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Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Actor
- Producer
- Director
The tall, handsome and muscular Scottish actor Sean Connery is best known as the original actor to portray James Bond in the hugely successful movie franchise, starring in seven films between 1962 and 1983. Some believed that such a career-defining role might leave him unable to escape it, but he proved the doubters wrong, becoming one of the most notable film actors of his generation, with a host of great movies to his name. This arguably culminated in his greatest acclaim in 1988, when Connery won the Academy Award for Best Supporting Actor for his role as an Irish cop in The Untouchables (1987), stealing the thunder from the movie's principal star Kevin Costner. Connery was polled as "The Greatest Living Scot" and "Scotland's Greatest Living National Treasure". In 1989, he was proclaimed "Sexiest Man Alive" by People magazine, and in 1999, at age 69, he was proclaimed "Sexiest Man of the Century."
Thomas "Sean" Connery was born on August 25, 1930 in Fountainbridge, Edinburgh. His mother, Euphemia Maclean, was a cleaning lady, and his father, Joseph Connery, was a factory worker and truck driver. He also had a, Neil Connery, a plasterer in Edinburgh, who was eight years younger. Before going into acting, Sean had many different jobs, such as a milkman, lorry driver, a laborer, artist's model for the Edinburgh College of Art, coffin polisher and bodybuilder. He also joined the Royal Navy, but was later discharged because of medical problems. At the age of 23, he had a choice between becoming a professional soccer player or an actor, and even though he showed much promise in the sport, he chose acting and said it was one of his more intelligent decisions.
No Road Back (1957) was Sean's first major movie role, and it was followed by several made-for-TV movies such as Anna Christie (1957), Macbeth (1961) and Anna Karenina (1961) as well as guest appearances on TV series, and also films such as Hell Drivers (1957), Another Time, Another Place (1958), Darby O'Gill and the Little People (1959) and The Frightened City (1961). In 1962 he appeared in The Longest Day (1962) with a host of other stars.
His big breakthrough came in 1962 when he landed the role of secret agent James Bond in Dr. No (1962). He played James Bond in six more films: From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), Diamonds Are Forever (1971) and Never Say Never Again (1983).
After and during the success of the Bond films, he maintained a successful career as an actor and has appeared in films, including Alfred Hitchcock's Marnie (1964), The Hill (1965), Murder on the Orient Express (1974), The Man Who Would Be King (1975), The Wind and the Lion (1975), Time Bandits (1981), Highlander (1986), The Name of the Rose (1986), Indiana Jones and the Last Crusade (1989), The Hunt for Red October (1990), Rising Sun (1993), The Rock (1996), Finding Forrester (2000) and The League of Extraordinary Gentlemen (2003).
Sean married actress Diane Cilento in 1962 and they had Sean's only child, Jason Connery, born on January 11, 1963. The couple announced their separation in February 1971 and filed for divorce 2½ years later. Sean then dated Jill St. John, Lana Wood, Magda Konopka and Carole Mallory. In 1975 he married Micheline Roquebrune and they stayed married, despite Sean's well-documented love affair with Lynsey de Paul in the late '80s. Sean had three stepchildren through his marriage to Micheline, who was one year his senior. He is also a grandfather. His son, Jason and Jason's ex-wife, actress Mia Sara had a son, Dashiell Connery, in 1997.
Sean Connery died at the age of 90 on October 31, 2020, in Nassau, the Bahamas, where he resided for many years.- Actor
- Producer
- Director
Richard St John Harris was born on October 1, 1930 in Limerick, Ireland, to a farming family, one of nine children born to Mildred (Harty) and Ivan Harris. He attended Crescent College, a Jesuit school, and was an excellent rugby player, with a strong passion for literature. Unfortunately, a bout of tuberculosis as a teenager ended his aspirations to a rugby career, but he became fascinated with the theater and skipped a local dance one night to attend a performance of "Henry IV". He was hooked and went on to learn his craft at the London Academy of Music and Dramatic Art (LAMDA), then spent several years in stage productions. He debuted on screen in Shake Hands with the Devil (1959) and quickly scored regular work in films, including The Wreck of the Mary Deare (1959), The Night Fighters (1960) and a good role as a frustrated Australian bomber pilot in The Guns of Navarone (1961).
However, his breakthrough performance was as the quintessential "angry young man" in the sensational drama This Sporting Life (1963), which scored him an Oscar nomination. He then appeared in the WW II commando tale The Heroes of Telemark (1965) and in the Sam Peckinpah-directed western Major Dundee (1965). He next showed up in Hawaii (1966) and played King Arthur in Camelot (1967), a lackluster adaptation of the famous Broadway play. Better performances followed, among them a role as a reluctant police informer in The Molly Maguires (1970) alongside Sir Sean Connery. Harris took the lead role in the violent western A Man Called Horse (1970), which became something of a cult film and spawned two sequels. As the 1970s progressed, Harris continued to appear regularly on screen; however, the quality of the scripts varied from above average to woeful.
His credits during this period included directing himself as an aging soccer player in The Hero (1970); the western The Deadly Trackers (1973); the big-budget "disaster" film Juggernaut (1974); the strangely-titled crime film 99 and 44/100% Dead! (1974); with Connery again in Robin and Marian (1976); Gulliver's Travels (1977); a part in the Jaws (1975); Orca (1977) and a nice turn as an ill-fated mercenary with Richard Burton and Roger Moore in the popular action film The Wild Geese (1978).
The 1980s kicked off with Harris appearing in the silly Bo Derek vanity production Tarzan the Ape Man (1981) and the remainder of the decade had him appearing in some very forgettable productions. However, the luck of the Irish was once again to shine on Harris's career and he scored rave reviews (and another Oscar nomination) for The Field (1990). He then locked horns with Harrison Ford as an IRA sympathizer in Patriot Games (1992) and got one of his best roles as gunfighter English Bob in the Clint Eastwood western Unforgiven (1992). Harris was firmly back in vogue and rewarded his fans with more wonderful performances in Wrestling Ernest Hemingway (1993); Cry, the Beloved Country (1995); The Great Kandinsky (1995) and This Is the Sea (1997). Further fortune came his way with a strong performance in the blockbuster Gladiator (2000) and he became known to an entirely new generation of film fans as Albus Dumbledore in the mega-successful Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Chamber of Secrets (2002). His final screen role was as "Lucius Sulla" in Caesar (2002).
Harris died of Hodgkin's disease, also known as Hodgkin's lymphoma, in London on October 25, 2002, aged 72.- Actor
- Producer
- Stunts
Eugene Allen Hackman was born in San Bernardino, California, the son of Ann Lydia Elizabeth (Gray) and Eugene Ezra Hackman, who operated a newspaper printing press. He is of Pennsylvania Dutch (German), English, and Scottish ancestry, partly by way of Canada, where his mother was born. After several moves, his family settled in Danville, Illinois. Gene grew up in a broken home, which he left at the age of sixteen for a hitch with the US Marines.
Moving to New York after being discharged, he worked in a number of menial jobs before studying journalism and television production on the G.I. Bill at the University of Illinois. Hackman would be over 30 years old when he finally decided to take his chance at acting by enrolling at the Pasadena Playhouse. Legend says that Hackman and friend Dustin Hoffman were voted "least likely to succeed."
Hackman next moved back to New York, where he worked in summer stock and off-Broadway. In 1964 he was cast as the young suitor in the Broadway play "Any Wednesday." This role would lead to him being cast in the small role of Norman in Lilith (1964), starring Warren Beatty. When Beatty was casting for Bonnie and Clyde (1967), he cast Hackman as Buck Barrow, Clyde Barrow's brother. That role earned Hackman a nomination for the Academy Award for Best Supporting Actor, an award for which he would again be nominated in I Never Sang for My Father (1970). In 1972 he won the Oscar for his role as Detective Jimmy "Popeye" Doyle in The French Connection (1971). At 40 years old Hackman was a Hollywood star whose work would rise to new heights with Night Moves (1975) and Bite the Bullet (1975), or fall to new depths with The Poseidon Adventure (1972) and Eureka (1983). Hackman is a versatile actor who can play comedy (the blind man in Young Frankenstein (1974)) or villainy (the evil Lex Luthor in Superman (1978)). He is the doctor who puts his work above people in Extreme Measures (1996) and the captain on the edge of nuclear destruction in Crimson Tide (1995). After initially turning down the role of Little Bill Daggett in Clint Eastwood's Unforgiven (1992), Hackman finally accepted it, as its different slant on the western interested him. For his performance he won the Oscar and Golden Globe and decided that he wasn't tired of westerns after all. He has since appeared in Geronimo: An American Legend (1993), Wyatt Earp (1994), and The Quick and the Dead (1995).- Lois Smith was born on 3 November 1930 in Topeka, Kansas, USA. She is an actress, known for Minority Report (2002), Lady Bird (2017) and Twister (1996). She was previously married to Wesley Dale Smith.
- Actress
- Soundtrack
Anne Francis got into show business quite early in life. She was born on September 16, 1930 in Ossining, New York (which is near Sing Sing prison), the only child of Phillip Ward Francis, a businessman/salesman, and the former Edith Albertson. A natural little beauty, she became a John Robert Powers model at age 6(!) and swiftly moved into radio soap work and television in New York. By age 11, she was making her stage debut on Broadway playing the child version of Gertrude Lawrence in the star's 1941 hit vehicle "Lady in the Dark". During this productive time, she attended New York's Professional Children's School.
Metro-Goldwyn-Mayer put the lovely, blue-eyed, wavy-blonde hopeful under contract during the post-war World War II years. While Anne appeared in a couple of obscure bobbysoxer bits, nothing much came of it. Frustrated at the standard cheesecake treatment she was receiving in Hollywood, the serious-minded actress trekked back to New York where she appeared to good notice on television's "Golden Age" drama and found some summer stock work on the sly ("My Sister Eileen").
Discovered and signed by 20th Century-Fox's Darryl F. Zanuck after playing a seductive, child-bearing juvenile delinquent in the low budget film So Young, So Bad (1950), Anne soon starred in a number of promising ingénue roles, including Elopement (1951), Lydia Bailey (1952), and Dreamboat (1952) but she still could not seem to rise above the starlet typecast. At MGM, she found promising leading lady work in a few noteworthy 1950s classics: Bad Day at Black Rock (1955); Blackboard Jungle (1955); and the science fiction cult classic Forbidden Planet (1956). While co-starring with Hollywood's hunkiest best, including Paul Newman, Dale Robertson, Glenn Ford and Cornel Wilde, her roles still emphasized more her glam appeal than her acting capabilities. In the 1960s, Anne began refocusing strongly on the smaller screen, finding a comfortable niche on television series. She found a most appreciative audience in two classic The Twilight Zone (1959) episodes and then as a self-sufficient, Emma Peel-like detective in Aaron Spelling's short-lived cult series Honey West (1965), where she combined glamour and a sexy veneer with judo throws, karate chops and trendy fashions. The role earned her a Golden Globe Award and Emmy Award nomination.
The actress returned to films only on occasion, the most controversial being Funny Girl (1968), in which her co-starring role as Barbra Streisand's pal was heartlessly reduced to a glorified cameo. Her gratuitous co-star parts opposite some of filmdom's top comics' in their lesser vehicles -- Jerry Lewis' Hook, Line and Sinker (1969) and Don Knotts' The Love God? (1969) -- did little to show off her talents or upgrade her career. For the next couple of decades, Anne remained a welcome and steadfast presence in a slew of television movies (The Intruders (1970), Haunts of the Very Rich (1972), Little Mo (1978), A Masterpiece of Murder (1986)), usually providing colorful, wisecracking support. She billed herself as Anne Lloyd Francis on occasion in later years.
For such a promising start and with such amazing stamina and longevity, the girl with the sexy beauty mark probably deserved better. Yet in reflection, her output, especially in her character years, has been strong and varied, and her realistic take on the whole Hollywood industry quite balanced. Twice divorced with one daughter from her second marriage, Anne adopted (as a single mother) a girl back in 1970 in California. She has long been involved with a metaphysical-based church, channeling her own thoughts and feelings into the inspirational 1982 book "Voices from Home: An Inner Journey". Later, she has spent more time off-camera and involved in such charitable programs as "Direct Relief", "Angel View" and the "Desert AIDS Project", among others. Her health declined sharply in the final years. Diagnosed with lung cancer in 2007, the actress died on January 2, 2011, from complications of pancreatic cancer in a Santa Barbara (California) retirement home.- Actor
- Producer
- Stunts
He was the ultra-cool male film star of the 1960s, and rose from a troubled youth spent in reform schools to being the world's most popular actor. Over 40 years after his untimely death from mesothelioma in 1980, Steve McQueen is still considered hip and cool, and he endures as an icon of popular culture.
McQueen was born in Beech Grove, Indiana, to mother Julian (Crawford) and father William Terence McQueen, a stunt pilot. His first lead role was in the low-budget sci-fi film The Blob (1958), quickly followed by roles in The St. Louis Bank Robbery (1959) and Never So Few (1959). The young McQueen appeared as Vin, alongside Yul Brynner, in the star-laden The Magnificent Seven (1960) and effectively hijacked the lead from the bigger star by ensuring he was nearly always doing something in every shot he and Brynner were in together, such as adjusting his hat or gun belt. He next scored with audiences with two interesting performances, first in the World War II drama Hell Is for Heroes (1962) and then in The War Lover (1962). Riding a wave of popularity, McQueen delivered another crowd pleaser as Hilts, the Cooler King, in the knockout World War II P.O.W. film The Great Escape (1963), featuring his famous leap over the barbed wire on a motorcycle while being pursued by Nazi troops (in fact, however, the stunt was actually performed by his good friend, stunt rider Bud Ekins).
McQueen next appeared in several films of mixed quality, including Soldier in the Rain (1963); Love with the Proper Stranger (1963) and Baby the Rain Must Fall (1965). However, they failed to really grab audience attention, but his role as Eric Stoner in The Cincinnati Kid (1965), alongside screen legend Edward G. Robinson and Karl Malden, had movie fans filling theaters again to see the ice-cool McQueen they loved. He was back in another Western, Nevada Smith (1966), again with Malden, and then he gave what many consider to be his finest dramatic performance as loner US Navy sailor Jake Holman in the superb The Sand Pebbles (1966). McQueen was genuine hot property and next appeared with Faye Dunaway in the provocative crime drama The Thomas Crown Affair (1968), next in what many consider his signature role, that of a maverick, taciturn detective in the mega-hit Bullitt (1968), renowned for its famous chase sequence through San Francisco between McQueen's Ford Mustang GT and the killer's black Dodge Charger.
Interestingly, McQueen's next role was a total departure from the action genre, as he played Southerner Boon Hogganbeck in the family-oriented The Reivers (1969), based on the popular William Faulkner novel. Not surprisingly, the film didn't go over particularly well with audiences, even though it was an entertaining and well made production, and McQueen showed an interesting comedic side of his acting talents. He returned to more familiar territory, with the race film Le Mans (1971), a rather self-indulgent exercise, and its slow plot line contributed to its rather poor performance in theaters. It was not until many years later that it became something of a cult film, primarily because of the footage of Porsche 917s roaring around race tracks in France. McQueen then teamed up with maverick Hollywood director Sam Peckinpah to star in the modern Western Junior Bonner (1972), about a family of rodeo riders, and again with Peckinpah as bank robber Doc McCoy in the violent The Getaway (1972). Both did good business at the box office. McQueen's next role was a refreshing surprise and Papillon (1973), based on the Henri Charrière novel of the same name, was well received by fans and critics alike. He played a convict on a French penal colony in South America who persists in trying to escape from his captors and feels their wrath when his attempts fail.
The 1970s is a decade remembered for a slew of "disaster" movies and McQueen starred in arguably the biggest of the time, The Towering Inferno (1974). He shared equal top billing with Paul Newman and an impressive line-up of co-stars including Fred Astaire, Robert Vaughn and Faye Dunaway. McQueen does not appear until roughly halfway into the film as San Francisco fire chief Mike O'Halloran, battling to extinguish an inferno in a 138-story skyscraper. The film was a monster hit and set the benchmark for other disaster movies that followed. However, it was McQueen's last film role for several years. After a four-year hiatus he surprised fans, and was almost unrecognizable under long hair and a beard, as a rabble-rousing early environmentalist in An Enemy of the People (1978), based on the Henrik Ibsen play.
McQueen's last two film performances were in the unusual Western Tom Horn (1980), then he portrayed real-life bounty hunter Ralph "Papa' Thorson (Ralph Thorson) in The Hunter (1980). In 1978, McQueen developed a persistent cough that would not go away. He quit smoking cigarettes and underwent antibiotic treatments without improvement. Shortness of breath grew more pronounced and on December 22, 1979, after he completed work on 'The Hunter', a biopsy revealed pleural mesothelioma, a rare lung cancer associated with asbestos exposure for which there is no known cure. The asbestos was thought to have been in the protective suits worn in his race car driving days, but in fact the auto racing suits McQueen wore were made of Nomex, a DuPont fire-resistant aramid fiber that contains no asbestos. McQueen later gave a medical interview in which he believed that asbestos used in movie sound stage insulation and race-drivers' protective suits and helmets could have been involved, but he thought it more likely that his illness was a direct result of massive exposure while removing asbestos lagging from pipes aboard a troop ship while in the US Marines.
By February 1980, there was evidence of widespread metastasis. While he tried to keep the condition a secret, the National Enquirer disclosed that he had "terminal cancer" on March 11, 1980. In July, McQueen traveled to Rosarito Beach, Mexico for an unconventional treatment after American doctors told him they could do nothing to prolong his life. Controversy arose over McQueen's Mexican trip, because McQueen sought a non-traditional cancer treatment called the Gerson Therapy that used coffee enemas, frequent washing with shampoos, daily injections of fluid containing live cells from cows and sheep, massage and laetrile, a supposedly "natural" anti-cancer drug available in Mexico, but not approved by the US Food and Drug Administration. McQueen paid for these unconventional medical treatments by himself in cash payments which was said to have cost an upwards of $40,000 per month during his three-month stay in Mexico. McQueen was treated by William Donald Kelley, whose only medical license had been (until revoked in 1976) for orthodontics.
McQueen returned to the United States in early October 1980. Despite metastasis of the cancer through McQueen's body, Kelley publicly announced that McQueen would be completely cured and return to normal life. McQueen's condition soon worsened and "huge" tumors developed in his abdomen. In late October, McQueen flew to Ciudad Juarez, Chihuahua, Mexico to have an abdominal tumor on his liver (weighing around five pounds) removed, despite warnings from his American doctors that the tumor was inoperable and his heart could not withstand the surgery. McQueen checked into a Juarez clinic under the alias "Sam Shepard" where the local Mexican doctors and staff at the small, low-income clinic were unaware of his actual identity.
Steve McQueen passed away on November 7, 1980, at age 50 after the cancer surgery which was said to be successful. He was cremated and his ashes were scattered at sea. He married three times and had a lifelong love of motor racing, once remarking, "Racing is life. Anything before or after is just waiting.".- Actress
- Writer
- Producer
Kathie Browne was born Jacqueline Sue Browne on September 19, 1930 in San Luis Obispo, California. She got her break in TV after appearing in a Los Angeles production of Tennessee Williams's play, "Cat on a Hot Tin Roof", making her TV debut in 1957 in The Gray Ghost (1957), The Sheriff of Cochise (1956), and Gunsmoke (1955). The following year, she made her movie debut in the B-movie, Murder by Contract (1958), but it was mostly television that was her métier. She made numerous guest appearances on a plethora of TV shows. The blonde haired, blue-eyed beauty played mainly ingénue parts, and was a very busy TV actress of the 1960s and 1970s.
One of her most famous acting role was as the prospective bride of "Adam Cartwright", during the 1963-64 season of Bonanza (1959). She had appeared on the series twice before, as different characters, in 1961 and 1962, but was cast as the pretty widow, Laura Dayton, in 1963, appearing in 4 episodes broadcast between December 8, 1963 and May 17, 1964, which was the penultimate show of the season. Laura was supposed to marry Adam and ride off with him into the sunset as Pernell Roberts was unhappy with the show and threatening to leave. The producers, at the demand of NBC (which owned the show), hired Guy Williams as a potential replacement for Roberts. Instead of leaving after the 1963-64 season, Roberts signed on for one more year on the Ponderosa, and Browne (as Laura) rode off with Adam's cousin, Will Cartwright, instead (played by Williams). A year after her turn as a regular on the short-lived western series, Hondo (1967), Browne gave another memorable performance, in the Star Trek (1966) episode, Wink of an Eye (1968), in which she played the beautiful Scalosian who (what else?) falls in love (or at least lust) with Captain Kirk.
Browne married actor Darren McGavin in 1969, and they were frequent co-stars, including his starring series, Kolchak: The Night Stalker (1974), during the 1970s. She retired from acting in 1980.
Kathie Browne (legally Jacqueline K. McGavin) died on April 8, 2003 in Beverly Hills, California, aged 72.- Actress
- Additional Crew
- Writer
Virginia Cathryn "Gena" Rowlands is an American film, stage, and television actress, whose career in the entertainment industry has spanned over six decades. A four-time Emmy and two-time Golden Globe winner, she is known for her collaborations with her late actor-director husband John Cassavetes in 10 films, including A Woman Under the Influence (1974) and Gloria (1980), which earned her nominations for the Academy Award for Best Actress. She also won the Silver Bear for Best Actress for Opening Night (1977). In November 2015, Rowlands received an Honorary Academy Award in recognition of her unique screen performances.- Actor
- Producer
- Soundtrack
R.J. Wagner was born 1930 in Detroit, the son of a steel executive. His family moved to L.A. when he was six. Always wanting to be an actor, he held a variety of jobs (including one as a golf caddy for Clark Gable) while pursuing his goal, but it was while dining with his parents at a Beverly Hills restaurant that he was discovered by a talent scout. After making his uncredited screen debut in The Happy Years (1950), Wagner was signed by 20th Century Fox, which carefully built him up toward stardom. He played romantic leads with ease, but it was not until he essayed the two-scene role of a shell-shocked war veteran in With a Song in My Heart (1952) that studio executives recognized his potential as a dramatic actor. He went on to play the title roles in Prince Valiant (1954) and The True Story of Jesse James (1957), and portrayed a cold-blooded murderer in A Kiss Before Dying (1956). In the mid-'60s, however, his film career skidded to a stop after The Pink Panther (1963). Several years of unemployment followed before Wagner made a respectable transition to television as star of the lighthearted espionage series It Takes a Thief (1968). He also starred on the police series Switch (1975), but Wagner's greatest success was opposite Stefanie Powers on the internationally popular Hart to Hart (1979), which ran from 1979 through 1984 and has since been sporadically revived in TV-movie form (another series, Lime Street (1985), was quickly canceled due to the tragic death of Wagner's young co-star, Samantha Smith). Considered one of Hollywood's nicest citizens, Robert Wagner has continued to successfully pursue a leading man career; he has also launched a latter-day stage career, touring with Stefanie Powers in the readers' theater presentation "Love Letters". He found success playing Number Two, a henchman to Dr. Evil in Austin Powers: International Man of Mystery (1997) and its sequels, and in 2007, he began playing Teddy Leopold, a recurring role on the CBS sitcom Two and a Half Men (2003). Wagner is married to Jill St. John and lives in Aspen.- Actor
- Director
- Additional Crew
Born and raised in New York City, Robert Loggia studied journalism at the University of Missouri before moving back to New York to pursue acting. He trained at the Actors Studio while doing stage work. From the late 1950s he was a familiar face on TV, usually as authoritative figures. Loggia also found work in movies such as The Greatest Story Ever Told (1965), Scarface (1983) and Big (1988). Always in demand, Loggia worked until his death, at 85, from complications of Alzheimer's.- Actor
- Music Department
- Writer
Suave and handsome Australian actor arrived in Hollywood in the 1950s, and built himself up from a supporting actor into taking the lead in several well-remembered movies. Arguably his most fondly remembered role was that as George (Herbert George Wells), the inventor, in George Pal's spectacular The Time Machine (1960). As the movie finished with George, and his best friend Filby Alan Young seemingly parting forever, both actors were brought back together in 1993 to film a 30-minute epilogue to the original movie! Taylor's virile, matinée idol looks also assisted him in scoring the lead of Mitch Brenner in Alfred Hitchcock's creepy thriller The Birds (1963), the role of Jane Fonda's love interest in Sunday in New York (1963), the title role in John Ford's biopic of Irish playwright Sean O'Casey in Young Cassidy (1965), and a co-starring role in The Train Robbers (1973) with John Wayne. Taylor also appeared as Bette Davis future son-in-law in the well-received film The Catered Affair (1956). He also gave a sterling performance as the German-American Nazi Major trying to fool James Garner in 36 Hours (1964). Later, Taylor made many westerns and action movies during the 1960s and 1970s; however, none of these were much better than "B" pictures and failed to push his star to the next level. Additionally, Taylor was cast as the lead in several TV series including Bearcats! (1971), Masquerade (1983), and Outlaws (1986); however, none of them truly ignited viewer interest, and they were cancelled after only one or two seasons. Most fans would agree that Rod Taylor's last great role was in the wonderful Australian film The Picture Show Man (1977), about a travelling sideshow bringing "moving pictures" to remote towns in the Australian outback.- Actress
- Soundtrack
Carolyn Sue Jones was born in 1930, in Amarillo, Texas, to homemaker Chloe (or Cloe) Jeanette Southern (1906-1979), and Julius Alfred Jones (1897-1979), a barber. Her sister was Bette (later Mrs. Moriarty). Carolyn was an imaginative child, much like her mother; she and her mother shared the same birthday (April 28).
In 1934, her father abandoned the family and her mother moved them in with her own parents, also in Amarillo. As a child, Carolyn suffered from severe asthma. Although she loved movies, she was often too sick to attend, so she listened to her favorites, Danny Kaye and Spike Jones and read as many movie fan magazines as she could. She dreamed of attending the famed Pasadena Playhouse and received many awards at school for speech, poetry, and dramatics. In 1947, she was accepted as a student at the Pasadena Playhouse, and her grandfather agreed to pay for her classes. She worked in summer stock to supplement her income, graduating in 1950.
She gave herself a complete head-to-toe makeover, including painful cosmetic nose surgery to make herself ready for movie roles. Working as an understudy at the Players Ring Theater, she stepped in when the star left to get married. She was seen by a talent scout from Paramount and given a screen test, which went well. She made her first appearance in The Turning Point (1952). She did some other work during her 6-month contract, but when it ended, Paramount, suffering from television's impact, let it lapse. She quipped, "They let me and 16 secretaries go!"
She started working in television but kept busy on stage as well. There, she met a fellow Texan, a young man named Aaron Spelling, and they became a couple. She made a breakthrough in the 3-D movie House of Wax (1953) and garnered excellent reviews. Aaron was still struggling, so he felt he wasn't able to propose to Carolyn; she finally proposed to him. They were married in April 1953. Neither was earning much, but they really enjoyed each other and their life. Many saw them as an ideal couple. She decided against having children as she felt she could not juggle the demands of both a career and a family.
Columbia Pictures saw her and wanted to test her for the part of prostitute Alma Burke in From Here to Eternity (1953), but she got extremely sick with pneumonia and the part went to Donna Reed, nine years older, who won an Academy Award. Jones did, however, achieve success in the science-fiction classic Invasion of the Body Snatchers (1956), a subtle allegory of the times (McCarthyism). And the famous filmmaker Alfred Hitchcock cast her in The Man Who Knew Too Much (1956) opposite James Stewart and Doris Day. Meanwhile, Aaron had little success as an actor and Carolyn pushed him to become a writer, even threatening to leave him. She constantly promoted his scripts whenever she could and he was ultimately hired by Dick Powell. Carolyn, meanwhile, was successful once more in The Bachelor Party (1957) (famous line, "Just say you love me--you don't have to mean it!"). For this role, she surprised cast members by dyeing her hair black and cutting it short. This stunning look served her well for a number of roles. For her eight minutes on screen, she received glowing reviews and was nominated for an Academy Award but lost. However, she did win the Golden Globe Award and the Laurel Award for Marjorie Morningstar (1958). She followed this with an impressive appearance in King Creole (1958), generally regarded as Elvis Presley's best film. She then gave arguably her best performance ever in Career (1959), but the film was not commercially successful. She played a serious role in this, leaving the kooky role she might have played to Shirley MacLaine.
As Aaron's career soared, the marriage started to fail. They separated in October 1963 and amicably divorced in August 1965, with Carolyn asking for no alimony. They remained friends. She worked at various roles including two episodes of Burke's Law (1963) for which she received a Golden Globe nomination. Soon, she got the part for which she will best be remembered, that of Morticia Addams in The Addams Family (1964). She spent two years in this role. Her costume was designed to copy the cartoon drawings and no doubt inspired such imitators as Cassandra Peterson (Elvira, Mistress of the Dark). The show went head-to-head with The Munsters (1964) and Bewitched (1964).
The show was a hit and she received all the fame she had craved. However, the network decided to cancel the show, despite its success, after only two years. Typecast as Morticia but without the income that a few more years would have provided, she found life difficult and roles few. While acting on the road, she married her voice coach, Herbert Greene, a well-known and respected Broadway conductor and musical director, and they moved together to Palm Springs, California. After seven years, she left him and returned to Hollywood, determined to try to restart her career. She was surprisingly successful and performed in several shows, including Wonder Woman (1975), where she played Hippolyta, the mother of Wonder Woman (Lynda Carter) and Wonder Girl (Debra Winger). She also appeared in the landmark miniseries Roots (1977). She appeared in four episodes of Fantasy Island (1977) and one episode of The Love Boat (1977), two shows produced by her former husband, Aaron Spelling. In 1979, both of Jones's parents died; her mother from pancreatic cancer. She took on the role of Myrna Clegg on the soap Capitol (1982) from 1982 to 1983, despite having been diagnosed with colon cancer in 1981. She underwent aggressive treatment for the cancer, but it returned during her time on the show and she was told it was terminal.
She played some scenes despite being confined to a wheelchair and working in great pain. Knowing time was short, she married her boyfriend of five years, Peter Bailey-Britton, in September 1982. She died on August 3, 1983, aged 53. She had told her sister Bette that she wanted her epitaph to be "She gave joy to the world." She certainly had many friends who loved her greatly, and many fans who enjoyed her wonderful performances.- Actress
- Producer
From working for the exacting Alfred Hitchcock to a film written by Edward D. Wood Jr., Tippi Hedren, the Minnesota blonde, has had a distinctive career. She was born Nathalie Kay Hedren in New Ulm, MN, to Dorothea (née Eckhardt) and Bernard Hedren, who ran a general store, and is of Swedish, Norwegian, and German descent. Tippi was working as a New York fashion model when she married her first husband, former actor and later advertising executive Peter Griffith, in 1952 (married until 1961). She gave birth to her only child, future star Melanie Griffith, on August 9, 1957. Alfred Hitchcock discovered Tippi, the pretty cover girl, while viewing a commercial on NBC's Today (1952) show. He put her under personal contract and cast her in The Birds (1963). In a cover article about the movie in Look magazine (Dec. 4, 1962), Hitchcock praised her; he also told the Associated Press: "Tippi Hedren is really remarkable. She's already reaching the lows and highs of terror". Her performance in the film earned her both the Golden Globe award and the Photoplay award as Most Promising Newcomer. Her next film was playing the title role in Hitchcock's Marnie (1964), where she played a challenging and difficult role of a frigid, habitual thief. The film wasn't as big a hit as "The Birds," and it would take years before she won well-deserved admiration for her work. The professional relationship with Hitchcock ended with mutual bitterness and disappointment during the filming of "Marnie." That year, she married her agent, Noel Marshall (married until 1982). Charles Chaplin cast her in a supporting role in his final film A Countess from Hong Kong (1967), which flopped. Thereafter, Tippi and her husband Marshall collected big cats and other wildlife for the film Roar (1981), which they starred in and produced. The film took 11 years and $17 million to make, but it only made $2 million worldwide. Nevertheless, the film was a turning point in her life; she became actively involved in animal rights, as well as a wide variety of humanitarian and environmental causes. She married her third husband, businessman Luis Barrenecha, in 1985 but divorced him seven years later. In 2002, she became engaged to veterinarian Martin Dinnes, but after six years and no wedding, the couple called it quits. Tippi has devoted much time and effort to charitable causes: she is a volunteer International Relief Coordinator for "Food for the Hungry". She has traveled worldwide to set up relief programs following earthquakes, hurricanes, famine and war, and has received numerous awards for her efforts, including the Humanitarian Award presented to her by the Baha'i Faith. As for animal causes, she is founder and president of The Roar Foundation. Onscreen, she continues to work frequently in films, theater and TV. She appeared in I Woke Up Early the Day I Died (1998), finally bringing to the big screen the last screenplay written by the late Edward D. Wood Jr. in 1974 (and featuring Wood regulars Maila Nurmi and Conrad Brooks, just about the only surviving members of Wood's stock company). She also enjoyed playing comedic roles, such as an abortion rights activist in Alexander Payne's satire Citizen Ruth (1996) and slapping Jude Law in I Heart Huckabees (2004). Tippi's contributions to world cinema have been honored with Life Achievement awards in France at The Beauvais Film Festival Cinemalia 1994; in Spain, by The Fundacion Municipal De Cine in 1995; and at the Riverside International Film Festival in 2007. In 1999, Tippi was honored as "Woman of Vision" by Women in Film and Video in Washington, D.C., and received the Presidential Medal for her work in film from Hofstra University. She enjoys spending time with her daughter and grandchildren: Alexander Bauer, Dakota Johnson and Stella Banderas.- Actor
- Director
- Writer
Dark-haired, usually-mustachioed American actor with a cheeky grin, who achieved pop culture status through his portrayal of the kooky patriarch "Gomez Addams" in the hit TV series The Addams Family (1964), John Astin was born on March 30, 1930 in Baltimore, Maryland. He studied mathematics at Johns Hopkins University, but he discovered a passion for the theater and began to perform in minor plays and do voice-over work for commercials. He first got noticed thanks to a small role in West Side Story (1961), then appeared in several other films before being cast as "Gomez Addams". While "The Addams Family" was initially a huge hit, its popularity petered out after two years, and Astin moved on to other work including the offbeat Bunny O'Hare (1971), playing a grizzled but not- particularly-bright gunfighter in the Western spoof Evil Roy Slade (1972), an appearance in the Disney comedy Freaky Friday (1976) and dual roles in National Lampoon's European Vacation (1985).
He has since lent his comedic talents to numerous appearances as "Dr. Gangreen" in several corny "Killer Tomato" movies, and has contributed his voice to recreate "Gomez Addams" in the animated series The Addams Family (1992), then played "Grandpa Addams" in the successful TV series The New Addams Family (1998). In addition, Astin has contributed voices to several animated shows, and he still appears in films regularly.- Actress
- Composer
- Soundtrack
Grace Lee Whitney was a versatile actress and vocalist born in Ann Arbor, Michigan. Beginning as a "girl singer" on Detroit's WJR radio, she soon opened in nightclubs for Billie Holiday and Buddy Rich, and toured with the Spike Jones and Fred Waring Bands. Grace debuted on Broadway in "Top Banana", and subsequently appeared in the United Artists film Top Banana (1954). Grace is probably best known for her portrayal of Yeoman Janice Rand on the original Star Trek (1966) series. She later reprised her role for a string of successful Star Trek films: Star Trek: The Motion Picture (1979), Star Trek III: The Search for Spock (1984), Star Trek IV: The Voyage Home (1986), and Star Trek VI: The Undiscovered Country (1991). Grace continued to delight fans in personal appearances at conventions and events throughout North America and Europe. In 1998, she appeared in an episode of Diagnosis Murder (1993) with her Star Trek castmates George Takei, Walter Koenig and Majel Barrett. Grace Lee Whitney died at age 85 of natural causes in her home in Coarsegold, California on May 1, 2015.- Actor
- Writer
- Director
Tall, slim and exceedingly good-looking American leading man Robert Culp, a former cartoonist in his teen years, appeared off-Broadway in the 1950s before settling into polished, clean-cut film leads and "other man" supports a decade later. Hitting the popular TV boards in the hip, racially ground-breaking espionage program I Spy (1965), he made a slick (but never smarmy), sardonic name for himself during his over five-decade career with his sly humor, casual banter and tongue-in-cheek sexiness. Though he had the requisite looks and smooth, manly appeal (not to mention acting talent) for superstardom, a cool but cynical and somewhat detached persona may have prevented him from attaining it full-out.
He was born Robert Martin Culp on August 16, 1930, in Oakland California. The son of attorney Crozie Culp and his wife, Bethel Collins, who was employed at a Berkeley chemical company, he offset his only-child loneliness by playacting in local theater productions. Culp also showed a talent for art while young and earned money as a cartoonist for Bay Area magazines and newspapers in high school, but the fascination with becoming an actor proved much stronger. He attended Berkeley High School and graduated in 1947. The athletically-inclined Culp dominated at track and field events and, as a result, earned athletic scholarships to six different universities. He selected the relatively minor College of the Pacific in Stockton, California primarily because of its active theater department. Transferring to various other colleges of higher learning (including San Francisco State in 1949), he never earned a degree. After performing in some theatre in the San Francisco area, he moved to Seattle and then New York in 1951.
Studying under famed teacher Herbert Berghof and supporting himself during this time teaching speech and phonetics, Bob eventually found work on the theatre scene, making his 1953 Broadway debut (as Robert M. Culp) in "The Prescott Proposals" with Katharine Cornell. He eventually returned to Broadway with "Diary of a Scoundrel" starring Blanche Yurka and Roddy McDowall in 1956 and with a strong role in "A Clearing in the Woods" (alongside Kim Stanley) a year later. He earned an off-Broadway Obie Award for his very fine work in "He Who Gets Slapped" in 1956, and also appeared in the plays "Daily Life" and "Easter".
Gracing a few live-TV dramas during his New York days, he returned to his native California for his first major TV role. It was an auspicious one as post-Civil War Texas Ranger "Hoby Gilman" in the western series Trackdown (1957). He earned widespread attention in the series that based many of its stories from actual Texas Ranger files, and the show itself received the official approval not only of the Rangers themselves but by the State of Texas. The series led to a CBS spin-off of its own: Wanted: Dead or Alive (1958), which made a TV star out of Steve McQueen.
From there, Culp guested on a number of series dramas: Bonanza (1959), The Rifleman (1958), Rawhide (1959), The Detectives (1959), Ben Casey (1961), The Outer Limits (1963), Naked City (1958) and Combat! (1962). He also starred in the two-part Disney family-styled program "Sammy the Way Out Seal" (1962), which was subsequently released as a feature in Europe. He and Patricia Barry played the hapless parents of precocious Bill Mumy and Michael McGreevey whose "adopted" pet animal unleashes major chaos in their suburban neighborhood.
During this time, Bob began to seek lead and supporting work in films. Despite his co-starring with Cliff Robertson, Rod Taylor and the very perky Jane Fonda (as her straight-laced boyfriend) in the sparkling Broadway-based sexcapade Sunday in New York (1963); playing Robertson's naval mate in the popular John F. Kennedy biopic PT 109 (1963); recreating the legendary "Wild Bill" Hickok in the western tale The Raiders (1963); and heading up the adventurous cast of the Ivan Tors' African yarn Rhino! (1964) (which included Harry Guardino and the very fetching British import Shirley Eaton), Culp wasn't able to make a serious dent in the medium.
TV remained his best arena and gave him more lucrative offers, professionally. It rewarded him quite richly in 1965 with the debonair series lead "Kelly Robinson", a jet-setting, pro-circuit tennis player who leads a double life as an international secret agent in I Spy (1965). Running three seasons, Culp co-starred with fellow secret agent Bill Cosby, who, as "Alexander Scott", posed as Culp's tennis trainer. The role was tailor-made for the suave, Ivy-League-looking actor. He looked effortlessly cool posing in sunglasses amid the posh continental settings and remained handsomely unflinching in the face of danger. It was the first U.S. prime-time network drama to feature an African-American actor in a full-out starring role and the relationship between the two meshed perfectly and charismatically on screen. Both were nominated for acting Emmys in all three of its seasons, with Cosby coming out the victor each time. Filmed on location in such cities as Hong Kong, Acapulco and Tokyo, Culp also wrote and directed certain episodes of the show He also met his third wife, the gorgeous Eurasian actress France Nuyen, while on the set. They married in 1967 but divorced three years later. At this stage, the actor already had four children (by second wife, sometime actress Nancy Ashe).
Following the series' demise, Culp took on perhaps his most-famous and controversial film role as Natalie Wood's husband "Bob" in the titillating but ultimately teasing "flower power" era film Bob & Carol & Ted & Alice (1969), with Elliott Gould and Dyan Cannon as the other-half couple who examine the late 60s "free love" idea of wife-swapping. The film was nominated for four Academy Awards (two went to supporting actors Gould and Cannon). The movie did not reignite Culp's popularity on the large screen, but it did lead to his rather strange pairing with buxom Raquel Welch in the violent-edged western Hannie Caulder (1971) and a reunion with his I Spy (1965) pal Cosby in the far-more entertaining Hickey & Boggs (1972), which reestablished their great tongue-in-cheek rapport as two weary-eyed private eyes. Culp also directed the film while his real-life wife, actress Sheila Sullivan, played his screen wife as well.
The late 1970s produced a flood of routine mini-movies and B-pictures, the latter including Inside Out (1975), Sky Riders (1976), Breaking Point (1976), The Great Scout & Cathouse Thursday (1976), Flood (1976), Goldengirl (1979) and Hot Rod (1979). While he remained a sturdy and standard presence in such mini-movies as Houston, We've Got a Problem (1974), Spectre (1977) and Calendar Girl Murders (1984), his better TV-movie roles were in A Cold Night's Death (1973), Outrage (1973), A Cry for Help (1975) and as "Lyle Pettyjohn" in the acclaimed mini-series sequel Roots: The Next Generations (1979).
Bob returned to series TV as stern FBI Special Agent "Bill Maxwell", whose job was to work with handsome William Katt, who starred as an ersatz The Greatest American Hero (1981). The show lasted three seasons. Other series guest spots, both comedic and dramatic, included Hotel (1983), Highway to Heaven (1984), The Golden Girls (1985) and an episode of his old buddy's show The Cosby Show (1984). He was also a guest murderer in three of the "Columbo" episodes. Although he was relegated to appearing in such film fodder as Turk 182 (1985), Big Bad Mama II (1987) and Pucker Up and Bark Like a Dog (1989), the 1990s offered him one of his best film roles in years as the ill-fated President in the Denzel Washington/Julia Roberts political thriller The Pelican Brief (1993). A year later, he again reteamed with Cosby in the TV-movie I Spy Returns (1994).
Culp became very active in the 1960s Civil Rights movement and later became a prominent face in local civic causes, joining in a lawsuit to cease construction of an elephant exhibit at the Los Angeles Zoo and accusing officials there of mistreatment. In the long run, however, the construction was given the green light. Culp also married a fifth time to Candace Faulkner and, by her, had daughter Samantha Culp in 1982. Older sons Jason Culp (born 1961) and Joseph Culp (born 1963) became actors, while another son, Joshua Culp (born 1958), entered the visual effects field. Daughter Rachel, an outré clothing designer for rock stars, was born in 1964.
In later years, Culp could be seen occasionally as Ray Romano's father-in-law on the hugely popular Everybody Loves Raymond (1996). His last film, the family drama The Assignment (2010), was unreleased at the time of his death. On March 24, 2010, the 79-year-old Culp collapsed from an apparent heart attack while walking near the lower entrance to Runyon Canyon Park, a popular hiking area in the Hollywood Hills. Found by a hiker, Culp was transported to a nearby hospital where he died from the head injuries he sustained in the fall. Five grandchildren also survive.- Actress
- Producer
- Director
Joanne Gignilliat Trimmier Woodward was born on February 27, 1930, in Thomasville, Georgia, to Wade Woodward and Elinor Gignilliat Trimmier Woodward in a modest household. Her one older brother, Wade Jr., who was the favorite of her father, eventually became an architect. Elinor Woodward was a quite a movie buff and enjoyed going to picture shows often. Joanne claims she was nearly born in the middle of a Joan Crawford movie (Our Modern Maidens (1929)). Her mother wanted to name her Joan, but being Southern, she changed it to Joanne.
Thomasville was a typical small town in southern Georgia, around ten miles from the Florida border. Joanne was born right into the Great Depression. Her father was an administrator in the Thomasville school system, and her family was raised Episcopalian. Joanne's mother being an avid movie lover, it wasn't a surprise that Joanne wanted to go into the acting profession. Her father wasn't too keen on the idea, but her mother saw it coming and was thrilled. Joanne and her mother both adored the movie Wuthering Heights (1939) starring Laurence Olivier, and in 1939 Elinor took her daughter to the premiere of Gone with the Wind (1939) in Atlanta. Pulling up in a limo with the love of his life, Vivien Leigh (who starred in Gone with the Wind (1939)), Laurence Olivier was shocked when 9-year-old Joanne hopped right into the limo and sat in his lap without any warning. Years later when Joanne was famous, Olivier keenly remembered this incident. She later worked with Olivier in Come Back, Little Sheba (1977).
In her teens, Joanne entered and won many Georgia beauty contests. Her mother said that "she was the prettiest girl in town". But all Joanne wanted to do was act, and she saw beauty contests as the first step toward her dream. When she was of age, she enrolled in Louisiana State University, majoring in drama. After graduation and doing small plays, Joanne headed to New York and studied acting with Sanford Meisner. The first thing he tackled was Joanne's southern drawl.
Soon, Joanne was starring in television productions and theater. One day, she was introduced by her agent to another young actor at her level by the then-unknown name of Paul Newman. Paul's first reaction was, "Jeez, what an extraordinarily pretty girl". Joanne, while admitting that he was very good-looking, didn't like him at first sight, but she couldn't resist him. Soon they were working closely together as understudies for the Broadway production of "Picnic" and got along very well. They would have long conversations about anything and everything. Then both their movie careers took off: Joanne with Count Three and Pray (1955) and Paul with The Silver Chalice (1954). Also adding to the tension was Paul's wife, Jackie, who refused to get a divorce when Paul asked her for one. He wanted to marry Joanne; Jackie would simply not have it. Eventually, Jackie saw the anguish this was causing Paul and agreed to a divorce. Less than a week after the divorce was final, Paul married Joanne in Las Vegas on January 29, 1958, just months before Joanne won her Best Actress Oscar for The Three Faces of Eve (1957), in which she plays a woman with multiple personality disorder.
On April 8, 1959, Joanne gave birth to their first child, Elinor Teresa Newman, named after her and Paul's mothers. They both continued on with their careers, doing movies both together and apart. Two more children followed: Melissa Steward Newman on September 17, 1961, and Claire Olivia Newman on April 21, 1965. Since then, Joanne has been extremely busy in theater, film and television as well as ballet performances and very involved with charities and taking care of her family. In 2003, Joanne starred in a movie with Paul on HBO.- Actor
- Director
- Soundtrack
Sorrell Booke was born in Buffalo, New York in 1930, the son of a local physician. He found his calling early in life, like most actors, when his family encouraged him to entertain relatives by doing impressions and telling jokes. He went on to study at Yale and Columbia University, and mastered five languages. During the Korean War, Booke worked in counter-intelligence where his lingual talents served him well. His intelligence and subtlety are often overlooked when considering his signature role as Jefferson Davis "Boss" Hogg during his run on The Dukes of Hazzard (1979). He died of cancer in 1994 just after his 64th birthday.- Actor
- Director
- Writer
John Cullum was born on 2 March 1930 in Knoxville, Tennessee, USA. He is an actor and director, known for Northern Exposure (1990), All Good Things (2010) and 1776 (1972). He has been married to Emily Frankel since 5 May 1959. They have one child.- Actor
- Director
- Writer
Ben Gazzara's screen career began with two critically acclaimed roles as heavies in the late 1950s. He turned to television in the 1960s but made a big screen comeback with roles in three John Cassavetes films in the 1970s. The 1980s and 1990s saw Gazzara work more frequently than ever before in character parts. If he never became the leading man his early films and stage work promised, he had a career notable for its longevity. He was born Biagio Anthony Gazzara on August 28, 1930, in New York City. The son of a Sicilian immigrant laborer, he grew up on New York's tough Lower East Side. After seeing Laurette Taylor in "The Glass Menagerie," Gazzara decided he wanted to become an actor. He studied engineering (unhappily) but quit after receiving an acting scholarship (he worked under well-known coach Erwin Piscator).
Gazzara then joined the Actors Studio, where a group of students improvised a play from Calder Willingham's novel End as a Man. The tale of a brutal southern military academy reached Broadway slightly changed in 1953 but with Gazzara still in the principal role. It was a star making part (he won a Theatre World award) and he then played leads in the original productions of "Cat on a Hot Tin Roof" (1955) and "A Hatful of Rain" (1955) (he was nominated for a Tony). Bigger names Paul Newman and Don Murray played those last two roles on the big screen but Gazzara made his movie debut in The Strange One (1957) the film version of "End as a Man." The film was a critical but not commercial success. His next role was as the defendant in Anatomy of a Murder (1959) which was a big hit.
Gazzara followed this with an Italian venture co-starring Anna Magnani, The Passionate Thief (1960), two Hollywood films The Young Doctors (1961) and Convicts 4 (1962) and then another Italian film Conquered City (1962). None of these did much for his career, and he turned to television. He appeared in the successful series Arrest and Trial (1963) and Run for Your Life (1965). In between, he made A Rage to Live (1965), a film version of John O'Hara's novel. He returned to films in The Bridge at Remagen (1969) and with a cameo appearance in If It's Tuesday, This Must Be Belgium (1969). His buddy in the cameo was John Cassavetes, who directed and co-starred with him in Husbands (1970), a critical success. Gazzara made two more well-received films with his good friend Cassavetes: The Killing of a Chinese Bookie (1976) and Opening Night (1977).
Gazzara's other films in the 1970s were undistinguished apart from the sprawling Voyage of the Damned (1976) and a rare leading role in director Peter Bogdanovich's Saint Jack (1979). Bloodline (1979) and They All Laughed (1981) (also directed by Bogdanovich) were only notable because of Gazzara's off-screen relationship with co-star Audrey Hepburn (ironically, Gazzara had declined to make his screen debut in War and Peace (1956) starring Hepburn). Tales of Ordinary Madness (1981) was another lead for Gazzara, but it received a mixed critical reception. Other big-screen roles in the 1980s were scarce apart from Road House (1989), a Patrick Swayze vehicle that Gazzara believed out of all his films had been the most repeated on television. He worked much on the small screen, including the groundbreaking television movie An Early Frost (1985), playing the father of an AIDS victim.
The 1990s saw Gazzara working like never before, appearing in 38 films. Most were for free-to-air television or cable but he also worked on the big screen in The Spanish Prisoner (1997), The Big Lebowski (1998), Happiness (1998) and Summer of Sam (1999). His television work included a guest appearance as an executive assistant attorney in a 2001 episode of Law & Order: Special Victims Unit (1999)- a nice touch since
Gazzara has often returned to the stage throughout his career-in "The Night Circus" (1958) (where he met second wife Janice Rule), "Strange Interlude" (1963), "Traveller Without Luggage" (1964), Hughie/Duet (1975) (nominated for a Tony), "Who's Afraid of Virginia Woolf?" (1976) (again Tony nominated), and "Shimada" (1992). He has also worked as a director on episodes his series Run for Your Life (1965) and The Name of the Game (1968) and the television movies A Friend in Deed (1974) and Troubled Waters (1975) featuring his friend Peter Falk. The unreleased Beyond the Ocean (1990) (which he also wrote) was his final film as a director.
In 2003 Gazzara appeared in the independent Dogville (2003) adding Lars von Trier to the list of interesting and acclaimed directors with whom he has worked. There can't be many actors who can boast that they have acted in films by Otto Preminger (Anatomy of a Murder (1959)), John Cassavetes, Joel Coen (The Big Lebowski (1998)), Spike Lee (Summer of Sam (1999)), and Lars von Trier, among others. Ben Gazzara died at age 81 of pancreatic cancer on February 3, 2012.- Actor
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Maximilian Schell was the most successful German-speaking actor in English-language films since Emil Jannings, the winner of the first Best Actor Academy Award. Like Jannings, Schell won the Oscar, but unlike him, he was a dedicated anti-Nazi. Indeed, with the exception of Maurice Chevalier and Marcello Mastroianni, Schell was undoubtedly the most successful non-anglophone foreign actor in the history of American cinema.
Schell was born in Vienna, Austria on December 8, 1930, but raised in in Zurich, Switzerland. (Austria became part of Germany after the anschluss of 1938), then was occupied by the allies from 1945 until 1955, when it again joined the family of nations.) He learned his craft on the stage beginning in 1952, and made his reputation with appearances in German-language films and television. He was a fine Shakespearean actor, and had a huge success with "Richard III" (he has also appeared in as the eponymous prince in a German-language version of "Hamlet").
Schell made his Hollywood debut in 1958 in the World War II film The Young Lions (1958) quite by accident, as the producers had wanted to hire his sister Maria Schell, but lines of communication got crossed, and he was the one hired. He impressed American producers as his turn as the friend of German soldier Marlon Brando, and subsequently assayed the role of the German defense attorney in the television drama Judgment at Nuremberg (1961) on "Playhouse 90" in 1959. He was also cast in the big screen remake, for which he won the 1961 Academy Award for Best Actor, beating out co-star Spencer Tracy for the Oscar. He also won a Golden Globe and the New York Film Critics Circle Award for the role. Schell ultimately won two more Oscar nominations for acting, in 1976 for Best Actor for The Man in the Glass Booth (1975) and in 1978 as Best Supporting Actor for Julia (1977) (which also brought him the New York Film Critics Circle Award for Best Supporting Actor). He has twice been nominated for an Emmy for his TV work, and won the 1993 Golden Globe for best performance by an actor in a supporting role in a series, mini-series or made-for-TV movie for Stalin (1992).
Schell has also has directed films, and his 1974 film The Pedestrian (1973) ("The Pedestrian"), which Schell wrote, produced, directed, and starred in, was nominated for the Best Foreign Language Film Oscar and won the Golden Globe in the same category. His documentary about Marlene Dietrich, Marlene (1984), was widely hailed as a masterpiece of the non-fiction genre and garnered its producers a Best Documentary Oscar nomination in 1985. In 2002, Schell released Meine Schwester Maria (2002) (My Sister Maria), a documentary about the career of and his relationship with Maria Schell. Since the 1990s, Schell has appeared in many German language made-for-TV films, such as the 2003 film Alles Glück dieser Erde (2003) (All the Luck in the World) and in the mini-series The Hard Cops (2004), which was based on Henning Mankell's novel. He has also continued to appear on stage, appearing in dual roles in the 2000 Broadway production of the stage version of "Judgment at Nuremberg", and most recently in Robert Altman's London production of Arthur Miller's play "Resurrection Blues" in 2006. He died on 31st of January 2014, aged 83, in Innsbruck, Austria.- Director
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Jean-Luc Godard was born in Paris on December 3, 1930, the second of four children in a bourgeois Franco-Swiss family. His father was a doctor who owned a private clinic, and his mother came from a preeminent family of Swiss bankers. During World War II Godard became a naturalized citizen of Switzerland and attended school in Nyons, Switzerland. His parents divorced in 1948, at which time he returned to Paris to attend the Lycée Rohmer. In 1949 he studied at the Sorbonne to prepare for a degree in ethnology. However, it was during this time that he began attending with François Truffaut, Jacques Rivette, and Éric Rohmer.
In 1950 Godard, with Rivette and Rohmer, founded "Gazette du cinéma", which published five issues between May and November. He wrote a number of articles for the journal, often using the pseudonym "Hans Lucas". After Godard worked on and financed two films by Rivette and Rohmer, Godard's family cut off their financial support in 1951, and he resorted to a Bohemian lifestyle that included stealing food and money when necessary. In January 1952 he began writing film criticism for "Les cahiers du cinéma". Later that year he traveled to North and South America with his father and attempted to make his first film (of which only a tracking shot from a car was ever accomplished).
In 1953 he returned to Paris briefly before securing a job as a construction worker on a dam project in Switzerland. With the money from the job, he made a short film in 1954 about the building of the dam called Operation Concrete (1958). Later that year his mother was killed in a motor scooter accident in Switzerland. In 1956 Godard began writing again for "Les cahiers du cinéma" as well as for the journal "Arts". In 1957 Godard worked as the press attache for "Artistes Associés", and made his first French film, All Boys Are Called Patrick (1959).
In 1958 he shot Charlotte and Her Boyfriend (1958), his homage to Jean Cocteau. Later that year he took unused footage of a flood in Paris shot by Truffaut and edited it into a film called A Story of Water (1961), which was an homage to Mack Sennett. In 1959 he worked with Truffaut on the weekly publication "Temps de Paris". Godard wrote a gossip column for the journal, but also spent much time writing scenarios for films and a body of critical writings which placed him firmly in the forefront of the "nouvelle vague" aesthetic, precursing the French New Wave.
It was also in that year Godard began work on Breathless (1960). In 1960 he married Anna Karina in Switzerland. In April and May he shot The Little Soldier (1963) in Geneva and was preparing the film for a fall release in Paris. However, French censors banned it due to its references to the Algerian war, and it was not shown until 1963. In March 1960 Breathless (1960) premiered in Paris. It was hugely successful both with the film critics and at the box office, and became a landmark film in the French New Wave with its references to American cinema, its jagged editing and overall romantic/cinephilia approach to filmmaking. The film propelled the popularity of male lead Jean-Paul Belmondo with European audiences.
In 1961 Godard shot A Woman Is a Woman (1961), his first film using color widescreen stock. Later that year he participated in the collective effort to remake the film The Seven Deadly Sins (1962), which was heralded as an important project in artistic collaboration. In 1962 Godard shot Vivre sa vie (1962) in Paris, his first commercial success since "Breathless". Later that year he shot a segment entitled "Le Nouveau Monde" for the collective film Ro.Go.Pa.G. (1963), another important work in the history of collaborative multiple-authored art.
In 1963 Godard completed a film in homage to Jean Vigo entitled The Carabineers (1963), which was a resounding failure with the public and stirred furious controversy with film critics. Also that year he worked on a couple of collective films: The World's Most Beautiful Swindlers (1964) (from which Godard's sequence was later cut) and Six in Paris (1965). In 1964 Godard and his wife Anna Karina formed their own production company, Anouchka Films. They shot a film called A Married Woman (1964), which censors forced them to re-edit due to a topless sunbathing scene shot by Jacques Rozier. The censors also made Godard change the title to "Une femme marié" so as to not give the impression that this "scandalous" woman was the typical French wife. Later in the year, two French television programs were produced in devotion to Godard's work.
In the spring of 1965 Godard shot Alphaville (1965) in Paris; in the summer he shot Pierrot the Fool (1965) in Paris and the south of France. Shortly thereafter he and Anna Karina separated. Following their divorce, Godard shot Made in U.S.A (1966), "Deux ou trois choses que je sais d'elle (1966)", "L'amour en l'an 2000" (1966) (a sequel to "Alphaville" shot as a sketch for the collective film "L'amour travers les ages" (1966)).
In 1967 Godard shot The Chinese (1967) in Paris with Anne Wiazemsky, who was the granddaughter of French novelist François Mauriac. During the making of the film Godard and Wiazemsky were married in Paris. Later in the year he was prevented from traveling to North Vietnam for the shooting of a sequence for the collective film Far from Vietnam (1967). He instead shot the sequence in Paris, entitled "Camera-Oeil". Also during 1967 Godard participated (as the only Frenchman) on an Italian collective film called Love and Anger (1969).
In 1968 Godard was commissioned by French television to make Joy of Learning (1969). However, television producers were so outraged by the product Godard produced that they refused to show it. In May of that year Henri Langlois was fired by the head of the French Jean-Pierre Gorin to form the Dziga-Vertov group, infuriating Godard. He became increasingly concerned with socialist solutions to an idealist cinema, especially in providing the proletariat with the means of production and distribution. Along with other militantly political filmmakers in the Dziga-Vertov group, Godard published a series of 'Ciné-Tracts' outlining these viewpoints. In the summer of 1968 Godard traveled to New York City and Berkeley, California, to shoot the film "One American Movie", which was never completed. In September he made a trip to Canada to start another film called "Communication(s)", which also went unfinished, and then made a visit to Cuba before returning to France.
In 1969 Godard traveled to England, where he made the film See You at Mao (1970) for BBC Weekend Television, but the network later refused to show it. In the late spring he traveled with the Dziga-Vertov group to Prague to secretly shoot the film "Pravda". Later that year he shot Lotte in Italia (1971) ("Struggle for Italy") for Italian television. It was never shown, either.
In 1970 Godard traveled to Lebanon to shoot a film for the Palestinian Liberation Organization entitled "Jusque à la victoire" (1970) ("Until Victory"). Later that year he traveled to dozens of American universities trying to raise money for the film. In spite of his efforts, it was never released.- Actor
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British actor Edward Woodward made a highly successful transition into Hollywood TV stardom in the mid 1980s thanks to a popular dramatic series. Possessing a magnetic, yet coldly handsome demeanor in the same mold as Christopher Plummer, he was born Edward Albert Arthur Woodward on June 1, 1930, in London and received his early education at various schools before becoming a student at Commercial College.
Trained in acting at the Royal Academy of Dramatic Art (RADA), Woodward made his stage debut in a 1946 production of "A Kiss for Cinderella," and gained valuable experience in repertory companies throughout England and Scotland. He took his first London curtain call portraying "Ralph Stokes" in 1954 with "Where There's a Will," and subsequently made his movie debut recreating his stage part in the film version of Where There's a Will (1955). The actor continued grandly on stage in such Shakespearean productions as "Hamlet" (Laertes)," "Romeo and Juliet" (Mercutio), "Pericles" (Thaliard), "Much Ado About Nothing" (Claudio), and "Measure for Measure" (Lucio), but scored a major success portraying Percy in "Rattle of a Simple Man" in 1961, making his Broadway debut in the play two years later. Woodward would make fine use of his mastery of the spoken word by putting out a host of audio books.
A gifted singer who produced over a dozen musical recordings, Edward displayed his excellent singing pipes on Broadway as Charles Condomine in "High Spirits" (1963), the musical adaptation of Noël Coward's "Blithe Spirit," that also starred Tammy Grimes, Louise Troy and the legendary Beatrice Lillie. He also went on to win the Variety Award ("Best Performance in a Musical") for his lead role of Sydney Carton in a musical version of the Dickens classic "Two Cities." Other non-musical stage work would include the comedy "The Best Laid Plans," an acclaimed title role in "Cyrano de Bergerac," as well as noble appearances in "The White Devil," "Babes in the Wood" (as Robin Hood), "The Wolf," "The Male of the Species," "The Beggar's Opera" (as Macheath), "Private Lives" and "The Dead Secret."
Although in movies from 1955, it was TV that earned him his initial star in England. Feature film roles in such acclaimed period costumers as Becket (1964) and Young Winston (1972) were overshadowed by his more successful work on the smaller screen, especially his weary spy in the popular series Callan (1967). A brilliant performance in the film The Wicker Man (1973) and in a few others led to international stardom as court-martialed Lt. Harry Morant in the classic Aussie-made historical drama Breaker Morant (1980) directed by Bruce Beresford.
Woodward was finally granted some attention in the States at age 55, earning his own popular series, the noirish espionage series The Equalizer (1985). Served up best in crime, historical and political intrigue, he has been completely at home playing no-nonsense authoritarians and brooding loner types. Following the series' cancellation, he returned to British TV with the mystery In Suspicious Circumstances (1991), but was never far away from the US shores. Maturing roles in advancing years included a wide range of characters -- everything from Merlin to the Ghost of Christmas Present in mini-movie formats.
Woodward continued to work here and abroad up until his death. Later feature films included a top-billed role in the horror film The Appointment (1982); a top brass role in the action thriller The Final Option (1982); a featured role in the horse-racing biopic Champions (1984); as King Saul in the biblical story King David (1985); another Bruce Beresford directed film with Mister Johnson (1990); the ghost of a murderer in the black comedy Deadly Advice (1994); the 18th century patriarch of The House of Angelo (1997), which he produced and also featured his three children; a lord in the action adventure The Abduction Club (2002); a featured part in the comedy action Hot Fuzz (2007) and, his last, a reverend in the drama A Congregation of Ghosts (2009). TV appearances included recurring/regular roles in the British series: Nice Work (1980), Five Days (2007) and EastEnders (1985); plus the American series Over My Dead Body (1990) and the Canadian series La Femme Nikita (1997).
Woodward married actress Venetia Barrett (nee Collett) in 1952 and had three children, all of whom went into acting: Tim Woodward, Peter Woodward and Sarah Woodward. After his tabloid divorce (after over 30 years) from his first wife, he quickly married lovely actress Michele Dotrice in 1987, the sister of former 1960s' Disney child star Karen Dotrice of Mary Poppins (1964) fame. He and Michele produced one child, Emily. The subject of This Is Your Life (1955) on two separate occasions, the actor survived two major heart attacks before dying of pneumonia at age 79 on November 16, 2009, in Cornwall, England.- Actress
- Soundtrack
Despite being in just seven episodes, Nita Talbot is best remembered for her Emmy-nominated role as the crafty Russian spy Marya Parmanova in the iconic 60s wartime sitcom Hogan's Heroes (1965). Her character was the only one in the show capable of outmaneuvering Bob Crane's shrewd Colonel Hogan.
Nita was born Anita Sokol of Hungarian/Jewish ancestry in the Bronx, New York. Determined to break into show business, she often accompanied her older sister, Gloria Stone, to auditions at the various studios. On one of these outings, she was spotted by a talent scout and signed under contract by Warner Brothers, making her screen debut, aged eighteen, in 1949. This was followed two years later with her first curtain call on Broadway. Sultry, blonde, husky-voiced and with her gray/green eyes, Nita was proclaimed by studio publicists to resemble Hollywood legend Lauren Bacall. With that in mind, she was usually cast during the early years of her career as hard-boiled, street-wise chicks and ambitious career girls.
Nita's first recurring character role was that of Gloria in one of the first ever private detective serials, Man Against Crime (1949). She had to wait a decade for her next co-starring turn as an enterprising aide-de-camp to the star in The Jim Backus Show (1960), a sitcom which revolved around a second-rate news service. In addition to numerous anthology dramas, Nita regularly featured in prime time shows like Perry Mason (1957), The Thin Man (1957), Mike Hammer (1958), Johnny Staccato (1959) and Mr. Lucky (1959), often as gals named Blondie, Mimi, Narcissa, Kitten, Belle or Delilah (one cannot omit from this list her French Quarter nightclub singer and dancer 'Lusti Weather' in four episodes of Bourbon Street Beat (1959)).
In Kolchak: The Night Stalker (1974)'s The Werewolf, her Paula Griffin helped Darren McGavin take down the creature with the requisite silver bullets during a swinging sixties cruise. She was Mickey Rooney's ex-flame in an episode of The Fugitive (1963) and the pawn in a cat-and-mouse game between Peter Falk and Leonard Nimoy in the Columbo (1971) episode A Stitch in Time. Nita fared rather less well in Alfred Hitchcock Presents (1955) (strangled), McCloud (1970) (poisoned), The Untouchables (1959) and Mannix (1967) (shot in both).
In the 70s and 80s, Nita was co-star in a couple of half-hour sitcoms: as a conceited socialite and magazine editor in Here We Go Again (1973), and as Rose, the acerbic receptionist of veterinarian Bill Daily in Starting from Scratch (1988). She also featured as a semi-recurring character in the soap General Hospital (1963). Never short of work, Nita remained steadily engaged in television guest appearances right up to her retirement in 1997.
Her roles on the big screen seem to have paralleled those on TV: nightclub singer 'Saturday Night' in Who's Got the Action? (1962), Sunny Daze in the Elvis beach party musical Girl Happy (1965), tycoon Roddy McDowall's Girl Friday (Dee Dee Howitzer!) in the perfectly awful comedy The Cool Ones (1967) and brassy Madam Esther in the blaxploitation western Buck and the Preacher (1972). She had a small part in the acclaimed satirical drama The Day of the Locust (1975) (set in 1930s Hollywood) as the pretentious and hedonistic Joan Schwartzen.
The prolific Miss Talbot has racked up an impressive tally of 153 acting credits (according to IMDB). She was formerly married to actors Don Gordon and Thomas A. Geas. Both unions ended in divorce.- Producer
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Robert Evans was born in New York City, to Florence (Krasne) and Archie Shapera, a dentist with a thriving practice in Harlem. His family was of Russian Jewish descent. He was raised on Manhattan's Upper West Side. He began his show-business career as a teenage radio actor. After flopping in his first attempt at movie acting, he took a job promoting sales of ladies' slacks for Evan-Picone, the clothing company founded and run by his brother. Some years later, Norma Shearer spotted him hanging around the pool at the Beverly Hills Hotel; she successfully touted him for the role of Irving Thalberg in Man of a Thousand Faces (1957). In a New York nightclub, Evans also caught the eye of Darryl F. Zanuck, who cast him as a bullfighter in The Sun Also Rises (1957). By the end of the fifties, Evans writes, "I was sure of one thing: I was a half-assed actor." He determined to recast himself as a producer.Before launching his first picture, though, he was hired by Charlie Bluhdorn, head of the Gulf + Western conglomerate, as part of a shakeup of Paramount Pictures.
Within months Evans was head of production. In the late 1960s and early '70s, he became the quintessential "new Hollywood" executive, with: slickly packaged productions like Rosemary's Baby (1968), Love Story (1970) and The Godfather (1972) revived Paramount. (The latter film and Chinatown (1974) are the artistic highlights of Evans' Paramount career, though the amount of credit he deserves for them has been debated for decades.) Eased out of Paramount, he saw The Cotton Club (1984) turn from a musical "Godfather" into a fiasco of front-page proportions. Evans righted his career with a new Paramount deal in the 1990s, with his last producing credit having been on the blockbuster romantic comedy How to Lose a Guy in 10 Days (2003).
He died on October 26, 2019.- Director
- Producer
- Actor
Richard Donner was born on 24 April 1930 in The Bronx, New York City, New York, USA. He was a director and producer, known for Superman (1978), Ladyhawke (1985) and Superman II: The Richard Donner Cut (1980). He was married to Lauren Shuler Donner. He died on 5 July 2021 in Los Angeles, California, USA.- Actor
- Director
A prolific young performer, child/juvenile Skippy Homeier was born George Vincent Homeier on October 5, 1930. Beginning on radio in his native Chicago at age six ("Portia Faces Life"), he came to films at age 14 with Tomorrow, the World! (1944), which was originally a 1943 Broadway drama starring Skippy, Ralph Bellamy and Shirley Booth. Recreating his role of Emil Bruchner, he received excellent reviews for his chilling portrayal of a callous Nazi youth this time opposite Fredric March and Betty Field.
The fair, oval-faced, tousled-haired blond remained an often troublesome, unsympathetic teen in post-war films such as Boys' Ranch (1946) as an incorrigible character named "Knuckles," but he also displayed his charms with his jitterbugging title teen in Arthur Takes Over (1948) and likable young character in Mickey (1948).
Growing into adult roles (now billed as Skip Homeier or G.V. Homeier), he continued at a more menacing pace in movie westerns and crime dramas, notably Halls of Montezuma (1951), The Gunfighter (1950) (as Gregory Peck's nemesis), Cry Vengeance (1954) (as an albino hit man), Stranger at My Door (1956) and The Tall T (1957).
As Homeier's film career began to bog down in the late 1950's, he turned more and more to TV parts playing a few good guys at times just as a change of pace. In addition to a number of guest roles in such anthology series such as "Schlitz Playhouse," "Playhouse 90," "Zane Grey Theatre," "The Alcoa Hour," "Lux Video Theatre," "Armstrong Theatre," "Robert Montgomery Presents" and "Studio One in Hollywood" and "Science Fiction Theatre," Skip starred in a brief TV series as Dan Raven (1960).
Skip went on to appear in a host of guest roles on such 60's series as "Wanted: Dead or Alive," "The Millionaire," "The Loretta Young Show," "The Deputy," "The Rifleman," "The Defenders," "The Addams Family," "The Virginian," "Branded," "Perry Mason," "Burke's Law," "Combat!," "Voyage to the Bottom of the Sea," "Bonanza," "Star Trek," "Lassie," "The Wonderful World of Disney," "Mannix" and "Mission: Impossible." A few film roles did come his way co-starring with Beverly Garland in the chiller Stark Fear (1962), and supporting Audie Murphy in the westerns Showdown (1963) and Bullet for a Badman (1964) and Don Knotts in the slapstick comedy The Ghost and Mr. Chicken (1966)
The remainder of Skip's career stuck closely to TV. He had a regular role as a doctor in the drama series The Interns (1970), and was a continuing guest star on a host of popular TV programs such as "Owen Marshall," "Police Woman, "The Blue Knight," "The Streets of San Francisco," "The Six Million Dollar Man," "The Bionic Woman," "Barnaby Jones," "Fantasy Island" and "Quincy." TV-movies and mini-series work included Two for the Money (1972), Voyage of the Yes (1973), Helter Skelter (1976), Washington: Behind Closed Doors (1977) and The Wild Wild West Revisited (1979).
Skip phased out his career and retired completely following a featured role in the western film Quell and Co. (1982). Little was heard from him until his death on June 25, 2017 at the age of 86 from spinal myelopathy in Indian Wells, California. He was survived by his second wife, former actress Della Sharman and two sons from his first marriage.- Writer
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Albert Stotland Ruddy is a Canadian-American film and television producer. He is known for producing The Godfather (1972) and Million Dollar Baby (2004), both of which won him the Academy Award for Best Picture, as well as co-creating the CBS sitcom Hogan's Heroes (1965 - 1971). Albert was born to Ruth (ne Ruddy) and Hy Stotland, a Jewish family in Montreal, and raised in New York City and in Miami Beach, Florida, by his mother, Ruth Ruddy Hertz. Ruddy attended Brooklyn Technical High School before earning a scholarship to allow him to study chemical engineering at City College of New York. In 1956, he graduated from the School of Architecture at the University of Southern California.- Director
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Born in New York and raised in Queens, John Frankenheimer wanted to become a professional tennis player. He loved movies and his favorite actor was Robert Mitchum. He decided he wanted to be an actor but then he applied for and was accepted in the Motion Picture Squadron of the Air Force where he realized his natural talent to handle a camera. After his military discharge he began a TV career in 1953 convincing CBS to hire him as an assistant director, which consisted mainly working as a cameraman at that time. He eventually started to direct the show he was working on as an assistant director. Frankenheimer still didn't want to direct films. He liked to direct live television, and he would have continued to do it if the profession itself hadn't cease to exist. He first turned to the big screen with The Young Stranger (1957) which he hated to do because he thought he didn't understand movies and wasn't used to work with only one camera. Disappointed his with first feature film experience he returned to his successful television career directing a total of 152 live television shows between 1954 and 1960. He took another chance to move to the cinema industry, working with Burt Lancaster in The Young Savages (1961) ending up becoming a successful filmmaker best known by expressing on films his views on important social and philosophical topics.- Actor
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- Director
David Huddleston was born on 17 September 1930 in Vinton, Virginia, USA. He was an actor and producer, known for The Big Lebowski (1998), Blazing Saddles (1974) and The Producers (2005). He was married to Sarah C. Koeppe and Carole Ann Swart. He died on 2 August 2016 in Santa Fe, New Mexico, USA.- Actor
- Additional Crew
- Composer
Dancer, choreographer and actor Geoffrey Holder was born on August 1, 1930, in Port-of-Spain, Trinidad, into a middle-class family. One of four children, he was taught painting and dancing by his older brother Boscoe Holder, whose dance troupe, the Holder Dance Company, the young Geoffrey joined when he was seven years old. Geoffrey assumed direction of the company in the late 1940s after Boscoe moved to London.
Holder moved to the US in 1954, two years after being "discovered" by Agnes de Mille, the choreographer daughter of director-producer Cecil B. DeMille, after she saw the Holder Dance Company perform in St. Thomas, Virgin Islands. Holder, a talented painter, sold a score of his paintings to raise the funds to bring the Holder Dance Company to New York City in 1954 (in 1957 Holder won a Guggenheim Fellowship to study painting). He would appear with his dance company, now titled Geoffrey Holder and Company, in New York through 1960.
On December 30, 1954, Holder made his Broadway debut (as did Diahann Carroll) at the Alvin Theatre in the Caribbean-themed original musical "House of Flowers", with music by Harold Arlen, who also co-wrote the book with Truman Capote. The cast included Pearl Bailey and Alvin Ailey, and the show was directed by Peter Brook. Herbert Ross did the choreography but the "Banda Dance" was choreographed by Holder. The show ran for 165 total performances but, more importantly, Holder met and married fellow cast member 'Carmen DeLavallade', a dancer, and the two had a son together. From 1955 through 1956 Holder was a principal dancer with the Metropolitan Opera Ballet.
Holder played the role of Lucky in a revival of Samuel Beckett's "Waiting for Godot" directed by Herbert Berghof on Broadway in January 1957. The all-black cast also included Geoff Searle as Vladimir, Rex Ingram as Pozzo and Mantan Moreland as Estragon. The show only lasted six performances, but it established Holder as an actor, and he made his film debut four years later in All Night Long (1962), a modern gloss on William Shakespeare's "Othello". His most famous role was as the heavy "Baron Samedi" in the James Bond movie Live and Let Die (1973), Roger Moore's first turn as 007.
Holder won the 1975 Tony Award for Best Direction of a Musical for his staging of the Broadway musical "The Wiz" (1975), the all-African American retelling of "The Wizard of Oz." He also won the Tony for best costume design (he would be nominated again for a Tony for best costume design for the original 1978 Broadway musical "Timbuktu!", which he also directed and choreographed). As a choreographer he has created dance pieces for many companies, including the Alvin Ailey American Dance Theater.
Holder has written two books, one on folklore and one on Caribbean cuisine. In the 1970s and 1980s, he put his striking 6'6" presence and bass voice to good use hawking various products in TV commercials, including soft drinks.- Actress
- Soundtrack
Her career may have only lasted a dozen years, and the number of films slightly more than twenty, but Barbara appeared in some interesting productions. As a young girl, she was a model. While completing her studies at UCLA, she co-starred in half a dozen movies for 20th Century Fox. Lawrence appeared in the critically acclaimed A Letter to Three Wives (1949).
In 1952, she was cast in Here Come the Nelsons (1952), which was the film version of their popular radio programme. Rock Hudson was also in the cast. The following year, Lawrence was cast with Gig Young in Arena (1953), which was a 3-D feature film from MGM. As originally shown, special 3-D glasses were required to view the picture to bring all the action of the Rodeo to your seat. In 1954, she was cast in Her Twelve Men (1954), which was the last film that Greer Garson made at MGM. In 1955, she was cast as Gertie Cummings in Oklahoma! (1955), which was filmed in TODD-AO wide-screen. After making a few movies in 1957, she retired.- Dark-haired, Ivy League-looking Bradford Dillman, whose white-collar career spanned nearly five decades, possessed charm and confident good looks that were slightly tainted by a bent smile, darting glance and edgy countenance that often provoked suspicion. Sure enough, the camera picked up on it and he played shady, highly suspect characters throughout most of his career.
The actor was born in San Francisco on April 14, 1930, to Dean and Josephine Dillman. Yale-educated, he graduated with a B.A. in English Literature. Following this he served with the US Marines in Korea (1951-1953) before focusing on acting as a profession. Studying at the Actors Studio, he spent several seasons apprenticing with the Sharon (CT) Playhouse before making his professional acting debut in "The Scarecrow" in 1953.
Dillman took his initial Broadway bow in Eugene O'Neill's play "Long Day's Journey Into Night" in 1956, originating the author's alter ego character Edmund Tyrone and winning a Theatre World Award in the process. This success put him squarely on the map and 20th Century-Fox took immediate advantage by placing the darkly handsome up-and-comer under contract. Cast in the melodrama A Certain Smile (1958), he earned a Golden Globe for "Most Promising Newcomer" playing a Parisian student who loses his girl (Christine Carère) to the worldly Italian roué Rossano Brazzi. He followed this with a strong ensemble appearance in In Love and War (1958), which featured a cast of young rising stars including Hope Lange and Robert Wagner. More acting honors followed after completing the film Compulsion (1959), which told the true story of the infamous 1920s kidnapping/murder case of Nathan Leopold and Richard Loeb. He went on to share a "Best Actor" award at the Cannes Film Festival with fellow co-stars Dean Stockwell, who played the other youthful murderer, and veteran Orson Welles.
Though he was a magnetic player poised for stardom, Dillman's subsequent films failed to serve him well and were generally unworthy of his talent. Though properly serious and stoic as the title character in Francis of Assisi (1961), the film itself was stilted and weakly scripted. Circle of Deception (1960) was a misguided tale of espionage and intrigue, but it did introduce him to his second wife, supermodel-cum-actress Suzy Parker. While A Rage to Live (1965) with Suzanne Pleshette was trashy soap material, The Plainsman (1966) was rather a silly, juvenile version of the Gary Cooper western classic. As a result of these missteps--and others--he began to top-line lesser quality projects or play supporting roles in "A" pictures. His nothing role as Robert Redford's college pal-turned Hollywood producer in The Way We Were (1973) and his major roles in the ludicrous The Swarm (1978) and Lords of the Deep (1989) became proof in the pudding. His last good film role was in O'Neill's The Iceman Cometh (1973), although he did play an interesting John Wilkes Booth in the speculative re-enactment drama The Lincoln Conspiracy (1977) and had a fun leading role in the Jaws (1975)-like spoof Piranha (1978).
Dillman bore up very well on TV over the years, subsisting on a plethora of mini-movies and guest spots on popular series, playing everything from turncoats to frauds and from adulterers to psychotics. He earned a Daytime Emmy for his appearance in Last Bride of Salem (1974) and starred in two series--Court Martial (1965), as a military lawyer, and King's Crossing (1982), as an alcoholic parent and teacher attempting to straighten out. He also spent a season on the established nighttime soap Falcon Crest (1981) in 1982.
A narrator, director and teacher of acting in later years. Bradford launched a late-in-the career sideline as an author. The football fan inside him compelled him to write "Inside the New York Giants" (1995), a book that rated players drafted by the team since 1967. Two years later he published his memoirs, the curiously-titled "Are You Somebody?: An Actor's Life." He retired from the screen after a few guest star shots on "Murder, She Wrote" in the mid-90s.
From 1956 to 1962, Dillman was married to Frieda Harding, and had two children, Jeffrey and Pamela. Following their divorce, he met well-known model-turned-actress Suzy Parker during the production of Circle of Deception (1960) and the couple married on April 20, 1963. They had three children, Dinah, Charles, and Christopher. Daughter Pamela Dillman has worked as an actress. Dillman was made a widower when Parker died on May 3, 2003. He lived for many years in Montecito, California, and helped raise money for medical research. He died in Santa Barbara, California on January 16, 2018, aged 87, from complications of pneumonia. - Actor
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A grand, well-respected character lead and support of stage, film and television, most people mistakenly think New Zealander Clive Revill is British. A delightfully comic eccentric praised for his sterling work on the musical stage, the blue-eyed, curly, red-haired gent is also highly regarded for his formidable dramatic work in Shakespearean roles.
Clive Selsby Revill was born on April 18, 1930, in Wellington, New Zealand, and educated at Rongotai College and Victoria University (Wellington). Once trained for a career as an accountant, he abruptly switched gears and made his stage debut in Auckland, New Zealand playing Sebastian in "Twelfth Night" in 1950. He then moved to England to study with the Old Vic School in London. While there he appeared at Stratford-on-Avon in mid-1950s presentations of "Hamlet", "Love's Labour's Lost", "The Merchant of Venice", "Julius Caesar" and "The Tempest", among others.
Having made his Broadway debut back in 1952 with "Mr. Pickwick", the man of many skills took a juicy chunk out of the Big Apple upon returning to New York in the 1960s with his critically lauded, Tony Award-nominated work in "Irma La Douce" and as "Fagin" in "Oliver!" He has amused audiences for years with his larger-than-life musical roles, particularly in such Gilbert and Sullivan operettas as "The Mikado" and "The Pirates of Penzance". Others have included "Sherry", "Lolita" and "The Mystery of Edwin Drood" -- replacing the late George Rose in the last mentioned after that actor's untimely death in 1988.
Making an inauspicious debut in an unbilled role in 1956, his more pronounced movie work includes Kaleidoscope (1966), The Assassination Bureau (1969), The Private Life of Sherlock Holmes (1970), Avanti! (1972), for which he received a Golden Globe nomination, The Legend of Hell House (1973) (a rare lead), Mack the Knife (1989), Robin Hood: Men in Tights (1993) and Dracula: Dead and Loving It (1995). Quite proficient at ethnic roles (playing everything from Chinese to Russian), Clive's acute sense of comic timing and uncanny use of body language is parallel to none, often engaging audiences as delightfully pompous, even "hissable" gents.
From the 1990s into the millennium, Clive has pretty much settled in the States. His distinctive voice has been greatly utilized in animated features and video games (Dr. Doom, Darth Gravus, Jetfire), plus a few films including Intrepid (2000), Crime and Punishment (2002), Gentlemen Broncos (2009) and The Queen of Spain (2016). Twice divorced, Revill has one daughter, Kate Selsby (aka Kate Selsby Revill), by his second marriage to Suzi Schor-Revill. He makes his home in Los Angeles.- Barry Foster Newman was born in Boston, Massachusetts, to Sarah and Carl Newman. After graduating from Boston Latin School, the oldest public school in the country, he graduated from Brandeis University with a B.A. in Anthropology. While at Brandeis he met Lee Strasberg, who was teaching a course in theater, which inspired Barry to become an actor.
After graduating from Brandeis he was drafted into the Army and served his time in the army band, playing saxophone and clarinet. Once discharged from the army, he went to New York to study with Strasberg to pursue his acting career. Shortly after he made his debut in Herman Wouk's first comedy, Nature's Way, in which he played a jazz musician.
He then appeared in several Broadway shows, including "What Makes Sammy Run" (a musical), Mel Tolkin's "Maybe Tuesday", and starred in the New York production of the world's longest running play, Agatha Christie's "The Mouse Trap".
His career flourished and he began starring in feature films, such as Sidney J. Furie's "The Lawyer", and as the iconic Kowalski in Vanishing Point (1971). In 1974, he was offered the title role of what became the hit television series Petrocelli (1974), for which he received an Emmy and Golden Globe nominations.
After Petrocelli (1974) ended, Newman went back to star in feature films and miniseries, including the critically acclaimed miniseries Fatal Vision (1984), with Karl Malden, Eva Marie Saint and Gary Cole. He starred in more than 20 television movies of the week, like "King Crab," for which he won the ABC Theater Award, and "Fantasies" with Suzanne Pleshette (with whom he had starred in the early 1990s series "Nightingales"). He continued co-starring in feature films, such as Sylvester Stallone's "Daylight", Steve Martin's "Bowfinger," and Stephen Soderbergh's "The Limey", with Peter Fonda. He continues to delight in the profession he chose, a successful career that has spanned five decades.
Rolling Stone senior film editor, David Fear, recently tweeted about Barry: "Rewatching Barry Newman films (Vanishing Point, Fear Is the Key), it's like producers fused Dustin Hoffman and Steve McQueen into one actor." - Writer
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Tom Wolfe was born on 2 March 1930 in Richmond, Virginia, USA. He was a writer and actor, known for The Right Stuff (1983), The Bonfire of the Vanities (1990) and The Electric Kool-Aid Acid Test. He was married to Sheila Berger. He died on 14 May 2018 in New York, USA.- Elaine Devry was born on 10 January 1930 in Compton, California, USA. She was an actress, known for The Atomic Kid (1954), Bless the Beasts & Children (1971) and With Six You Get Eggroll (1968). She was married to Will J. White, Mickey Rooney and Dan Danilo Ducich. She died on 20 September 2023 in Grants Pass, Oregon, USA.
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Armin Mueller-Stahl is a German actor with a relatively long film career. He was once nominated for the Academy Award for Best Supporting Actor, for his role as an abusive father in the biographical drama "Shine" (1996).
In 1930, Mueller-Stahl was born in Tilsit, East Prussia. The town developed around the castle of Schalauer Haus, which had been founded by the Teutonic Knights. Tilsit was annexed by the Soviet Union in 1945, and renamed to Sovetsk. It is currently part of the Kaliningrad Oblast, an exclave of Russia located in Central Europe. The town is located close to the Oblast's borders with Lithuania, and has long had an ethnic Lithuanian minority.
Mueller-Stahl's father was bank teller Alfred Müller (who later changed the family name to Mueller-Stahl) ,and his mother was university professor Editha Maaß. Editha was born to a Baltic German family from Estonia. During World War I, the Maaß lived in Petrograd (Saint Petersburg). They moved to Tilsit in 1918.
Mueller-Stahl was born in Germany's Weimar Republic period, and spend his childhood and early adolescence in Nazi Germany. In 1938, he moved with his family to the town of Prenzlau in Brandenburg. During World War II, Mueller-Stahl parted with his father. Alfred was drafted into military service, and later fought on the Eastern Front of World War II. In 1945, Alfred died in a military hospital in Schönberg , Mecklenburg.
In 1945, Editha briefly moved her family to Goorstorf, located near Rostock, the largest city of Mecklenburg. They returned to Prenzlau following the end of World War II. Armin continued his school education there. He graduated from school in 1948, at the age of 18.
Mueller-Stahl initially aspired to become a professional violinist. In 1948, he moved to Berlin. There he attended the city conservatory in West Berlin, where he studied violin playing and musicology. He graduated in 1949, and acquired qualifications to work as a music teacher. At this point, he decided to become an actor instead.
After a few years of studies, Mueller-Stahl made his professional debut at the "Theater am Schiffbauerdamm" of Berlin in 1952. In 1954, he started performing in the Volksbühne ("People's Theatre") , a prestigious theater in East Berlin. For the next 20 years, he was primarily a theatrical actor. During the 1960s, he started a side career as a character actor in East German films. By the 1970s, he repeatedly appeared in polls as East Germany's most popular actor.
From 1973 to 1976, Mueller-Stahl played the Stasi agent Werner Bredebusch in the spy thriller television series "The Invisible Visor" (1973-1979). Bredebusch was initially the series' main character, a Stasi agent who impersonates deceased fighter pilot Achim Detjen and infiltrates West Germany. The series achieved high ratings, and Mueller-Stahll received acclaim. He left the series in 1976, and its ratings soon declined.
In 1976, Mueller-Stahl signed an open letter, protesting against East Germany's decision to exile singer-songwriter Wolf Biermann (1936-). Consequenly, Mueller-Stahl found himself blacklisted in East Germany. After a few years of being unable to find roles in his country, Mueller-Stahl migrated to West Germany.
In 1981, Mueller-Stahl played Von Bohm, the male lead in the romantic drama "Lola" (1981). The film depicted Von Bohm as a building commissioner who struggles against widespread corruption in the town of Coburg, while falling in love with brothel-employed singer Lola (played by Barbara Sukowa). Following the film's relative success, Mueller-Stahl found steady work in West German cinema throughout the 1980s.
Although he barely spoke English at this point of his life, Mueller-Stahl was cast as General Petya Samanov in the American television miniseries Amerika. The dystopian series depicted a version of the United States which was under Soviet military occupation, and in which Soviet general Samanov is the de facto ruler of the occupied country. "Amerika" was the second-highest rated miniseries of the 1986-87 U.S. television season.
Mueller-Stahl decided to to seek more acting roles in the United States, and made his American film debut in the crime drama "Music Box" (1989). He was cast in the role of Mike Laszlo, a Hungarian-American family man, who is exposed as a wanted war criminal who killed numerous civilians during the Siege of Budapest (1944-1945). The film won the "Golden Bear" at the 40th Berlin International Film Festival.
Mueller-Stahl next received the primary role of Polish-Jewish immigrant Sam Krichinsky in the family drama "Avalon" (1990). The film concerned the gradual assimilation of Krichinsky's family into modern American culture. The film was critically praised, and its screenwriter won the "Writers Guild of America Award for Best Original Screenplay".
In 1991, Mueller-Stahl played the role of Inspector Grubach in the mystery thriller "Kafka". The film depicted a conspiracy in 1910s Prague, and was loosely inspired by the works of Franz Kafka (1883-1924). The film under-performed at the box office, but gained a cult following.
During the same year, Mueller-Stahl played New York City-based taxi driver Helmut Grokenberger in the anthology film "Night on Earth". In the film, Helmut is an East German immigrant in the United States. He is a former professional clown, whose ineptness as a driver and ignorance of New York geography make him ill-suited for his new profession. The film was critically well-received.
In 1992, Mueller-Stahl played Meissen porcelain collector Baron Kaspar Joachim von Utz in the eponymous film "Utz". The film was an adaptation of a 1988 novel by Bruce Chatwin (1940-1989), concerning a passionate collector and his unwillingness to part with his collection, even at the offer of a better life abroad. For this role, Mueller-Stahl won the "Silver Bear for Best Actor" at the 42nd Berlin International Film Festival.
In 1996, Mueller-Stahl played Peter, the abusive father of concert pianist David Helfgott (1947-). The film concerns the negative effects of long-term physical and mental abuse of David by his father. Mueller-Stahl's role was critically praised, and he was nominated for the Academy Award for Best Supporting Actor. The award was instead won by rival actor Cuba Gooding Jr. (1968-).
In 1998, Mueller-Stahl played German scientist Conrad Strughold in the science fiction film "The X-Files", a spin-off of the then-popular television series "The X-Files" (1993-2002, 2016-2018). In the film, Strughold is a member of the Syndicate, a shadow government which collaborates with extraterrestrial would-be colonists. The film was a box-office hit, earning 189 million dollars at the worldwide box office.
In 2007, Mueller-Stahl played Semyon, a high-ranking member of the Russian mafia, in the gangster film "Eastern Promises". The film was critically praised, and appeared on many critics' top ten lists of the best films of 2007.Mueller-Stahl won the "Genie Award for Best Performance by an Actor in a Supporting Role".
In 2009, Mueller-Stah played former Stasi colonel Wilhelm Wexler in the action thriller "The International". In the film, Wexler works with a merchant bank that has secret ties to drug cartels, powerful corporations, corrupt governments, and terrorist organizations,. The film earned about 60 million dollars at the worldwide box office, and was considered notable for drawing inspiration from real-world banking scandals of the 1970s, 1980s, and 1990s.
Also in 2009, Mueller-Stahl portrayed Cardinal Strauss, Dean of the College of Cardinals and the Papal Conclave, in the mystery thriller "Angels & Demons". The film was an adaptation of a 2000 novel by Dan Brown (1964-). It concerns the assassination of fictional Pope Pius XVI, and a conspiracy trying to influence the election of his successor. The film earned about 486 million dollars at the worldwide box office, the highest-grossing film in Mueller-Stah's career.
In 2011, Mueller-Stahl received the "Honorary Golden Bear" at the 61st Berlin International Film Festival. His only film role in the 2010s was playing Fr. Zeitlinger in the experimental film "Knight of Cups ". The film uses images from tarot cards as a main theme, while elements of the plot were inspired by the "Hymn of the Pearl" (2nd century) and the "The Pilgrim's Progress" (1678) by John Bunyan.
By 2021, Mueller-Stahl was 90-years-old. He lives in semi-retirement in California, where he enjoys its pleasant climate. He has written a number of novels and short stories, and has taken painting as a hobby.- Actor
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Sargent was a trim, handsome man with a longish chin. He played a variety of gawky businessmen roles in feature films before finding a niche in tv history as the second Darrin on "Bewitched". Shortly before his death, Sargent publicly proclaimed he was gay, and became what he called "a retroactive role model" in the battle for gay rights.- Actress
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Raised in Washington, D.C., the great-granddaughter (on her father's side) of German immigrants, Frances Hussey Sternhagen taught acting, singing and dancing to young schoolchildren before first performing herself with the Arena Stage Group.
Since then, she was seen in numerous Broadway and Off-Broadway shows.
She was nominated seven times for a Tony Award (winning 2 times, once for her performance in "The Good Doctor" and once for "The Heiress"). Other shows in which she appeared include "Equus", "On Golden Pond", "Angel", and "You Can't Take it with You".
Among many other appearances Off-Broadway, including the original production of "On Golden Pond", Sternhagen delighted Off-Broadway audiences for over two years with her feisty portrayal of the title character in "Driving Miss Daisy".
Her film debut was in Up the Down Staircase (1967). Since then her credits have included Fedora (1978), Starting Over (1979), Outland (1981) and Communion (1989).
She appeared on the very popular long-running television series Cheers (1982) as Esther Clavin, mother of John Ratzenberger's character, the pedagogical know-it-all mailman Cliff Clavin.
She played wealthy philanthropist and society matron Millicent Carter, the grandmother of John Carter (Noah Wyle) on ER (1994). She also appeared in episodes of Sex and the City (1998) and Becker (1998).- Actor
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Alan Oppenheimer is an American actor from New York City, who started his career in the 1950s. By the 1970s, Oppenheimer started performing voice acting roles. He eventually emerged as one of the most prolific voice actors in the United States, with roles in numerous series and films. His better known roles include the evil emperor Ming the Merciless in "The New Adventures of Flash Gordon" (1979-1982), the tyrant Overlord and his mind-controlling Vizier in "Blackstar" (1981), the arrogant narcissist Vanity Smurf in "The Smurfs" (1981-1989), the evil sorcerer Skeletor, the shape-shifting animal Cringer, the heroic Man-at-Arms, and the aquatic villain Mer-Man in "He-Man and the Masters of the Universe" (1983-1985), the pacifistic naturalist Beachcomber, the sailor Seaspray, and the gun-enthusiast and munitions expert Warpath in "The Transformers" (1984-1987), the android wizard Prime Evil in "Ghostbusters" (1986), and the cryptic advisor Merlin in "The Legend of Prince Valiant" (1991-1993).
In 1930, Oppenheimer was born in New York City. His father was the stockbroker Louis Oppenheimer. In 1958, Oppenheimer married costume designer Marianna Elliott. They had three children. He received a divorce at some point prior to the mid-1980s. In 1984, Oppenheimer married the professional tennis player Marilyn Greenwood. Their marriage lasted less than a decade, and ended in a divorce. In 1992, Oppenheimer re-married his first wife Marianna Elliott. Their marriage lasted until her death in 2003. He has remained single since her death.
In 1993, Oppenheimer had a guest star role in "Star Trek: The Next Generation". He played the Klingon cleric Koroth. His character cloned the long-dead messianic warrior Kahless, in hope of restoring his peoples' faith in their religion.In 1994, Oppenheimer played the ill-fated star-ship captain Keogh in "Star Trek: Deep Space Nine". After successfully completing a rescue mission, Keogh fell victim to a suicide attack (along with most of his crew). In 1997, Oppenheimer played an unnamed ambassador of the Nezu in "Star Trek: Voyager". His character attempted to enlist the USS Voyager to rescue his planet from destruction. This was Oppenheimer's last role in a "Star Trek" television series. Oppenheimer has mostly avoided live-action roles since 1998.
In 2022, Oppenheimer voiced Skeletor again for an appearance in the film "Chip 'n Dale: Rescue Rangers". By 2022, Oppenheimer was 92-years-old. He has never fully retired, though he has played less prominent roles in recent productions. He remains popular to animation fans for his iconic roles in several classic series.- Actress
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Silvana Mangano was born on April 21, 1930 in Rome, Italy and was raised in poverty during World War II. She trained as a dancer for seven years and supported herself as a model. In 1946, at age 16, she won the Miss Rome beauty pageant and through this, she obtained role in a Maria Della Costa film. One year later, she was one of the girls in the Miss Italia contest. Lucia Bose became "The Queen", and nearby, on the stage of Stresa, were some other future stars of Italian cinema: Gina Lollobrigida, Eleonora Rossi Drago and Gianna Maria Canale.
Mangano's earlier connection with filmmaking occurred with her romantic relationship with actor Marcello Mastroianni. This led her to a film contract, though this would take some time for Mangano to ascend to international stardom with her role in Bitter Rice (1949). Thereatfer, she signed a contract with Lux Film, and later married Dino De Laurentiis, who was on the verge of becoming a known producer. Though she never scaled the heights of her contemporaries Sophia Loren and Gina Lollobrigida, Mangano remained a favorite star of the 1950s and 1970s, appearing in Anna (1951), The Gold of Naples (1954), Mambo (1954), Teorema (1968), Death in Venice (1971) and The Scopone Game (1972).
Married to film producer Dino De Laurentiis from 1949, the couple had four children: Veronica, Raffaella, Francesca and Federico. Veronica's daughter Giada is the host of "Everyday Italian" and "Giada at Home" on the Food Network. Raffaella co-produced with her father on Mangano's penultimate film, the science fiction epic Dune (1984). In 1983, she separated from De Laurentiis and abandoned her career to live in Paris and Madrid, where she made tapestries. Following surgery on December 4, 1989 that left her in a coma, Silvana Mangano died at age 59 of lung cancer in Madrid, Spain during the early morning hours of December 16, 1989.- The actress was born Marilyn Watts in Santa Monica, California, 17 years before she put her foot on the bottom step of the show biz ladder, dancing in the back row of the chorus in "Earl Carroll's Revue" at the famed showman's theater-restaurant in Hollywood. Modeling for photographers led to wider exposure and ultimately to TV roles and bit parts in low-budget movies. As a Universal-International contract player, she was in most every type of B picture that the studio made. She gave up acting in the early '60s to concentrate on marriage and motherhood during 17 tumultuous years as the wife of actor Richard Long. Since his 1974 death, she's played supporting parts in her friend Clint Eastwood's movies, just as he played a supporting role in one of hers (Tarantula (1955)).
- The cinema took a while to discover him. Born in England, the son of an insurance agent, RADA-trained Donald Moffat first appeared on the Shakespearean stage with the Old Vic. In 1954, he stage managed the popular revue "Salad Days". Then, 'discontentment' (which, he later explained, had much to do with the class system in Britain) prompted a permanent relocation to the United States. Accompanying his American actress wife to her home state in Oregon, Moffat initially tried his hand at bartending and as a lumberjack. After six months, he concluded that he was not cut out for outdoorsy pursuits and decided to return to his original muse. A "motivating stimulus", as he would later explain, was that "America seemed much more theatrically vibrant than things were at home".
Modest beginnings with an amateur theatre group in Princeton provided a meagre income of $25 a week which necessitated temporarily making ends meet as a carpenter. That situation improved in the wake of Moffat's 1957 debut on Broadway in "Under Milkwood". From then on, he managed to keep himself exceedingly busy for some three decades -- both on and off-Broadway -- in roles ranging from O'Neill and Chekhov to Ibsen and Miller. Stops along the way included the Ohio Shakespeare Festival in Akron, as well as theatres in New York (where he made a memorable Falstaff in 1987), Cincinnati, Chicago and Los Angeles. In the early 60s, Moffat enjoyed a lengthy tenure as a member of the ensemble of the Association of Producing Artists (APA) Phoenix Repertory Company.
Having lost his British accent early on, Moffat excelled at slotting into diverse roles as totally believable Americans, be they dignified, self-effacing, doleful, tough or acerbic. This was very much in keeping with his working credo: "respect the text - you fit the part, not the other way around". Instantly recognisable in appearance -- lean, long-faced and bushy-browed -- he was a subtle actor who made good use of a mellow but resonant voice which combined with a strong stage presence. On the screen, Moffat began as a TV supporting player with numerous guest roles in hit shows, including Hawaii Five-O (1968), Bonanza (1959), Mission: Impossible (1966), Mannix (1967) and The West Wing (1999), playing an assortment of judges, doctors, reverends, politicians and army officers, even a quirky android named Rem in the short-lived CBS series Logan's Run (1977). His cinematic debut did not eventuate until 1968 as the (deceased) father of Joanne Woodward's titular protagonist in Rachel, Rachel (1968). Other memorable roles include the shady president in Tom Clancy's Clear and Present Danger (1994), the ill-fated station commander Garry in John Carpenter's The Thing (1982) and Lyndon B. Johnson in The Right Stuff (1983).
Described as a consummate professional, Obie award-winning actor Donald Moffat retired in 2005 and passed away on 20 December 2018 at the age of 87. - Actor
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James Olson was born on October 8, 1930 in Evanston, Illinois, the son of LeRoy Olson, an engineer. He made his stage debut at age 12 as "Hans Brinker" in the Evanston Children's Theatre production of 'Hans Brinker and the Silver Skates'. He received a BS degree in Speech from Northwestern University before serving in the U.S. Army as a military policeman (M.P.) in 1952 for a two-year stint.
A Chicago-based stage actor before moving to New York, the 6'3" Olson studied with Lee Strasberg and made his Broadway debut in 'The Young and Beautiful'. Throughout the late 1950s and 1960s he continued to find poignant Broadway roles in 'J.B.' (1958), 'Romulus' (1962), 'The Chinese Prime Minister' (1964), 'The Three Sisters' (1964) and 'Of Love Remembered' (1967). Olson was featured in the 1966 Mary Tyler Moore-Richard Chamberlain musical misfire 'Holly Golightly' (based on the film Breakfast at Tiffany's (1961)); the ill-fated musical closed before it reached Broadway.
Olson debuted on television as the title character in The Life of Mickey Mantle (1956). His film career began with the forgettable action drama The Sharkfighters (1956) but he later appeared in better roles in the film noir drama The Strange One (1957) and the Chekhov classic The Three Sisters (1966) (as Baron Tuzenbach, his Broadway stage role). He displayed an understated power in his performance as Joanne Woodward's suitor in the Oscar-nominated picture Rachel, Rachel (1968), which garnered him the best reviews of his film career. This was followed by a prime scientist role in the classic sci-fi thriller The Andromeda Strain (1971). He continued onstage in roles in 'The Glass Menagerie', 'The Crucible', 'A Safe Place', 'Twelve Dreams', and 'Winterplay'.
He had numerous TV-movie roles in Paper Man (1971), Incident on a Dark Street (1973), A Tree Grows in Brooklyn (1974), The Sex Symbol (1974), The Missiles of October (1974), The Family Nobody Wanted (1975), Someone I Touched (1975), Strange New World (1975), Law and Order (1976), and The Spell (1977), and guest and/or recurring roles on such TV series as Bonanza (1959), Marcus Welby, M.D. (1969), Medical Center (1969), Police Story (1973), Police Woman (1974), The F.B.I. (1965), Gunsmoke (1955), Mannix (1967), Harry O (1973), Hawaii Five-O (1968), Maude (1972), Barnaby Jones (1973), The Bionic Woman (1976), and Battlestar Galactica (1978).
Major stardom proved elusive, however. Olson wrapped up his career with the films Ragtime (1981), Amityville II: The Possession (1982), Commando (1985) and Rachel River (1987) and 1990 TV appearances on The Family Man (1990) and Murder, She Wrote (1984), before retiring.- Actor
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Robert Prosky was born on 13 December 1930 in Philadelphia, Pennsylvania, USA. He was an actor, known for Thief (1981), Broadcast News (1987) and Mrs. Doubtfire (1993). He was married to Ida Hove. He died on 8 December 2008 in Washington, District of Columbia, USA.- Actor
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Tall, spade-jawed, hopelessly genial balladeer/actor Jim Nabors was born in James Thurston Nabors on June 12, 1930 in Sylacauga, Alabama and raised there, graduating from the University of Alabama. A typing clerk at the United Nations in his salad days, he eventually moved to Los Angeles, California on account of his asthmatic condition and became a film cutter for NBC.
Jim was discovered on stage doing a cabaret act at "The Horn," a now defunct but then highly popular Santa Monica nightclub. Combining his gifts for classical singing and gawky hick characterizations, his highly unique schtick was either ridiculously insane or totally brilliant. Either way this garnered him notice.
Comic Bill Dana caught Jim's act and opted for the latter assessment, inviting him to audition for Steve Allen's TV variety show. Jim went on to appear on Allen's show a number of times. TV star Andy Griffith caught his silly singing "down home" gimmick as well and offered him the part of dim but lovable gas station attendant Gomer Pyle on his popular 1960s sitcom. Jim's career took off like a skyrocket. His sheepish "gawwwleee" and bug-eyed "shazzayam" expressions became part of the American vernacular and it wasn't long before the beloved character would spin off into his own sitcom. Gomer Pyle: USMC (1964) was a solid hit as the bungling, painfully naive, gentle do-gooder found himself hilariously at odds with the Marine Corps and a particularly tough Sergeant Vince Carter (played terrifically by the late Frank Sutton). The sitcom ran a respectable five seasons and Jim solidified himself as a household name.
On the downside of this TV success, Jim found himself inextricably pigeon-holed as a gullible, squeaky-clean hick. As a result, he found work elsewhere, particularly in children-oriented series for Sid and Marty Krofft and Jim Henson. He also decided to refocus on his beautiful baritone voice. Recording a number of romantic, easy listening albums, five of them went gold and one went platinum. He earned a gold record for his rendition of "The Lord's Prayer."
On TV, Jim became a frequent singing/comedy guest performer on all the top prime-time variety and late night shows, including "Sonny & Cher," "The Tonight Show," "The Dean Martin Show," "The David Frost Show," and "The Joey Bishop Show." He also became the annual "good luck charm" opening season guest on close friend Carol Burnett's TV variety series during her twelve-year run. It was enough for CBS to entrust Jim with own TV variety series The Jim Nabors Hour (1968), which ran for two seasons, featured his "Gomer Pyle" co-stars Frank Sutton and Ronnie Schell, and earned him a Golden Globe nomination. A decade later, he returned to the format hosting The Jim Nabors Show (1978), which was short-lived but earned him a daytime Emmy nomination.
Another good friend, Burt Reynolds, was responsible for Jim's theater debut as Harold Hill in "The Music Man" at the Burt Reynolds Dinner Theatre with Florence Henderson as his Marian the Librarian. Jim also appeared in comic support in a couple of Reynolds' films -- The Best Little Whorehouse in Texas (1982) and Stroker Ace (1983).
Nabors was seen on a limited basis in the early 1990s and his life took a serious hit in 1994 when, after years of declining health, he was forced to have a liver transplant. He has returned to the limelight very infrequently (talks shows and reunion shows), preferring the quiet, relaxing life he has in Hawaii and running a macadamia nut plantation.
On January 15, 2013, the 82-year-old Nabors came out as gay news by marrying his life partner of 38 years, Stan Cadwallader, a retired Honolulu firefighter, at a Seattle hotel after Washington became a "same sex" marriage state a month earlier. The 87-year-old died of an immune disorder on November 30, 2017.- Barbara Stuart was born on 3 January 1930 in Paris, Illinois, USA. She was an actress, known for Bachelor Party (1984), Airplane! (1980) and One Step Beyond (1959). She was married to Dick Gautier. She died on 15 May 2011 in St. George, Utah, USA.
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In a six-decade-plus career (she started out as a radio performer at age 14), there are very few facets of entertainment that lovely singer/actress Polly Bergen has not conquered or, at the very least, touched upon. A nightclub and Columbia recording artist of the 50s and 60s, she is just as well known for her film and Emmy-winning dramatic performances as she is for her wry comedic gifts. In the leaner times, she has maintained quite well with her various businesses. Truly one for the ages, Polly has, at age 70+, nabbed a Tony nomination for her gutsy "I'm Still Here" entertainer Carlotta in Stephen Sondheim's "Follies", and was still dishing out the barbs as she recently demonstrated as Felicity Huffman's earthy mom on Desperate Housewives (2004).
Born in Knoxville, Tennessee as Nellie Burgin on July 14, 1930, her family, which included father William, mother Lucy and sister Barbra, eventually moved to Los Angeles. By the time she was 14, Polly was singing professionally on radio and managed to scrape up singing gigs with smaller bands around and about the Southern California area. She attended Compton Junior College before Paramount mogul Hal B. Wallis caught sight of her and signed her up with his studio. Having made an isolated film debut (as Polly Burgin) a year earlier in the Monogram western Across the Rio Grande (1949), Wallis showcased her as a decorative love interest in the slapstick vehicles of Dean Martin and Jerry Lewis, the (then) hottest comedy team in Hollywood. But At War with the Army (1950), That's My Boy (1951) and The Stooge (1951) did little for Polly although she presented herself well. MGM and Universal had the idea to cast her in a more serious vein with co-starring roles in their dramas Escape from Fort Bravo (1953), Arena (1953) and Cry of the Hunted (1953), but again she was overlooked. Disasppointed, she decided to abandon her lucrative film contract and seek work elsewhere.
That "elsewhere" came in the form of 1950s TV. Focusing on her singing, she promoted her many albums for Columbia by guest-starring on all the top variety shows of the times. This culminated in her own variety program, The Polly Bergen Show (1957). The song "The Party's Over" became her traditional show-closer and signature tune. Polly also showed some marquee mettle on the cabaret and nightclub circuits, performing at many of the top hotels and showrooms throughout the country. She made her Broadway debut along with Harry Belafonte in "John Murray Anderson's Almanac" in 1953, and went on to appear in such stage shows as "Top Man" and "Champagne Complex". A delightfully engaging game show panelist to boot, she took a regular seat on the To Tell the Truth (1956) panel for five seasons.
Polly tended to display a looser, down-to-earth personality to induce laughs but she was also was formidable dramatic player and fashion plate quite capable of radiating great charm, poise and elegance. For her role as alcoholic torch singer Helen Morgan in the special TV showcase The Helen Morgan Story (1957) , she took home the Emmy award. Unfortunately for Polly, Ann Blyth took on the role of the tragic singer in the film version (with Gogi Grant providing the vocals), in what could have been a significant return to films for her.
Instead, Polly had to wait another five years for that to happen. As the wife of Gregory Peck and designated victim of revengeful psychopath Robert Mitchum in the taut movie thriller Cape Fear (1962), her film career reignited. Other opportunities came in the form of her distraught mental patient in The Caretakers (1963), which found her at odds with nurse Joan Crawford and doctor Robert Stack; the sparkling comedy Move Over, Darling (1963), which placed her in a comedy triangle with "other wife" Doris Day and husband James Garner; and as the first woman Chief Executive of the White House in the frothy comedy tidbit Kisses for My President (1964) opposite bemused "First Gentleman" Fred MacMurray. In what was to be a tinge of deja vu, Polly again saw her movie career dissipate after only a couple of vehicles. True to form, the indomitable Polly rebounded on TV.
A mild string of TV-movies came her way as she matured into the 1970s and 1980s, most notably the acclaimed miniseries The Winds of War (1983), which reunited her with Robert Mitchum, this time as his unhappy, alcoholic wife. This, along with her participation in the sequel, War and Remembrance (1988), earned Polly supporting Emmy nominations. In the years to come, she would find herself still in demand displaying her trademark comic grit in such shows as The Sopranos (1999), Commander in Chief (2005) and Desperate Housewives (2004).
Polly returned to singing in 1999 after nearly a three-decade absence (due to health and vocal issues). Quite huskier in tone, she went on to delight the New York musical stage with stand-out performances in "Follies" (2001), "Cabaret" (2002) and "Camille Claudel" (2007). Polly still made nightly appearances and had even put together singing concert tours on occasion.
Polly has authored three best-selling beauty books outside the acting arena and has demonstrated a marked level of acumen in the business world. Founding a mail-order cosmetics business in 1965, she sold it to Faberge eight years later. She also developed her own shoe and jewelry lines.
Married (1950-1955) to MGM actor Jerome Courtland during her first movie career peak, she later wed topflight agent/producer Freddie Fields in 1957, a union that lasted 18 years and produced two adopted children, Pamela and Peter. A third marriage in the 1980s also ended in divorce. An assertive voice when it comes to women's rights and issues, her memoir "Polly's Principles" came out in 1974.
Polly played a grandmother in her last film, the dramedy Struck by Lightning (2012), and died two years later on September 20, 2013, at the age of 84.