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‘Fantastic Beasts and Where to Find Them’: Designing the Immigrant Experience
1 hour ago
For three-time Oscar winners Stuart Craig and Colleen Atwood, “Fantastic Beasts and Where to Find Them” offered fascinating stylistic departures. J.K. Rowling’s “Harry Potter” standalone takes place in New York in 1926 — a time, of course, when the immigrant experience flourished.
“New York was all about diversity, and [director] David Yates wanted [to express that],” Atwood told IndieWire. “There were people new to New York and there were people that had been there for a generation — and it was an open-minded time.”
Thus, for both production and costume design, there was great class and cultural diversity to explore in architecture and wardrobes. Although they considered shooting in New York City, that proved to be impractical, so they returned to the back lot of Leavesden Studios outside of London.
“J.K. Rowling identified particular buildings in her script, including the Gothic Woolworth [for the Magical Congress headquarters], which at that time was the largest building in the world,” Craig told IndieWire. »
- Bill Desowitz
‘The Predator’ Cast Photo Revealed: Trevante Rhodes, Olivia Munn, Keegan-Michael Key and More
1 hour ago
30 years ago, Shane Black had a supporting role in the original “Predator.” Now the actor-turned-filmmaker is at work on “The Predator,” the first installment in the franchise since 2010’s underrated “Predators.” He’s both co-writing and directing the film, which begins filming today. That’s according to a tweet from Black, which also offers our first glimpse of the cast. View it below.
Featured in the photo are Sterling K. Brown (who won an Emmy for his performance in “American Crime Story: The People v. O.J. Simpson”), Trevante Rhodes (“Moonlight”), Keegan-Michael Key, Boyd Holbrook (“Narcos,” “Logan”), Olivia Munn and Jacob Tremblay (“Room”). Black, who’s pictured alongside the youngest of the bunch, describes his ensemble as “beautiful human beings, good people. Also, killers.”
- Michael Nordine
Chris Pratt, Bryce Dallas Howard, J.J. Abrams and More Grill Daisy Ridley for ‘Star Wars’ Spoilers — Watch
3 hours ago
Now that we know the title of the next “Star Wars” movie, everyone wants to know what actually happens in “Episode VIII: The Last Jedi.” And who better to ask than Daisy Ridley, one of the new faces of the revitalized sci-fi franchise? That, at least, seems to be the mentality of Josh Gad, who’s on a mission to get answers from the actress. Watch his latest attempt below.
“Please don’t say you’re setting me up this time,” she says in the video, which looks to have been shot on Gad’s phone; that he used portrait mode, rather than landscape, suggests the actor would be on the dark side of the Force if he were ever to appear in “Star Wars.” Gad assures her he isn’t tricking her again, which is of course a lie. »
- Michael Nordine
Memo to Distributors: Buy These 2017 Berlin Film Festival Movies
3 hours ago
“The Other Side of Hope”
Winsome, sweet, and often very funny, the second chapter of Aki Kaurismäki’s unofficial trilogy about port cities is a delightful story about the power of kindness that unfolds like a slightly more somber riff on 2011’s “Le Havre.” The Finnish auteur’s latest refugee story begins with a twentysomething Syrian man named Khaled (terrific newcomer Sherwan Haji), who escapes from Aleppo after burying most of his family and sneaks into Finland by stowing away in the cargo hold of a coal freighter. His path eventually crosses with Wikström (Sakari Kuosmanen), a newly single restauranteur who could use a helping hand. Part Roy Andersson and part Frank Capra, “The Other Side of Hope” deepens the director’s recognition of how immigrants and refugees are victimized by their invisibility, and its timeliness could help it strike a chord with domestic audiences. “Le Havre” grossed more than »
- David Ehrlich, Eric Kohn and Jude Dry
Why Richard Linklater, Robert Downey Jr., and Documentarian Penny Lane All Fell In Love With A Liar
4 hours ago
Pj Vogt, co-host of the popular Gimlet Media podcast Reply All, went on vacation; when he got back, he had a movie deal. The January 19 program, “Man of the People,” had been optioned by Annapurna Pictures, with Richard Linklater directing and Robert Downey, Jr. as producer and star.
“It’s absolutely surreal,” Vogt said.
“Man of the People” profiled John Brinkley, the radio pioneer and medical salesman whose self-proclaimed miracle cures ranged from impotence to infertility. Vogt said he stumbled on the story after visiting his cousins in Texas.
“They were saying I should move there because they were a bunch of radio stations hidden in ranches,” he said. “For a while, we thought it was going to be a story about border blasters.”
Instead he found the strange tale of Brinkley, one that also encompasses a state governor’s race, the national popularization of country music, and the rise of the American Medical Association. »
- Steve Greene
Wes Anderson’s ‘Isle of Dogs’ Crowdfunding Campaign Raises Over $250k for Martin Scorsese’s Film Foundation
5 hours ago
Wes Anderson has scored a major win for the cause of film preservation, raising more than a quarter of a million dollars for Martin Scorsese’s The Film Foundation. In December, Anderson released a video that announced his latest project, the stop-motion animation film “Isle of Dogs,” and also invited people to donate money to a campaign hosted by Crowdrise, the crowdfunding company co-founded by Anderson’s friend and frequent collaborator, Edward Norton. The campaign ended last week.
Among the prizes offered to donors were a trip for two to London for two nights to meet the director, get a tour of the “Isle of Dogs” sets and production and even record the voice of a dog in the film. “Barking, howling and whimpering may be required,” the campaign specified. Other prizes included signed Criterion Collection DVDs »
- Graham Winfrey
‘Bates Motel’ Review: Season 5 Does Right By Alfred Hitchcock By Ditching His Original Ending
6 hours ago
“Bates Motel” could not exist without “Psycho,” but soon it could feel like the other way around. Part of the brilliance within Kerry Ehrin’s deep exploration of Alfred Hitchcock’s characters is how even in the modern day — and even while always promising an ending independent of the film’s narrative — it feels as though we’re being given crucial backstory to a character we only came to know as a pervert, murderer, and psychopath — in that order. Fifty-seven years later, “Bates Motel” is filling in the details by fleshing out Norman’s motivations, psychological state, and ultimate descent into madness.
[Editor’s Note: The below analysis contains spoilers for “Bates Motel” Season 4, but not the new season.]
The final season is steeped in more Hitchcockian lore than ever. There’s a subtle nod to the iconic shower scene in the first episode, when Norman mentions how he just finished installing new curtains. We get our first glimpse of Norma’s permanent residence, or at least »
- Ben Travers
‘Hacksaw Ridge,’ ‘La La Land,’ ‘Moana’ Win Mpse Golden Reel Awards
12 hours ago
Mel Gibson’s “Hacksaw Ridge” earned the top two sound editing awards Sunday night at the 64th Mpse Golden Reel Awards, while Damien Chazelle’s “La La Land” and Disney’s “Moana” took musical and animation honors.
TV winners included “Westworld” (for both long form and short form FX/Foley), “The Night of” “Part 1 The Beach,” “Penny Dreadful III” “Ebb Tide,” “Stranger Things,” and “The Rocky Horror Picture Show: Let’s Do the Time Warp Again,” and “Mozart in the Jungle.”
64th Mpse Golden Reel Award Highlights:
Best Sound Editing In Feature Film – Dialogue / Adr
- Bill Desowitz
‘La La Land,’ ‘Suicide Squad,’ ‘Star Trek Beyond’ Win Make-Up & Hair Awards
14 hours ago
Oscar frontrunner “La La Land” continued its awards momentum, taking best contemporary hairstyling Sunday night at the Make-Up Artists and Hair Stylists Guild Awards.
However, in terms of the Oscar race, makeup and hairstyling nominees “Suicide Squad” and “Star Trek Beyond” were both big winners, grabbing period/character make-up and special make-up effects, respectively.
Other movie winners were “Nocturnal Animals” for contemporary make-up and “Hail, Caesar!” for period hair styling.
TV winners included “Westworld,” ” Game of Thrones,” The People v. O.J. Simpson: American Crime Story.” “American Horror Story: Roanoke,” “The Rocky Horror Picture Show: Let’s Do the Time Warp Again,” and “Dancing With the Stars.”
Make-up artist Leonard Engelman (“Ghostbusters”) and hair stylist Barbara Lorenz (“La La Land”) were feted for their lifetime achievements, while “American Horror Story” creator Ryan Murphy received the Distinguished Artisan Award.
Winners for Feature Length Motion Picture (Feature Films):
Best Contemporary »
- Bill Desowitz
Trump, Triumph and Speaking Truth to Power: Politics Take a Bow at 2017 Writers Guild Awards
14 hours ago
When you think about the Writers Guild of America, which hosted two award ceremonies on Sunday night in two Blue cities, New York and Los Angeles, it’s no surprise that the writers spoke out. (Check out videos of some of the best bits below.)
For example, while accepting his life achievement award, filmmaker Oliver Stone got two standing ovations. After conservative James Woods was targeted at the top of the evening by WGA West Awards show host Patton Oswalt, retaliating by going onstage to steal his shoe, Woods presented the WGA award to the ultra liberal Stone, who starred him in “Salvador,” won three Oscars for “Midnight Express,” “Born on the Fourth of July” and “Platoon,” and penned “greed is good.”
- Anne Thompson and Kate Erbland
Writers Guild Award Analysis: It’s Still ‘Moonlight’ and ‘Manchester’ At the Oscars
16 hours ago
The Writers Guild Awards and the Academy writing nominees always don’t line up; many films are ineligible. This year, those included Oscar-writing nominees “Lion” and “The Lobster.”
This year, the WGA and the Academy differed dramatically. While the WGA deemed “Moonlight” and “Loving” as Original Screenplays, the Academy considered both as Adapted; only “Moonlight” landed a nomination.
At the WGA, as at the BAFTAs, Barry Jenkins’ script for “Moonlight” competed for the Original Screenplay Award against both Kenneth Lonergan’s “Manchester by the Sea” and Damien Chazelle’s “La La Land.” Unlike the BAFTAs, Jenkins emerged the winner over Lonergan, a sign of strength for “Moonlight,” which is nominated for eight Oscars.
However, in the Oscars’ Original Screenplay contest, lauded playwright and Oscar-nominated screenwriter Lonergan (“You Can Count On Me, »
- Anne Thompson
‘Girls’ Review: ‘Hostage Situation’ Has A Horror Movie Premise
17 hours ago
Last Week’S Review: Season 6 Premiere Finds the Light While Escaping It All
Love Her or Hate Her
Hannah is finally getting some traction in her career, and it looks good on her. Although she’s the same self-indulgent, dramatically inclined person we’ve always known, there’s a newfound calmness about her as she settles into something resembling maturity. This week it manifested in a surprising heart-to-heart between Hannah and Bff Marnie, with whom Hannah had escaped the city so that Marnie could partake in some self-indulgences herself (namely in the form of ex-husband Desi). In a poignant moment, Hannah admitted that she’s no longer judging because she’s finally realized no one has it all figured out, and we actually believe her. Even though hours earlier she was lamenting about having to keep Marnie’s tryst with Desi a secret from Ray.
One Step Forward, Two »
- Amber Dowling
‘The Walking Dead’ Review: Rick Goes Dumpster Diving in ‘New Best Friends’
17 hours ago
Last Week’S Review: Rick Goes Recruiting in ‘Rock In The Road’
Whose Episode Is It?
Two main plotlines run through “New Best Friends”: The Ricketeers meet a new group of truly odd survivors, and Daryl considers his options in the Kingdom and reunites with Carol. This gives the episode a bit of tonal whiplash, since the Rick stuff is downright goofy (yes, goofier than the Kingdom), while Daryl and Carol’s scenes are emotionally fraught. Still, both storylines are satisfying in their own way.
Yet Another Human Faction
Hoo boy, this new group introduced this week. They take Rick and the others to their lair, which is a huge garbage dump. Rick’s still grinning, because he’s happy to recruit anyone into his war, even this group of high-wattage mega-weirdos. The Dumpsters are more like a post-apocalypse faction you’d find in “Mad Max”; they speak in short, »
- Jeff Stone
Investigating ‘Big Little Lies’: ‘Somebody’s Dead,’ But Who Died and Who Did It?
17 hours ago
[Editor’s Note: The following review contains spoilers for “Big Little Lies” Episode 1, “Somebody’s Dead.”]
Madeline’s comin’, yo!
Ok, Ok, no one would ever say that on “Big Little Lies” (or probably even get the reference), but in a Baltimore-based version of HBO’s new mystery, can’t you imagine the other Monterrey moms warning one another every time Reese Witherspoon’s power mom came walking into school? Since the very first frames of Episode 1, Madeline dominates her world with an aura some may fear and others may covet.
But does that make her the killer or the killee? We weren’t given many hints toward the murderer or victim’s identity in the first hour of Jean-Marc Vallee’s new limited series, but that doens’t mean we’re lacking in theories. Below, we’ve taken each major character introduced in the premiere and broken down what we know about them, what we don’t, and what it might all mean toward the series’ larger mystery: Whodunnit? »
- Ben Travers
2017 Writers Guild Awards Winners: ‘Moonlight,’ ‘Arrival,’ ‘Atlanta’ and ‘The Americans’ Win Big
19 hours ago
Live from New York! And also Los Angeles! It’s the 2017 Writers Guild Awards, honoring the best in writing for television, film and new media. This year’s big winners included some of the season’s most lauded productions — including “Moonlight,” “Arrival,” “Atlanta” and “The Americans.”
While “Moonlight” and “Arrival” will compete against each other in the Adapted Screenplay category at the Oscars, they were entered in the WGA Awards in different categories, allowing both to make off with an award. “The Americans” pulled out a win for Drama Series, while “Atlanta” snapped up both Comedy Series and New Series. Other winners included “Command and Control,” “Saturday Night Live,” “BoJack Horseman” and “This Is Us.”
Read More: The IndieWire 2016-17 Awards Season Winners Guide
Check out our full list of winners — noted in bold — all updated live as the awards were announced at concurrent ceremonies in New York and Los Angeles this evening. »
- Kate Erbland
BBC America Orders Nature Series ‘Blue Planet II,’ Exploring the World’s Oceans
20 hours ago
The cable network announced Sunday that it will air “Blue Planet II,” which also comes from the BBC Natural History Unit. The seven-part nature series will explore the world’s oceans, and will be presented by broadcaster and naturalist Sir David Attenborough.
“I am truly thrilled to be joining this new exploration of the underwater worlds which cover most of our planet, yet are still its least known,” Attenborough said in a statement.
Read More: ‘Planet Earth II’ Review: A Revival With Greater Purpose Than Meets the Eye
“Like ‘Planet Earth II,’ this is a remarkable and relevant sequel – this time plunging us into an awe inspiring »
- Michael Schneider