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5 February 2016 7:28 AM, PST
Anyone expecting from Theban Plays a straightforward modernized retelling of Sophoclean tragedies should abandon that idea. This highly experimental work, conceived and directed by Asa Horvitz and created by its performers, uses its ancient Greek antecedents, short pieces of which are read at several points, as a jumping-off point for a tapestry of monologues, video, audio and music, and even painting. Taken together, these elements bring lines of thought inspired by its sources to bear on an interrogation of aspects of the modern condition.
Theban Plays is structured as three main sections, each centered on a version of a character from Sophocles. All three, "Oedcast," "Jocasta/Colonus," and "Antigone," decontextualize their speakers as residents of contemporary NYC. The Oedipus figure (Ryan Pater) in "Oedcast" arrived in the city with »
- Leah Richards
Song of the Week: Robert Kidney - "Big Paradise"
4 February 2016 8:24 AM, PST
Robert Kidney, of the legendary N.E. Ohio-based agro-blues outfit 15-60-75 aka The Numbers Band, is set to release his long-awaited solo album, -- Jackleg (Exit Stencil Recordingsl). Friend, producer and bassist Tony Maimone (Pere Ubu) wisely persuaded him to record a solo album at his Brooklyn studio sans any outside distractions apart from a satchel of new songs and his guitar. What you hear is what you get. Unfiltered. His earnest vocals and guitar playing will leave you mesmerized. Not unlike the Rick Rubin-produced Johnny Cash sessions. "Paradise Lost" is the blues of a white man, blues that never try to mimic the blues of the African-American blues giants of the past, but rather distilled into Mr. Kidney's own unique style, a style that he has nurtured and refined for well over five decades. This track is only the tip of the iceberg and a full ablum review will be posted shortly. »
- Dusty Wright
Behind the Scenes: Bradley Rubenstein
3 February 2016 7:12 AM, PST
This is the fourth of a series of interviews that focus on Local 829's Scenic Artists’ "behind the scenes" talent who sculpt and paint in a variety of ways the sets we see on television, in movies and documentaries, on theater stages, and in the backgrounds of television and internet commercials.
I first met Bradley Rubenstein very early on in my days in the scenic arts, and it was immediately apparent that he was, and still is, respectfully dedicated to his work as a fine artist. I’ve followed his career closely since then, watching his art delving deeper and deeper into the human condition as he distorts and mutates his subjects. Recently, Rubenstein had one of his warped and mangled human forms in an exhibition titled Head that I curated for the Hampden Gallery at Umass Amherst.
The interview below begins just days before the installation of Head. The »
1 February 2016 12:19 AM, PST
Pablo Larraín's latest release, The Club, has been the recipient of a variety of awards including the Silver Bear Grand Jury Prize, Best Film at Fantastic Fest, Chile's official Academy Award submission for Best Foreign Language Film 2016. Diving into the secretive world of religious exile, Larraín investigates the shrouded lives of 4 men with existence-shattering pasts, whose futures are both stifled and protected by the Catholic Church.
These four priests, along with their care-taker, Hermana Mónica, live in seclusion in the small seaside town of La Boca, Chile, where they spend their days acting out a slew of both sacrilegious and holy activities. The laws of their outcast prevents most interaction with any of the townspeople, redirecting the men’s affection to training and betting on their beloved greyhound, Rayo.
The fathers, abandoned by the church, receive a newcomer to the house, a fellow priest who brings with him »
- Isabel Zayas