Corpulent sex slaves, tuba-playing Nazi obsessives, reborn doll fantasists — just a regular stroll through the neighborhood, then, for patented guru of the grotesque Ulrich Seidl, who makes an intriguing return to documentary filmmaking with “In the Basement.” Grabby and grubby in equal measure, this meticulously composed trawl through the contents of several middle-class Austrians’ cellars (a space, according to Seidl, that his countrymen traditionally give over to their most personal hobbies) yields more than a few startling discoveries. It’s not hard to tell, though, that a mixture of fact and fabrication is at work here. The career-high success of Seidl’s recent “Paradise” trilogy should boost the distribution prospects of
It’s impossible to read even the barest logline for “In the Basement” without thinking immediately of Josef Fritzl and Wolfgang Priklopil, whose unrelated but comparable crimes — the horrific confinement, in their respective basements, of young female victims for...
It’s impossible to read even the barest logline for “In the Basement” without thinking immediately of Josef Fritzl and Wolfgang Priklopil, whose unrelated but comparable crimes — the horrific confinement, in their respective basements, of young female victims for...
- 8/30/2014
- by Guy Lodge
- Variety - Film News
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