Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murd... Read allSet in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
- Victim
- (as Danny Smith)
Featured reviews
Writers Michael Ferris and John D. Brancato, who previously collaborated with director Jonathan Mostow on "Terminator 3: Rise of the Machines" and sadly also wrote the Halle Berry "Catwoman," do their best work with this script, which is of course not saying much. The positive here is that they truly embrace and explored the possibilities of a word where people don't interact with people -- just the robot versions of themselves. It's the saving grace of the film.
Bruce Willis stars as a homicide detective assigned to the very first case on record where the actual human operator of a surrogate died when the surrogate was killed. With nearly all of the planet using surrogates, any knowledge of danger would throw the world into panic. Willis -- Det. Greer -- must track down the weapon that did the damage. When his surrogate is destroyed, Greer begins to re-examine life through non-virtual eyes.
Without question, however, the concept and the setting are far more clever than the script. Ironically like robots, when you boil down the exterior of "Surrogates," it's composed of overused clichés and recycled components of Isaac Asimov and Philip K. Dick stories. The simple premise and thoroughly conceived world of "Surrogates" manages to override some lousy story lines and character development, but I'm not sure that most viewers who come to "Surrogates" looking for more action and less high-concept science fiction will be able to say the same.
The subplots and back stories given to Greer and other characters are throw-away. At 89 minutes long, "Surrogates" offers just enough in terms of story development to be a glorified TV detective show set in the future. The twists are foreseeable and the character motivations barely scratched at, but it keeps your attention and stays focused enough on the central story that you never have to actually dwell on the more hollow elements of the film. The venerable James Cromwell, who plays the disgruntled inventor of surrogates, has never looked more shallow in a role, but it's hardly of any consequence.
Sci-fi epiphany? None here, but a well-calculated exploration of a possible new technology - - yes. "Surrogates" is not mindless fun, but it's not artistic science fiction perfected to a tee either. It does just enough to intrigue the future-curious mind with a different cut from the same robot mold.
~Steven C
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I'm not spoiling anything here -- this all happens in the first 5 minutes. The result of this new era of existence is the dramatic drop in violent crimes, sexually transmitted diseases, death by accident, etc.
Well, it's a great concept. And the CGI is good. Because of the plot, every character is insanely pretty, so the screen is filled with beautiful people.
But... it just... doesn't... quite... gel. The whole thing feels like a cool episode of Star Trek, or something on TV. The story is not riveting. I didn't really care about the characters. The timing was off; things either came too late (I was bored, expecting them) or so fast I couldn't really appreciate.
Surrogates lacks that wow-factor.
Example of bad timing: At the start, one wonders, "What do the users really look like? Anything like like their surrogate robots?" I would expect that, at first, we see Bruce Willis, just some facial hair which his robot doesn't have. Then, eventually, we see that he is older than his robot, so he's "cheating" on age too. Even later still, maybe we'd see an obese person at home posing as an athlete via a surrogate which looks nothing like him. Well, "Surrogates" skips all that build up and goes straight for the punchline: within 10 minutes we see a hot chick robot making with a young man; turns out the hot chick is actually slovenly a middle-aged man. Any twists to come later, in this variety, loses all punch.
Worth a rental.
I'll keep this short: The concept is decent, the execution is mediocre, the result is that I give it 7 out of 10 stars.
I would have graded this far higher had the creators spent more time making several of the characters more human (which is funny, given that "humanity" as compared to a more machine-like existence is a core concept of the screenplay), but they didn't. The only character in the film who achieves anything like true humanity is Bruce Willis', and this occurs only because the plot requires it.
When a film's construction and leverage depend on the very definition of humanity as it's core concept, leaving the humanity of most of the characters behind is something more than stupid -- it cripples the film.
This doesn't mean the film is unwatchable; it has enough elements of action, pathos, suspense & revenge to make it worth your time throughout.
But it could have been so much better, if not for so many poor choices.
This surprisingly compelling sci-fi film takes a while to set up its universe but delivers down the stretch. It's borderline whether they establish enough credibility so as to invest real emotion in to the characters and buy in to the premise. If you allow yourself to buy in to the bizarre concept of living life through android duplicates, then the film works on a few levels. It's somewhat weak on certain of those levels but raises interesting questions concerning the level of our technological dependency as we live our lives. The emotional aspect of this movie plays better thanks to a fine performance by Bruce Willis. His character's journey through this bizarre world is obviously the heart of the film and it's written and portrayed very well.
The film is a very good-looking one, the sci-fi/technological look very handsomely rendered and imaginatively surreal. It's also beautifully shot and crisply edited and there are some good special effects on display. That is not to say that all the special effects are great, some of them looking rather cheap and being more at home in a film from the late 80s-early 90s. The music has its bombastic, pulsating moments as well as a hauntingly understated quality. Some of the script is interesting and probes a lot of thought, but other parts are on the weak side, with some very clichéd dialogue and it doesn't develop its characters as well as it could have done. James Cromwell's character especially is very underutilised and shallow.
From a story point of view, most of it works. There are some good ideas and subplots that are in a good amount if not all cases explored intelligently and intriguingly but what was really remarkable was the subplot with Greer and Maggie's failing relationship, which brought an emotional core that really resonated with me. It's not completely successful, some of it does plod, especially the conspiracy elements, and much more could have been done with the ending, which felt underdeveloped and confused. The action's a mixed bag, some are energetic and exciting but others are pedestrian and on the silly side. Surrogates is directed efficiently and the cast do a great job, though James Cromwell has been much better and more engaged in other roles.
Particularly impressive were a charismatically world-weary and no-nonsense Bruce Willis and Rosamund Pike's excellent, sympathetic performance ranks among her better roles. Radha Mitchell is also touching. Overall, has some uneven moments but a most intriguing film that delivers on most levels. 7/10 Bethany Cox
Storyline
Did you know
- TriviaBecause an uncooperative Bruce Willis refused to re-record several lines of dialogue when the movie was being restructured, a sound-alike voice-over actor had to be brought in.
- GoofsAfter Greer gets beaten up up by the Prophet's guards, his scars keep moving and changing severity for the rest of the movie.
- Quotes
Older Canter: I changed the course of human history when I created surrogates. Now I'm going to change it back.
Tom Greer: You don't change what's been done. You and I know that better than most people.
Older Canter: My son's death will not have been in vain. Not if it heals mankind.
Tom Greer: Heals mankind? That's what you want to do? You want to kill everyone? That's going to heal mankind?
Older Canter: They're already dead. The died the minute they plugged into those machines.
Tom Greer: This is not the solution.
Older Canter: That's the way it is.
Tom Greer: That's not the way it is!
Older Canter: I had a vision. I was going to empower the powerless. To enable others like me to walk, to feel, to have a normal life.
Tom Greer: Listen to me! They're going to call you a murderer. That's what you're doing.
Older Canter: Surrogacy is a perversion. It's an addiction. And you have to kill the addict to kill the addiction.
Computer Voice: Upload complete.
Older Canter: You're too late. What I've done can't be stopped. Now you're going to be a witness to the rebirth of humanity. That's my gift to you.
- ConnectionsFeatured in The Late Late Show with Craig Ferguson: Episode #6.5 (2009)
Details
- Release date
- Country of origin
- Language
- Also known as
- Identidad sustituta
- Filming locations
- Lawrence, Massachusetts, USA(human-only reservation)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $80,000,000 (estimated)
- Gross US & Canada
- $38,577,772
- Opening weekend US & Canada
- $14,902,692
- Sep 27, 2009
- Gross worldwide
- $122,444,772
- Runtime1 hour 29 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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