23 April 2014 7:00 PM, PDT | Vulture | See recent Vulture news »

In the dressing rooms of at least seven Broadway shows right now, men are donning wigs and dresses and other gear to appear onstage as women. Chicago, Matilda, A Gentlemen’s Guide to Love and Murder, and, more overtly, Kinky Boots have built their brands on varieties of drag, whether as part of the story or just a casting gimmick. Earlier this season, too, we had male witches in Macbeth and traditional boys-will-be-girls productions of Twelfth Night and Richard III. And now, in the furious pre-Tony throes of April, the falsies are really flying. Just yesterday, Neil Patrick Harris opened as the semi-transgender title songstress of Hedwig and the Angry Inch; his falsies are tomatoes. Tomorrow, Alan Cumming opens as the androgynous Emcee in Cabaret, performing as a Kit Kat Girl in its tawdry kickline. And nearly the entire cast of Casa Valentina, opening tonight, relies on Miracle Gel inserts »

- Jesse Green

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