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Trailer for ‘It Happened in L.A.’ Introduces a Whit Stillman-Esque Portrait of Los Angeles
45 minutes ago
One of my favorite discoveries at this year’s Sundance Film Festival was Michelle Morgan’s It Happened in L.A. (then going by the Seo-unfriendly title L.A. Times). As writer, director, and star, her voice was among the most unique I saw at the festival, mixing Whit Stillman’s sensibilities with a Wes Anderson-esque visual approach to deliver a sweet, distinct romantic comedy. Also starring Jorma Taccone, Dree Hemingway, and Kentucker Audley, the first trailer has now arrived ahead of a release next month.
“In an age where the modus operandi of love-seeking is ever-changing, a film can feel immediately dated on its journey from script to screen, yet Morgan’s voice feels like one of the freshest on this particular topic in some time,” I said in my review. “Eschewing the insufferable nature of the bulk of today’s romantic comedies, It Happened in L.A. stands apart with »
- Jordan Raup
The Film Stage Show Ep. 267 – Brawl in Cell Block 99
3 hours ago
Welcome, one and all, to the latest installment of The Film Stage Show! Today, Michael Snydel and I are joined by Dan Mecca in order to talk about the rough and tumble tour through hell that is Brawl in Cell Block 99, the newest film from writer/director S. Craig Zahler.
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M4A: The Film Stage Show Ep. 267 – Brawl in Cell Block 99
00:00 – 07:12 – Introductions
07:13 – 36:44 – Brawl in Cell Block 99 review
36:45 – 1:13:47 – Spoilers
The Film Stage is supported by Mubi, a curated online cinema streaming a selection of exceptional independent, classic, and award-winning films from around the world. Each day, Mubi hand-picks a new gem and you have one month to watch it. »
- Brian Roan
Todd Haynes on ‘Wonderstruck,’ Perceptions of Childhood, and David Bowie
12 hours ago
It’s no small testament to Todd Haynes that this is the second interview this website’s conducted with him since August. Although the opening of his newest film, Wonderstruck, is a proper excuse, that’s only ostensibly the occasion; the truth is that we’d gladly go over his decades- and genre-spanning filmography any day of the week and still have plenty of ground to cover.
So it’s doubly to our fortune that Wonderstruck befits multiple rounds of discussion. A children’s adventure movie wrapped in a two-pronged period piece that can hardly conceal the tragedies this kind of work so often doesn’t want you to think about, it finds Haynes and the usual band of collaborators — Dp Ed Lachman, composer Carter Burwell, and costume designer Sandy Powell among them — working on their biggest canvas yet. For recalling the director’s artistic history as much as anything else, »
- Nick Newman
‘Thoroughbreds’ Trailer: A Dark Plan is Hatched in Sundance Hit
14 hours ago
One of the most acclaimed films coming out of Sundance Film Festival earlier this year was Cory Finley’s Thoroughbreds. The black comedy, starring Olivia Cooke, Anya Taylor-Joy, and the late Anton Yelchin, will finally get a release this spring, and now Focus Features have unveiled the first red band teaser trailer.
The dark comedy follows two estranged friends who return to each other’s lives. When the evilness of one of their stepfathers becomes too much to bear, they hatch a plan to enact justice. Teasing a style both behind the camera and on the page, it looks to be a strong break-out feature for Finley. Check out the teaser and poster below.
Childhood friends Lily and Amanda reconnect in suburban Connecticut after years of growing apart. Lily has turned into a polished, upper-class teenager, with a fancy boarding school on her transcript and a coveted internship on her »
- Jordan Raup
Review: ‘Never Here’ is a Reality-Blurring Suspense Thriller
15 hours ago
Miranda Fall (Mireille Enos) is a cataloger. Her art leads her on journeys following new subjects in order to understand who each is by what each does and possesses. She voyeuristically captures their lives in photographs and objects, exhibiting her findings as though a celebration despite some of her targets believing it more akin to a memoriam. And why shouldn’t they? Miranda is ostensibly stealing their identities for public consumption and in turn private financial compensation. She uses the mundane routines and patterns of others to provide a distraction from her own and the fame and fortune allowing her excitement and material gains they could never afford themselves. Is she therefore cataloging these strangers or merely cataloging what she needs from them to satisfy her own selfish purposes?
It’s an interesting question to ask of all artists who create in the hopes of a sustainable life. How much »
- Jared Mobarak
Nyff Review: ‘Dragonfly Eyes’ Captures the Malleability of Postmodern Identity
16 October 2017 12:10 PM, PDT
The modern pervasiveness of surveillance technology causes an unfamiliar type of cognitive dissonance where their use is collectively recognized but an innate fear of privacy lost has been pushed into the subconscious. Whether it’s security cameras posted in neighborhood bodegas, webcams affixed to almost every laptop made after 2010, or the increasing appearance of dash cams, nestled inside vehicles that can capture either the pure mundanity of the metropolitan commute or the underlying tension of it mortally barreling out of control: they’re watching, and the rapid proliferation of public-monitoring equipment makes it hard to tell who “they” are — if anybody — or why they bother to watch in the first place. Chinese visual artist Xu Bing, whose previous work includes a calligraphic book and installation piece, Tianshu, that deconstructs the logical patterns we associate with language — in this case, interpreting 4,000 nonsense characters designed to look like Mandarin — boldly approaches the »
- The Film Stage
Nyff Review: ‘The Venerable W.’ Examines the Roots of Modern Extremism
16 October 2017 11:10 AM, PDT
When attempting to parse the root causes of religious extremism, a common argument in western discourse involves not only pointing to Islam as an inherently violent ideology, but to Buddhism as its polar opposite; a dogma so rooted in peace and non-violence that it could not possibly result in terror. Of course, these arguments are rarely in good faith, and they are un-attuned to the full scope of the global refugee crisis and its long, macabre history. The Rohingya displacement in Myanmar has seldom touched their borders. Such is the limitation of the western lens, but it’s a lens that French director Barbet Schroeder puts to tremendous use in The Venerable W., a chronicle of our modern extremist and “fake news” climate delivered in a highly concentrated dose, so much so that its New York Film Festival screening had to be prefaced by the short film What Are You Up to, »
- The Film Stage
Hamburg Review: ‘Cocote’ is a Drama of Visual Virtuosity and Tantalizing Promise
16 October 2017 10:42 AM, PDT
Fans of fierce, challenging indigenous cinema rejoice. It’s not every day that you see a film from and depicting the life in the Dominican Republic, let alone one as intriguing as Cocote. Writer/director De Los Santos Arias’ feature debut shines a light on an underrepresented part of the world and casts a truly outlandish spell that confounds and overwhelms. Fair warning: sheer cultural divide would most likely prevent a deeper appreciation of the film, but the authenticity and intensity of its voice alone proves excitingly – if also gruelingly – memorable.
The protagonist Alberto (a brooding, charismatic Vicente Santos) works as a gardener at an über-affluent family in the island state’s capital. This key bit of background information is communicated efficiently through two static shots of a giant, shockingly beautiful swimming pool that more or less bracket the movie. Though seen from afar to take in the royal height »
- Zhuo-Ning Su
San Sebastián Review: ‘Apostasy’ is a Restrained, Troubling Portrait of Rigid Religiosity
16 October 2017 8:59 AM, PDT
A central scene in Apostasy, the powerful debut from British director Daniel Kokotajlo, has a group of kids stage a re-enactment of King Solomon’s judgment, the parable from the Book of Kings. In the story, the king concocts a plan to settle who is the true mother of young boy. He says he’ll cut the child in two, dividing it among the two women. The true mother, of course, is declared after she says she’ll give up the baby. The king knows this because no mother would kill her child.
The story echoes disturbingly through this compelling drama, set in a close-knit family of Jehovah’s Witnesses. The clan’s beliefs mean they refuse hospital treatment (as seen in another fall festival picture, The Children Act), and the mother here places her trust in religion that could compromise her daughter’s life. The conflict at the heart »
- Ed Frankl
‘Félicité’ Director Alain Gomis on Morality, Musicality, and Modernity
16 October 2017 6:34 AM, PDT
Set in Kinshasa in the Democratic Republic of Congo, Félicité is the new film from Alain Gomis, a French director of Guinea-Bissauan and Senegalese descent. It tells the story of its eponymous heroine, a singer trying to put a life together and barely making it work. It is a poignant portrait of a woman in crisis but is also about Félicité’s search for herself, for peace, for a contented soul. The film, which will represent Senegal in the Foreign Language Oscar category, recently played at the New York Film Festival and will open in limited release on October 27. We had the chance to talk to Gomis about his film, and you can read our conversation below.
I’m curious about the inception of the project. How did you come about it?
It was a mystery! I had this character, this woman I knew in Senegal. And her son, this kid with an amputated leg. »
- The Film Stage
Second Trailer for ‘Black Panther’ Finds Chadwick Boseman Protecting a Nation
16 October 2017 6:16 AM, PDT
In just a few weeks we’ll see what a Taika Waititi-directed Marvel movie looks like, then a few months later, Ryan Coogler (Fruitvale Station, Creed) will deliver his version with Black Panther. While the character has popped up in the Marvel universe before, this will be his first solo outing and now a new full-length trailer has landed.
“It’s something people are excited about because people haven’t quite seen it before, and I would concur,” Chadwick Boseman tells Metro. “I’ve never played anything quite like it, and it is going to be an exciting time.” With a cast that also includes Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Daniel Kaluuya, Angela Bassett, Forest Whitaker, Martin Freeman, and Andy Serkis, check out the trailer below.
- Jordan Raup