10 March 2014 7:23 PM, PDT | Variety - Film News | See recent Variety - Film News news »

Fort Tilden,” Sarah-Violet Bliss and Charles Rogers’ day-in-the-life chronicle of two vapid twentysomethings on an ill-fated odyssey through “deep Brooklyn,” contains several scenes that manage to skewer the infantile predilections of the Williamsburg jet set with truly ruthless, subtle precision. Unfortunately, it fails to find much humor in them, and its potent sense of place and underlying ideas never compensate for the tiresome millennial musings that constitute most of its runtime. Future festival play seems likely, though the film may well alienate more audiences than it seduces.

Although it has already drawn numerous pre-screening comparisons to a certain HBO program featuring wry Brooklyn hipsters of the same age and gender, “Fort Tilden” takes a far dimmer view of its subjects, and clearly derives its plot structure from Martin Scorsese’s “After Hours,” as 25-year-old roommates Allie (Clare McNulty) and Harper (Bridey Elliott) are perpetually waylaid while trying to make it to a date across town. »

- Andrew Barker

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