Reinhardt is known for Replicant Terminus: Revelation (2021).
- Actor
- Second Unit Director or Assistant Director
Arthur Reinhardt was born on 18 May 1899 in Fledtscher, Berlin, Germany. He was an actor and assistant director, known for Das Mädchen aus der Ackerstraße - 2. Teil (1920), Ein Unsichtbarer geht durch die Stadt (1933) and The Last Waltz (1934). He died on 29 September 1979 in Hollywood, California, USA.- Director
- Cinematographer
- Writer
François Reinhardt is known for Pays basque, l'âme en pelote (2020), Histoire d'Outre-mer (2016) and Chine: le drame ouïghour (2022).- Producer
- Writer
- Director
- Producer
- Actor
- Writer
- Actress
- Writer
Silvia Reinhardt was born on 22 March 1910 in New York City, New York, USA. She was an actress and writer, known for Rebel Flight to Cuba (1959), Town Without Pity (1961) and Grand Hotel (1959). She was married to Gottfried Reinhardt and Samuel Shapiro. She died on 8 September 1994 in Los Angeles, California, USA.