Two weeks in the life of a fading Hollywood producer who's having a rough time trying to get his new picture made.Two weeks in the life of a fading Hollywood producer who's having a rough time trying to get his new picture made.Two weeks in the life of a fading Hollywood producer who's having a rough time trying to get his new picture made.
- Awards
- 1 nomination total
- Kelly
- (as Robin Wright Penn)
- Pollster
- (as Jason Kravitz)
- Jimmy
- (as Remy Selma)
- Sophie
- (as Alessandra Danielle)
- Verna
- (as Karina Buck)
Featured reviews
** (out of 4)
Disappointing adaptation of Art Linson's book about a major Hollywood producer (Robert DeNiro) who finds his world both personally and professionally falling apart in the matter of one week. His latest finished film has the director butting heads with the studio over the ending and his upcoming picture is on the rocks because its star Bruce Willis wants to have a beard. The producer then finds out that his ex-wife (Robin Wright Penn) might be having an affair with his screenwriter (Stanley Tucci). You know, if you're going to make a satire about Hollywood then it might be a good idea to put in some humor. If you're going to make a hard edged film about Hollywood then it might be a good idea to put in some edge. This film comes off as a major disappointment considering the source material, the director and the all-star cast they lined up to do the film. Not only do we get DeNiro turning in a very good performance but we get a fun cameo by Sean Penn as well as nice supporting work by Tucci, Penn and John Turturro. The main reason for folks to see this picture would be for the performance by DeNiro who after years of so-so work actually manages to pull off a pretty good comeback. It's just a shame to see it wasted in such a bland movie. I think every bit of the blame has to be thrown at Levinson and the screenplay. It's clear the director and writer had something to say about Hollywood but they rarely ever say anything. I was really shocked at how few laughs the movie had and it wasn't because they went for them and missed but instead they simply didn't go for them. We really don't get any major incites into Hollywood that we haven't seen before and the movie never really takes any punches either. There's the whole subplot about a director having his vision taken away by the studio yet the movie isn't critical of the studio. This movie really isn't critical about anything so in the end you have to wonder what the whole point was to begin with.
I have no idea what they really wanted to say...some Hollywood inside truth? Yeah, I knew that pretty clear, because this is not the first film that discussed that! Worse is that it seems that the actors did not know that it could be so boring...Come on, don't tell me they liked the script...
Robert De Niro himself looked quite "bored" in the film, and I couldn't help but wonder whether he just got disappointed in the midway of making it...His performance was so...plain, that you cannot give any serious comment on it...
Anyway, I do not know what this film is actually trying to convey, but I as a common audience were obviously ignored when it started to tell a story.
The film itself, however, is not quite as worthy a comeback we would have expected, but still garners some witty laughs and a realistically melancholy view of the bittersweet world of Hollywood. The opening scene is playfully familiar to cinema, particularly the eponymous taboo that horrifies the audience. It's a great scene, mainly because of De Niro's deadpan but wise monologue, which is the first thing to certify this as his return to form.
But despite an effective beginning, the rest of the movie seems scattershot; the narrative tries to skim its way through all the familiar faces of film making (director, studio exec, agent, screenwriter, pompous actor, etc.), while simultaneously trying to prominently develop the long-existing love-hate between Ben and his wife (an acceptable but grounded Robin Wright Penn). Turtorro and Wincott's performances are actually quite hilarious (each idiosyncratic moan delivered at perfect and rib-tickling time by Turtorro, and the outburst and subsequent fall from grace of Keith Richard-esquire Wincott is brilliant).
Even De Niro suffers sometimes; some of the foul-mouthed wit sounds odd and outlandish in the mouth of his reasonably straight-laced character, so some of the gags are lost, but this is more the fault of ill-conceived writing. The Bruce Willis subplot loses interest after Willis' only amusing scene; his enraged breakdown after being told to shave his beard, which, in itself, is helped by Ben's sarcastic but regretful outburst. There are some touching scenes that show Ben's tendency as a reactionary: the chair in his ex-wife's house, and his increasing annoyance at Willis, particularly his comments at a funeral.
The film works best on the good sportsmanship of the cast and their willingness to laugh at themselves, which, as the film tellingly shows, is universal in the cutthroat world of Hollywood.
Did you know
- TriviaThe subplot involving Bruce Willis refusing to shave his beard for a movie is based on a real-life incident writer and producer Art Linson had with Alec Baldwin on the set of The Edge (1997).
- Quotes
Ben: [discussion about Bruce Willis] I suppose it took him a long time to grow it, he probably just wants to wait 'til the last minute.
Cal: That's what I thought last week, but after seeing him today, I got the sense this is going to be his "look", it's an artistic-choice...
Ben: The extra weight is too? It can't be.
Cal: It's a feeling.
Ben: Cal, we got the studio to pay him $20 million to be a leading man. For that kind of money there is an expectation.
Cal: They expect a good performance...
Ben: No, no, no no, Cal. For that kind of money they expect millions of menstruating women to want to have intercourse with him. You understand what I'm saying? You want a poster that says "See Santa Run"?
- SoundtracksFlow of Experience
Written & Performed by Steve Kornicki
Courtesy of MS-Pro
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- What Just Happened?
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $1,090,947
- Opening weekend US & Canada
- $192,508
- Oct 19, 2008
- Gross worldwide
- $6,759,057
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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