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The Plot: The principal (Streep) of a Catholic school in the Bronx grows suspicious of a priest (Hoffman) who might have crossed the line with one of their students; her subsequent accusation leads to a tense confrontation that also involves a young nun (Adams) who might have proof of the priest's wrongdoing.

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THE BUZZ: John Patrick Shanley adapts and directs the film version of his Broadway play, which can boast of the fifth-longest run in history. Meanwhile, producer Scott Rudin, who divorced himself from The Reader after a bust-up with Harvey Weinstein, is still in good shape to vie for some best-picture awards, since the buzz temperature here is climbing as December draws near. Look for Streep to extend her lead in the number of total Best Actress nominations, for Hoffman to rack up another nod (one of possibly two if Synecdoche, New York lives up to its avant-garde promise), and for Adams to probably walk away with her first Oscar. Then there's the presence of Viola Davis, who has turned more than one critic's head with her performance as the mother of the student who may or may not have fallen under the influence of Hoffman's Father Brendan Flynn.

Message Boards: The 'Doubt' at the end  |  Sarah Palin

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The Plot: Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Burk is reunited with his former lover (Winslet) as she defends herself in a war-crime trial.

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THE BUZZ: Call it the battle of the slimmed-down movie moguls: Superproducer Scott Rudin tussled with studio chief Harvey Weinstein over the release date of director Stephen Daldry's follow up to The Hours. Rudin and his filmmaker wanted a 2009 berth, but Harvey wasn't having it, an indication that the former Oscar-winning champ is -- dare we say it? -- getting back into shape for next February. Right after the drama had subsided (at least in the press), Rudin walked away from the film, and then the reports of HW hassling Reader producer Sydney Pollack on his deathbed surfaced, painting one of the ugliest portraits in recent movie history. I will be happy when the people who actually made and star in this troubled saga begin stumping for the film -- especially Kate Winslet, who has a curious bond to this project, and might be competing against herself for her elusive Best-Actress statue next year (her Revolutionary Road arrives on Christmas). Meanwhile, I wonder if Scott Rudin will option his own Reader-era story and turn it into a future Oscar-winning, postwar drama.

Message Boards: does anyone else think this? *spoiler*  |  Not Hanna In One Sex Cutaway Scene?!?!?

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The Plot: When his prized 1972 Gran Torino nearly is stolen, disgruntled Korean War vet Walt Kowalski (Eastwood) looks to clean up his neighborhood, which has been taken over by gangs. Reluctantly, Kowalski also forms a bond with one of his neighbors, a Hmong teenager, whose family is embroiled in a gang-related conflict.

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THE BUZZ: Clint Eastwood's under-wraps project is getting a reveal at year's end, in hopes that his Detroit-set story of racism, revenge, and urban decline will result in an Eastwood-heavy Oscar field. Apple has the trailer online, and it's confirmed that Christian Bale officially has some competition in the Best Grumble category. I like that Mr. Eastwood is updating his own Dirty Harry persona (make it more age-appropriate); he also seems to be providing a societal critique that is reminiscent of 70s-era urban-panic movies. Does the trailer, however, feel a bit rushed to you -- an indication that yet another film from a notable director (think: Oliver Stone here) has been given the hurry-up treatment for potential Oscar glory? GT could be up for Best Director by default, but Best Picture?

Message Boards: Overrated garbage  |  What's with the gratuitous racism in this movie????

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The Plot: Two lifelong friends who have survived the mean streets of South Boston find it increasingly hard to maintain a balance between their personal lives and the "jobs" they take for a local crime boss (Goodman).

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THE BUZZ: WDKY marks the arrival of actor-turned-director Brian Goodman, who mined his personal experiences in order to generate this story of two friends quickly moving in opposite directions in their lives, with both of them facing potential dead ends. Since the drama's debut at the Toronto Film Festival back in September, critics have indicated that Goodman's ultra-convincing story, as well as the interplay between Ruffalo and Hawke ("career bests," we hear), take the familiar-sounding tale to new heights. Let's see how well Yari Film Group does in getting the word out on this one; the studio has kept most of their films under wraps this year (The Accidental Husband, Assassination of a High School President), though they are making an awards-season push with this film and Nothing But the Truth.

Message Boards: Just glad they changed the title  |  naysayers back off

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The Plot: After being subjected to a bizarre attack, a man (Elejalde) is transported one hour back in time, where he meets himself, then introduced to events that will lead up to an unthinkable -- but preventable? -- crime.

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THE BUZZ: It seems as though this year, more so than in any past year, any non-U.S. film that generates Stateside buzz is snatched up and put on the development track to Remakeville. That's the case with short filmmaker Nacho Vigalondo's feature debut, which is being handled by Children of Men screenwriter Tim Sexton as a potential project for David Cronenberg. While Timecrimes hasn't received the same favorable-across-the-board reception as, say, Let the Right One In (which will be directed by Cloverfield's Matt Reeves for a January 2010 release, FYI) it just might fare better with a slightly re-tinkered premise, if you believe one of the smarter online reviewers out there.

Message Boards: Repeating motif - key fob design + girl's t-shirt.  |  Damn near perfect...

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