Just a couple of years ago, up-and-coming director Nicolas Pesce celebrated the world premiere of his debut feature, The Eyes of My Mother, at the Sundance Film Festival, and he’s now returned in 2018 with his follow-up effort, Piercing, a slick and stylized exploration of obsession and murderous intentions. Featuring memorable performances from Christopher Abbott and Mia Wasikowska, a savagely funny and surprising script from Pesce, who adapted Ryû Murakami’s novel of the same name for the big screen, and a neo-retro approach to both the score and visual style of Piercing, Pesce confidently proves here that when it comes to telling stories, he enjoys screwing around with viewers' sensibilities and expectations. And I am all about it.
In Piercing, we meet Reed (Abbott) who seems to be like every other struggling father and husband, except that he’s harboring a dark secret: in his teens, he murdered a woman,...
In Piercing, we meet Reed (Abbott) who seems to be like every other struggling father and husband, except that he’s harboring a dark secret: in his teens, he murdered a woman,...
- 1/22/2018
- by Heather Wixson
- DailyDead
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