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Product Description
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Jean-Pierre Melville's second film, made in 1950, became a significant influence among French filmmakers and earned Melville renown as a maverick who could do wonderful things outside his country's studio system. (Melville's independence was a forerunner of that enjoyed later in the decade by New Wave figures such as François Truffaut and Jean-Luc Godard.) Les Enfants Terribles is based on a 1929 novel by poet and filmmaker Jean Cocteau, who also wrote the script with Melville and according to some people interfered in everything from the casting (the rather stiff male lead was a Cocteau protege) to the photography. Nevertheless, the story of a sister (an outstanding performance by Nicole Stephane) and brother (Edouard Dhermite) who withdraw into their own, insulated world to play out suggestively erotic dramas, has a fluid, lyrical movement that is part of a visionary whole. In some ways a harbinger of the coming pop narcissism of youth culture, Les Enfants Terribles is also a timeless tale of mythic exploration of existence and purpose. --Tom Keogh
Review
Les Enfants Terribles shouldn't work. Director Jean-Pierre Melville's world view -- concentrating on men who eat nails for breakfast and live in a violent world, albeit one that is observed from a cool distance -- should be at odds with Jean Cocteau's mythical, fairy tale-like perverse playfulness. While there are moments when the tension between these two camps does rear its head, most of the time the end result is a surprising amalgam which draws strength from both sources. Melville and Cocteau produce a truly claustrophobic atmosphere, making the audience feel as much a prisoner as the characters, and the surrealism of several sequences is both beautiful and unnerving. Melville has also created a stunning design for the film, especially in its mixture of time periods and architectural styles, and he is enormously aided by Henri Deca's fascinating cinematography and Monique Bonnot's exceptional editing (both of which are crucial to the film's climactic moments). While Edouard Dermit is somewhat stiff, he has the appropriate look and feel for the role; he does get overshadowed, however, by the powerful yet stealthy performance of Nicole Stephane, who makes the demonic seem bewitching. Disturbing, compelling, and fascinating, Enfants is a richly rewarding experience for audiences wanting something a little beyond the norm. ~ Craig Butler, All Movie Guide
See all Product Description
Jean-Pierre Melville's second film, made in 1950, became a significant influence among French filmmakers and earned Melville renown as a maverick who could do wonderful things outside his country's studio system. (Melville's independence was a forerunner of that enjoyed later in the decade by New Wave figures such as François Truffaut and Jean-Luc Godard.) Les Enfants Terribles is based on a 1929 novel by poet and filmmaker Jean Cocteau, who also wrote the script with Melville and according to some people interfered in everything from the casting (the rather stiff male lead was a Cocteau protege) to the photography. Nevertheless, the story of a sister (an outstanding performance by Nicole Stephane) and brother (Edouard Dhermite) who withdraw into their own, insulated world to play out suggestively erotic dramas, has a fluid, lyrical movement that is part of a visionary whole. In some ways a harbinger of the coming pop narcissism of youth culture, Les Enfants Terribles is also a timeless tale of mythic exploration of existence and purpose. --Tom Keogh
Review
Les Enfants Terribles shouldn't work. Director Jean-Pierre Melville's world view -- concentrating on men who eat nails for breakfast and live in a violent world, albeit one that is observed from a cool distance -- should be at odds with Jean Cocteau's mythical, fairy tale-like perverse playfulness. While there are moments when the tension between these two camps does rear its head, most of the time the end result is a surprising amalgam which draws strength from both sources. Melville and Cocteau produce a truly claustrophobic atmosphere, making the audience feel as much a prisoner as the characters, and the surrealism of several sequences is both beautiful and unnerving. Melville has also created a stunning design for the film, especially in its mixture of time periods and architectural styles, and he is enormously aided by Henri Deca's fascinating cinematography and Monique Bonnot's exceptional editing (both of which are crucial to the film's climactic moments). While Edouard Dermit is somewhat stiff, he has the appropriate look and feel for the role; he does get overshadowed, however, by the powerful yet stealthy performance of Nicole Stephane, who makes the demonic seem bewitching. Disturbing, compelling, and fascinating, Enfants is a richly rewarding experience for audiences wanting something a little beyond the norm. ~ Craig Butler, All Movie Guide
See all Product Description
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