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13 articles

Hatter M goes Ya on “The View” Friday, with heavy cosplay action

6 hours ago

Frank Beddor’s The Looking Glass War series, a dark fantasy look at Alice In Wonderland, has had a strong spinoff life in comics with Hatter M, the story of Hatter Madigan who is the bodyguard to the Queen of Wonderland and head of the elite security force known as the The Millinery.

Beddor has debuted a new Young Adult prose series at BookExpo America, Hatter Madigan, which shows his early days at the Millinery. And to mark the occasion, fan of the series Whoopi Goldberg will be highlighting the series and characters on The View on Friday. Beddor literally brought his characters to life on The View by inviting a team of cosplayers dressed up as his characters to appear on the show. “The audience exploded when they saw them come out. Fantasy rules reality. The reaction was amazing.”

The new book, Hatter Madigan: Ghost In the H.A. »

- Glenn Hauman

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Review: How to be a Superhero

8 hours ago

How to be a Superhero

By Mark Edlitz

Bear Manor Media, 586 pages, $42.95/$29.95

Longtime readers of pop culture magazines have no doubt read interviews with actors who have donned capes, cowls, spandex, and prosthetics to portray heroes and villains drawn from comic books. I certainly was involved in my fair share of such interviews working at Starlog Press and its successors have continued, especially contemporary online outlets which are enjoying a bonanza of options.

Most of those interviews tend to be about the most immediate project with little insight or context about an actor’s association with a media property or being the latest in a long line to play the same role. And certainly, these interviews are sandwiched between news, features, and other topics. So, it’s a bit of a surprise that such a collection has not been attempted before.

Mark Edlitz, a hardworking writer with credits including The Huffington Post, »

- Robert Greenberger

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Box Office Democracy: Tomorrowland

10 hours ago

It’s profoundly irritating just how lifeless Tomorrowland is. I’m not even talking about how in the grand climax there was clearly no budget for extras so it just seems like three people fighting in a bunch of cavernous empty sets. I mean that one of the biggest movie stars of a generation joined forces with a director that could seemingly do no wrong and they made a movie that always seems like the next scene is the one where things are finally going to kick in to high gear, but instead it just sits in neutral and slowly sinks in to the mud. Tomorrowland is a promise of a future never fulfilled and I wish I could believe that was a really deep metaphor and not a punchless script.

There’s one really fantastic sequence in Tomorrowland set in the 1964 World’s Fair with a young boy presenting »

- Arthur Tebbel

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Tweeks: Cosplay Dreams

11 hours ago

One of our favorite parts of attending cons is watching the cosplayers.  We know that not everyone is a fan, and that’s too bad, because it’s such a creative way to show fandom.  Though maybe after watching the documentary, Cosplay Dreams 3D, those who haven’t embraced cosplayers will.  The film focuses on cosplay celebrities as well as those who just do it as a fun hobby.  It’s the stories about the people under the costumes that really make the movie.  Though the 3D effects and really cool costumes don’t hurt either.

At WonderCon, we not only got to see a screening of the movie, but we also had a chance to interview the filmmakers Christine and Gulliver Parascandolo (who are San Diegans like us — so we get why they would be inspired by Comic Con to make this movie). It’s very much Tweeks-Approved and once you watch our review, »

- Maddy and Anya Ernst

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Denver ComicCon Had a Women In Comics Panel With No Women

11 hours ago

“This weekend’s Denver ComicCon came under fire when attendees discovered that a Women in Comics panel had only male panelists. While a representative of Dcc has defended the panel as “not about current women creators or anything to do with industry bias,” it seems odd that a convention with Trina Robbins, the eminent historian of women as creators and characters, as a guest would not invite her to join in on a discussion of the history of women in comics. While the misstep here is primarily on the panel organizers, it also raises a question of what obligation conventions have to moderate and comment on panels that are accepted.”

Read the whole article at ComicAlliance »

- Adriane Nash

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Dennis O’Neil: Camelot 3000 and College Curricula

16 hours ago

I must have been aware of Camelot 3000 back when it was appearing in 12 parts, from 1982 to 1985, me being a honkin’ big comics pro and all, and there were a lot of comics strewing my life. And, by then, I’d known the series writer, Mike W. Barr, for years. But I don’t know how many of the installments I read, if any. As mentioned above, there were a lot of comics around me and though I was a pretty dedicated reader of things in general, I might have skipped over any comic book in which I had no professional interest. If I did miss Camelot 3000, my bad.

A few hours ago, Mari and I were watching a video course offered by The Teaching Company – let us simultaneously bow our heads and cheer – taught by a charismatic professor named Dorsey Armstrong. It dealt with a subject we don’t know much about, »

- Dennis O'Neil

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Review: Glee The Complete Season Six

27 May 2015 1:00 PM, PDT

Glee lost me when it veered further and further away from its core concepts and refused to take its eyes off their initial stars and their forays into a magical version of New York City. I avoided the final season and from the recaps, it appears to have gone into gonzo land with little effort to ground the show in any sense of reality. As a result, I knew I wasn’t the one to fairly review the final season so I turned to a true Gleek, one of my Creative Writing students, and here’s what she had to say.

By Rachel Watson

Glee has many meanings and definitions that the thought of losing the series or saying goodbye is almost impossible. But all good things must come to an end and knowing Glee, it will end in a big musical number that we will remember.

The sixth, truncated »

- Robert Greenberger

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Michael Davis: The Problem With Jaden

27 May 2015 10:00 AM, PDT

With the possible exception of the Black Panther, no other black franchise has garnered as much “it’s going to be a major movie or TV show” hype within the fan rumor mill than Static Shock. Finally the Black Panther is going to happen. As for Static Shock … kinda.

In 2018 the Black Panther movie will be released from what is now the best superhero moviemaker bar none, Marvel Studios. Static will make his way to the Internet as part of Warner Bros’ Digital arm later this year.

I find that rather disappointing.

More than any other black property, Static pretty much already owns the Internet. The massive amount of love Static has on the net is nothing short of extraordinary. In the 22 years since Static burst on the scene the admiration for the character has only grown and at no point shows signs of waiving.

That’s simply remarkable and »

- Michael Davis

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Mike Gold: The Daredevil Issue

27 May 2015 5:00 AM, PDT

Lately there’s been some controversy about the creator credits on the Daredevil teevee series. To be specific, the hubbub revolves around the use of the name and comments of some comics industry notables with respect to the issue. In other words, we have a controversy about a controversy.

Both are important issues, and are quite different from one another. But for the purpose of this particular polemic, I’m going to focus on the root issue, which is, as I understand it, as the creator of the costume used in the program, whether or not Wallace Wood deserves a creator co-credit.

The issues revolving around creator credits, a subset of the entire creators’ rights movement, are of vital concern. But they’re not very cut-and-dried. For example, there’s a good reason that the creator credit on Superman reads: “Superman created by Jerry Siegel and Joe Shuster.” That seems simple and straightforward. »

- Mike Gold

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Emily S. Whitten: Literary Lacquers

26 May 2015 10:00 AM, PDT

I have a thing for rainbows. Ever since I was a little kid, I’ve always liked rainbows. Not the upside-down-smiley-face, fluffy-clouds-on-the-ends drawings of rainbows (I kind of don’t like those), but real, elusive, illuminated water droplets in the sky and spectrums created by prisms rainbows. I have even been known to run out into the rain to get pictures of a really good (really big) rainbow.

I also have a thing for nail polishes – my collection of colors and varieties is embarrassingly large – and have been known to play around with sort of complicated designs for kicks, including Teenage Mutant Ninja Turtle nails, Iron Man arc reactor nails, magnetic polish nails, and Union Jack nails. (And so many more, but I can’t find all the pictures, alas! You should have seen the Burberry nails.) I’m also always on the lookout for cool nail polish products, like »

- Emily S. Whitten

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Review: Kingsman: The Secret Service

25 May 2015 1:00 PM, PDT

You have to give Mark Millar a lot of credit. Not only does he possess a fertile imagination, but produces works that are ripe for cinematic adaptation. A cynic could tell you Millar does this by design, but I believe he’s just in tune with the current zeitgeist. As a result, just about everything he releases gets snapped up by Hollywood and if they’re all as successful as Kingsman: The Secret Service, we’re all the better for it. The incredible streak began with the wonderful Kick-Ass, which was brought to the screen by director Matthew Vaughn and they have successfully reteamed here.

The film is out now on Digital HD from 20th Century Home Entertainment, with the DVD combo set to follow. On the extras, co-writer Jane Goldman notes how the film and comic share the same DNA but changes had to be made from print to »

- Robert Greenberger

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Mindy Newell: Dear Supergirl…

25 May 2015 10:00 AM, PDT

Superman: C’mon, Kara…don’t give up. You’ll make it. Pl…please…please stay with us.

Supergirl: I can’t. B…But’s it’s okay…I knew what I was doing…I wanted…wanted you to be safe. You mean so much to me…so much to the world.

Superman: You succeeded in destroying the machines.

Supergirl: Thank heavens…the worlds…have a chance to live…y-you’re crying…please don’t,,,you taught me to be brave…and I was…I love you so much…for what you are…for…how good you are…

The Death of Supergirl, Crisis on Infinite Earths #7 October 1985, Marv Wolfman and George Perez

Dear Supergirl,

I watched the teaser. And though I generally don’t watch them because of their usually really bad quality, the bootleg version of the pilot episode mysteriously showed up in my e-mail box the »

- Mindy Newell

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Ed Catto: Look Who’s Talking … or Who Should Be

25 May 2015 5:00 AM, PDT

It can be a pretty disappointing world out there. So often, our real word heroes stumble and reveal they are less than what they appeared to be. We see it all the time with politicians in whom we had once believed, celebrities we had once admired and even with high profile people who may have not even been on our radar until their fall from grace. “He really tweeted that?” “I can’t believe she said that to a parking attendant!” “Didn’t she know there was a camera recording it all?” These are just a few sentences we’ve recently uttered in exasperation around our household.

On the other hand, one of the cool things about fictional characters is that it’s unlikely that they’ll misbehave. It’s no secret in advertising that using a fictional spokesperson relieves a marketer of the fears of using a real-life spokesperson. »

- Ed Catto

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