24 March 2014 5:09 PM, PDT | ScreenRant.com | See recent Screen Rant news »

Ridley Scott’s quasi-Alien prequel Prometheus is one of the more divisive sci-fi features churned out by Hollywood in recent times (seriously, we’re talking about love/hate reactions that are near Man of Steel passion levels), but its $400 million worldwide gross kept its sequel hopes alive and well.

More importantly, as far as justifying a franchise from a creative perspective goes, the film managed to leave many a moviegoer (even many of its detractors) exceptionally curious, as to what will happen next in the story – with semi-religious archaeologist Elizabeth Shaw (Noomi Rapace) and damaged, but still functioning android David (Michael Fassbender) headed to the home world of humanity’s architects-turned would-be destroyers, known as the Engineers.

Prometheus ...

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