An extraordinary premise gets a slightly ordinary workout in Felix Randau
’s meticulously mounted but narratively simplistic “Iceman
,” an imagining of the last days in the life of the man we now know affectionately as Ötzi, whose mummified remains were found in the Alps in 1991, and were subsequently discovered to date back to 3300 B.C. It’s an anthropologically depressing but dramaturgically promising fact that the oldest European we’ve found apparently died a violent, unnatural death: He had an arrowhead lodged inside him, four different types of blood on his body and likely died from blunt force head trauma. But while Randau’s script might more or less account for these findings, there’s little additional texture or philosophy to the film. “Iceman
” is a straight-up, linear revenge story, a kind of Chalcolithic “Taken,” in which our hero’s very specific set of skills include fire-building, deer-hunting and the economical reuse of arrows.