Cinematographer Matthew Libatique has collaborated with Darren Aronofsky on all of his features save “The Wrestler.” This includes “Black Swan,” for which Libatique earned an Oscar nomination, and Aronofsky’s latest, “Noah,” a fanciful take on the Old Testament patriarch who built the ark.
The d.p. has repeated projects with Spike Lee (“Inside Man,” “Miracle at St. Anna”), Jon Favreau (the first two “Iron Man” films, “Cowboys & Aliens) and Joel Schumacher (“Tigerland,” “Phone Booth”). We spoke with Libatique, who will be participating in a cinematography master class on April 26 at the Newport Beach Film Festival, about “Noah,” the process and director/d.p. dynamics. This is an edited version of the conversation.
The setting and look of “Noah” suggests both a pre-civilized and post-apocalyptic world. What was your aesthetic approach in achieving this?
It was a focus on naturalism. The film ultimately goes in a place where you’re »
- Steve Chagollan
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