Alice in Wonderland

Tim Burton's Alice in Wonderland is a sequel and not a retelling of the original children's novels by Lewis Carroll. In this film, Alice is now 19-years old, and soon after the death of her father, is proposed to be married away. Feeling pressured, she runs off, following a white rabbit, which leads her to Wonderland, a place she only vaguely remembers from childhood. There, she meets past familiar faces as the Mad Hatter (Johnny Depp), the Blue Caterpillar (Alan Rickman), the Cheshire Cat (Stephen Fry), and eventually the Red Queen (Helena Bonham Carter), who has been terrorizing the land with her harsh rule and beheading of heads. Alice finds out that her destiny is to end the Red Queen's rule by slaying the queen's dragon, Jabberwocky, as written in the prophesy. Along the way she meets up with all sorts of colorful characters.

If you remember, Steven Spielberg's Hook was the live action sequel to Peter Pan. Similarly, Tim Burton's film is very much like a close cousin, except it's about Alice. The progression of the story is also kind of similar, where the main character, Alice, like Peter, must rediscover herself and finally defeat her nemesis. Likewise, both films are both elaborately staged, they are both about growing up and making choices, and there's a big showdown. Chances are if one liked Hook, one will find many things to like about Alice.

Tim Burton's version of the Wonderland's environments are gorgeous, imaginatively created, lots of colorful details, and breathes life. The castles are sleek and intricately designed. The creatures are generally live versions (CG) of the Disney's previous animated version, and they're even more odder and fun to look at. I particularly loved the portrayal of the Chesire Cat in this film, and the way he snakes through midair like water feels very natural, although it wouldn't feel so natural in real life. Only complaint I may have in terms of visuals would probably be where we see CG versions of natural creatures like dogs--they're not particularly stylized so their CG-ness can be more noticeable.

Danny Elfman's score fits the environment just right, giving added intensity when needed. This film is essentially Tim Burton's playground and even if there wasn't any story, it still would be plenty of fun to just watch the loony characters in their environment. I will add that 3-D aspect of it helped a lot.

Johnny Depp plays the Mad Hatter with usual gusto, as he brings much energy and quirkiness to such an oddball character. I suppose there is a mix of Willy Wonka and Jack Sparrow in there somewhere. Given that other characters are mostly or completely CG, Johnny Depp's character can feel a bit of out of place, as he still feels human. Helena Bonham Carter as the big-headed (literally) Red Queen is fun, expressive, and extremely likable for such a short-tempered character. Mia Wasikowska is particularly noteworthy as Alice, which she plays with free-spirited pluckiness, charm, and beauty.

The story, admittedly, is a simple one, although it is to the story's credit that Alice is now an adult--it helps since many happenings in Wonderland can be quite unfriendly, bizarre, and grotesque. Thankfully, no more worries about some dream causing some lifelong trauma to some poor child. I also appreciated the fact that her Wonderland, like dreams, is an extension of her frustrations with the "real" world, where she felt she had many "expectations" from outside forces. At the same time, it's not like Where the Wild Things Are, where other characters are actually projections of real-life people from the main character's life. For example, to read Mad Hatter as an extension of her father feels a bit like a stretch, although the Red Queen could possibly represent her future mother-in-law since they both dislike animals. Certainly, one can merely enjoy it at face value and the creativity of this world and be fine with it.

Overall, I enjoyed this world of Alice. In one sense, that may be the important thing, if one were to stick to the flavor of the original novel. The story within the Wonderland, I felt, wasn't as poignant as "real life" moments, which were filmed with much love and detail. Given the fact that original story consisted of series of random events and character interactions, it was nice to see the characters work together a bit. The overall result isn't something beyond what one would expect from this style of work, but it's fun, and where it succeeds, it succeeds well, thanks to the consistency of Tim Burton's imaginative visuals. *** out of **** stars.

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Tim Burton film version of Lewis Carroll's classic proves the special slickness of director to create weird worlds and strange characters . Alice (Mia Wasikowska)is 19-year-old and doesn't remember nothing about her former visit on Wonderland happened 10 years ago . Then she returns to the magical world from her childhood adventure, where she reunites with her old friends as Mad Hatter (Jhnny Depp), White Rabbit (voice of Michael Sheen), Chesshie Cat (Stephen Fry), Blue Caterpillar (voice of Alan Rickman) and learns of her true destiny: to end the Red Queen's (Helena Bonham Carter)reign of terror who helped by Knave of Hearts (Crispin Glover) is fighting her sister White Queen (Anne Hathaway)for the kingdom.

Moving rendering of Lewis Carroll classic with gimmick of blending live action and computer generator puppets and 3D animation . Riveting for its casting , but overall , roller-coaster spectacle. Most of the charm and wit remains from original story in this particular version . It results to be an amusing of somewhat aloof , storytelling of children classic with a magnificent three-dimensional visual effects team at its best bring to life the following : the Cheshire cat , Blue caterpillar, the Queen of hearts, March Hare , Tweedledum and many others. Breathtaking array of technical effects with impressive set pieces illuminate the Alice's full-blown adventures. The amazing plot is pure entertainment and with interesting screenplay based on characters created by Lewis Carroll , though here Alice acts as a heroine who combats dragons , monsters and of course the evil Queen of Hearts . Episodic characters as Mad Hatter and Queen of Hearts are given major boost by strong personalities from Johnny Depp and Helena Bonham Carter . Spectacular final battle full of action , groundbreaking frames and fabulous fights . Overwhelming production design , though full of digital effects with impressive scenes and portentous images . Stirring musical score fitting perfectly to story by Danny Elfman and colorful cinematography by Dariusz Wolski . The motion picture lavishly financed by veteran producer Daryl F. Zanuck is originally directed by Tim Burton in his exceptional style. Rating : 6,5 acceptable rendition .

Other take on based on this vintage tale are the following : 1933 by Norman Z McLeod with Gary Cooper , Edward Everett Horton and Jack Oakie ; 1950 by Dallas Bower with Carol Marsh , Pamela Brown and Felix Aylmer ; 1951 by Walt Disney directed by Clyde Geronimi, Hamilton Luke with voices of Sterling Holloway , Ed Wynn and Richard Haydn ; 1972 by William Sterling with Fiona Fullerton, Peter Sellers , Dudley Moore and Michael Crawford and TV version with Tina Majorino and Woopy Goldberg .

I attended the Cast and Crew screening on Sunday, in Leicester Square, with high hopes for this film as it's without doubt the most exciting job I've had. This was my first feature experience, and working for Tim Burton was a hell of a way to start.

But, even as someone with a lot of time for his films, and a pre-existing bias, I couldn't really connect with this. The cast acquit themselves well, especially considering the noted difficulty in emoting to a tennis ball on a stick, but all their tics and quirks seem to be masking a void at the centre of what should be a free-floating, evocative trip. Sure, it's weird looking, but we've seen it before, and back then in films like Edward Scissorhands it had a sense of purpose. Now we're left exploring a CGI wonderland that seems to be without a great deal of wonder. The book revels in its bizarre environs, absurd dialogue and whimsical characters. This film grounds them, drains them of that mystery and leaves us with a colourful but forgettable retread. It seems intent on driving us to a narrative conclusion that few people will have had much stake in through its running time, simply because we're not giving much to care for.

With a source material so familiar, even to those whose knowledge is second hand references, there needs to be a degree of innovation (as in Svenkmejer's dark stop-motion version, or the co-opting of Terry Gilliam in to his "Tideland" narrative), or else a studious and inspired adaptation that completely returns to Lewis Carroll. What we end up with is a mid-point that fails to get to grips with what enchants people about the Alice story, and another chance to see a beautiful waif walk around twisted, quasi-Gothic landscapes to a score by Danny Elfman.

Not that this isn't an enjoyable experience in itself, and as seen in the vast Screen 1 at the Empire it is at times breathtakingly pretty. It's just inessential, and while it may be unfair to expect a classic from a favoured filmmaker every time out, when they tackle something with the pedigree and history of Alice In Wonderland you can't help but hope for something special. And that's the problem, that Tim Burton, while he is still making decent films, has been a long way off special for some time now.

6/10 (if they gave half stars it'd be 6.5), but that doesn't mean it's a bad film. It's possible that my grade is affected by high expectations and lost potential. If you have kids, I'm sure it'll be better than 90% of the dross that passes for family films now. At least there is some artistry involved, and while he might not be at his best I'll still always pay to see a Tim Burton film (although I got this one for free...)

Alice Kingsley (Mia Wasikowska) is, unbeknownst to her, on her way to her engagement party. Turns out this is the famous Alice who 13 years earlier ventured in to Wonderland. Surely there is a creative reason to pull her back into the zany world. Nope, she merely felt the urge to chase a rabbit who himself was seeking to fulfill a prophecy. And so, Alice in roped back into the world of fantasy/absurdity.

If you've seen anything at all on this movie, then the strengths are obvious. It's Disney, it's CGI loaded, it's in 3D. Everything visual is well appointed with lavish detail. It makes me wonder if director Tim Burton is better suited as a set designer since he is always given projects for his vision. I recall a time where his vision wasn't hampered by the concepts of others, at time when his films were so wholly original that nothing else compared, and sadly he's been stuck in a limbo of "revisions" for a decade.

For a girl who can't remember anything, Alice is never surprised. She sees giant creatures, she shrinks, flies on a hat, all without a yelp. The first person to blame would be Burton, since Wasikowska lacks leading experience. Still I wonder what's going through her head when she decided to play Alice as oppressively jaded. Outside the last ten minutes, she's the antithesis of Dorothy. Having a protagonist who's so down trodden in a beautiful world is counterintuitive.

Johnny Depp. You pay the man and he'll do his thing. I can't tell you that his character, The Mad Hatter, is an original. I'm sure it's a combination of other Depp figurines. With the Hatter he has carte blanche to do anything, anything at all, and somehow be considered in character. It doesn't matter that he's periodically possessed by a Scotsman—he's in character and he's Johnny Depp so it must be fantastic, right? More amusing are Helena Bonham Carter and Crispin Glover, the latter of whom you wouldn't recognize.

The White Queen (Anne Hathaway) was in position to be the most complex element of the film. I suppose her role is to assume power in the event that her sister is dethroned. For a character who talks a big game of peace, she sure does mix together an abhorrent potion to return Alice to normal size. Despite repeatedly saying she represents good, I didn't see any evidence. Toes would have been crushed I'm sure, but the vibe from Anne's portrayal suggested that she wanted to be the calculating nemesis.

I can't tell you how stupid this movie made me feel. For some reason it figured a major plot point would be found in determining the identity of Alice. If you are seated in the theatre watching a film called Alice in Wonderland you will not be surprised to find that the lead character of Alice is indeed the very same mentioned in the title. Why we spend most of the film getting to this conclusion feels like an attempt to recreate Hook.

By the end you realize that Alice is the problem with Wonderland. In the 13 years she's been gone, her friends seem to be in good health despite the Red Queen reigning over the land. Why are they looking for her now? The Red Queen was in power this whole time and they seem to be in good shape, but when Alice gets there the queen challenges them. I suppose she's just as upset to have such a lifeless young girl in her land. I for one am disenchanted.

I was able to catch a prescreening of Alice in Wonderland tonight on March 2nd. Despite some pretty nifty visuals, and jaw dropping set pieces, I found the movie to be incredibly dull, flat, and utterly full of itself. The film is merely a vehicle for Johnny Depp to showcase his talents, and he portrays the Mad Hatter as an actor who can't quite find the right shoes to fill in the role. He rotates from a Scottish brogue, to a feminine lisp, and staggers once in awhile as the unmistakable character of Captain Jack Sparrow. Where the visuals triumph, the story lacks. The proposed 'sequel' to Alice in Wonderland is literally a rehash of most of the finer points of the original, except a lot more Johnny Depp- a character who the audience is supposed to sympathize with and root for, but who i found a bit annoying and tiresome after awhile. The plot is fairly simple. Alice (the stone faced, newcomer Mia Wasisoska whose acting is limited to mildly concerned, mildly puzzled, and mildly agitated) flees from an arranged marriage proposal from a wealthy lord. She follows a curious white rabbit and tumbles down a hole into Underland, referred to as Wonderland by Alice. She then meets a variety of odd characters, most of them familiar from the original Alice. The plot is fairly simplistic, and a tad boneheaded. The Red Queen (Bonham Carter, slightly overdoing it, but arguably the best actor of the bunch) rules the land, but is pitted against the tiresome goodness and light of her sister, The White Queen (Hathaway doing an air-headed imitation of, you guessed it, Captain Jack Sparrow). Alice is destined by some ancient scroll to defeat the Jabberwocky and end The Red Queen's reign of terror. Alice boils down to mere eye candy-something that is visually pleasing, but is only a piece of fluff. If your a fan of Burton's Charlie and the Chocolate Factory, this movie is right up your ally. I prefer Burton at his best with movies that attempt to involve the audience like Edward Scissorhands, Ed Wood, and Big Fish. However, this bloated mess is sure to rank in hundreds of millions of dollars, but it tugs at our wallets rather than our hearts. It's a scary thought, but I hope that Burton's best work isn't behind him. 4/10